My Account Log in

1 option

African cinema : manifesto and practice for cultural decolonization / Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations. Michael T. Martin [and nine others].

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Martin, Michael T., author.
Contributor:
Martin, Michael T., Editor.
Kaboré, Gaston Jean-Marie, Editor.
Armes, Roy, contribution by.
Genova, James Eskridge, contribution by.
Shaka, Femi Okiremuete, contribution by.
Burns, James, contribution by.
Rice, Tom, contribution by.
Goerg, Odile, contribution by.
Hondo, Med, contribution by.
Gerima, Haile, contribution by.
Niang, Sada, contribution by.
Mbeka Phoba, Monique, contribution by.
Taylor, Clyde R., contribution by.
Boughedir, Férid, contribution by.
Tcheuyap, Alexie, contribution by.
Irobi, Esiaba, contribution by.
Zacks, Stephen A., contribution by.
Gabriel, Teshome H., contribution by.
Murphy, David, contribution by.
Akudinobi, Jude, contribution by.
Eke, Maureen N., contribution by.
Vieyra, Paulin Soumanou, contribution by.
Sawadogo, Boukary, contribution by.
Barlet, Olivier, contribution by.
Gadjigo, Samba, contribution by.
Ellerson, Beti, contribution by.
Roskos, Joseph E., as told to.
Series:
Studies in the cinema of the Black diaspora.
Studies in the Cinema of the Black Diaspora Series
Language:
English
Subjects (All):
Motion pictures and women.
Motion pictures--History.
Motion pictures.
Physical Description:
1 online resource (638 pages)
Edition:
First edition.
Place of Publication:
Indiana University Press 2023
Bloomington, Indiana : Indiana University Press, [2023]
Summary:
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Frid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembne, the "Father" of African cinema.
Notes:
Includes index.
Description based on print version record.
ISBN:
0-253-06623-9
0-253-06622-0

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account