2 options
Avant-Postman : experiment in anglophone and francophone fiction in the wake of James Joyce / David Vichnar.
- Format:
- Book
- Author/Creator:
- Vichnar, David, author.
- Language:
- English
- Subjects (All):
- Joyce, James, 1882-1941.
- Joyce, James.
- American fiction--20th century.
- American fiction.
- Physical Description:
- 1 online resource (510 pages)
- Edition:
- First edition.
- Place of Publication:
- Prague, Czech Republic : Karolinum Press, [2023]
- Summary:
- The Avant-Postman explores a broad range of innovative postwar writing in France, Great Britain, and the United States. Taking James Joyce's "revolution of the word" in Ulysses and Finnegans Wake as a joint starting point, David Vichnar draws genealogical lines through the work of more than fifty writers up to the present, including Alain Robbe-Grillet, B. S. Johnson, William Burroughs, Christine Brooke-Rose, Georges Perec, Kathy Acker, Iain Sinclair, Hélène Cixous, Alan Moore, David Foster Wallace, and many others. Centering the exploration around five writing strategies employed by Joyce-narrative parallax, stylistic metempsychosis, concrete writing, forgery, and neologizing the logos-the book reveals the striking continuities and developments from Joyce's day to our own.
- Contents:
- COVER
- ACKNOWLEDGMENTS
- NOTE ON THE TEXT &
- DEDICATION
- TABLE OF CONTENTS
- INTRODUCTION
- 1. PRELIMINARY NOTES ON THE NOVEL, EXPERIMENT, AND THE AVANT-GARDE
- 2. JOYCE THE AVANT-GARDIST: THE WAKE IN TRANSITION
- 3. TRANSITION IN THE WAKE: JOYCE THE TRANSITIONIST
- 4. JOYCEAN AVANT-GARDE: PARALLAX, METEMPS YCHOSIS,CONCRETISM, FORGERY, AND NEOLOGISM
- 5. JOYCEAN (?) TR ADITIONS: HAYMAN, ADAMS,WERNER, LEVITT
- 6. POST-JOYCE
- 1. JOYCE DE NOUVEAU: WITHIN OR BEHIND OR BEYOND OR ABOVE THE NEW NOVEL, 1947-67
- 1.1 "EQUIVALENT IMAGES, ANALOGOUS SENS ATIONS": NATHALIE SARRAUTE
- 1.2 "THE ADDITIONAL STEP IN SUBVERTING THE S YSTEM": ALAIN ROBBE-GRILLET
- 1.3 "FOREVER ADVANCING ON SHIFTINGS ANDS": CLAUDE SIMON
- 1.4 "ANAMNESIS OF LEITMOTIFS": ROBERT PINGET
- 1.5 "TO F AIL THIS WAY, IN A SUPERHUMAN A TTEMPT": CLAUDE MAURIAC
- 1.6 "DO WHATEVER YOU CAN TO GET THE MOST OUT OF IT": MICHEL BUTOR
- 2. "BUT HOW MANY HAVE FOLLOWED HIM?" JOYCE IN BRITAIN (1955-75)
- 2.1 "A HORROSHOW CRACK ON THE OOKO OR EARHOLE": ANTHONY BURGESS
- 2.2 "THE EINSTEIN OF THE NOVEL": B. S. JOHNSON
- 2.3 "THIS DIS TANCED TECHNIQUE OF WRITING FROM THE UNCONSCIOUS": ALAN BURNS
- 2.4 "THE VOYCE CRYING IN THE WILDERNESS, REJOICE WITH ME": BRIGID BROPHY
- 2.5 "A DEATH WISH AND A SENSE OF SIN": ANN QUIN
- 2.6 "WHO'S SHE WHEN SHE'S (NO T) AT HOME": CHRISTINE BROOKE-ROSE (1964-1975)
- 3. MAKING JOYCE "PART OF THE LANDSCAPE": THE AMERICAN LITERARY EXPERIMENT, 1953-1973
- 3.1 "A NEW MY THOLOGY FOR THE SP ACE A GE": WILLIAM S. BURROUGHS
- 3.2 "THE SELF WHO COULD DO MORE": WILLIAM GADDIS
- 3.3 "THAT STYLE WHICH DELIBER ATELY EXHAUSTSITS POSSIBILITIES": JOHN BARTH
- 3.4 "NEVER CUT WHEN YOU CAN PASTE": WILLIAM H. GASS
- 3.5 "THE BOOK REMAINS PROBLEMATIC, UNEXHAUSTED": DONALD BARTHELME
- 3.6 "ORPHEUS PUTS DOWN HARP": THOMAS PYNCHON.
- 4. JOYCEAN OULIPO, OULIPIAN JOYCE: 1960-1978, BEFORE AND AFTER
- 4.1 THE JOYS OF CONSTRAINT AND POTENTIAL
- 4.2 "NOTHING LEFT TO CHANCE": RAYMOND QUENEAU
- 4.3 "A MAN OF LETTERS": GEORGES PEREC
- 4.4 "A PRE-MODERN, ENCYCLOPEDIC CAST OF MIND": HARRY MATHEWS
- 4.5 "THE BABEL EFFECT": JACQUES ROUBAUD
- 4.6 THE ANTICIPATORY PLAGIARIST
- 5. "THE CENTENARIAN STILL SEEMS AVANTGARDE": EXPERIMENT IN BRITISH FICTION, 1975-2005
- 5.0 "OF NARR ATIVE STYLES, THE DISSOL UTION OF CHARACTER": CHRISTINE BROOKE-ROSE, 1984-2006
- 5.1 "LIFE'S TOO SHORED TO EMBARK ON IT NOW": BRIAN W. ALDISS
- 5.2 "PACKED WITH MEANINGLESS LOCAL REFERENCE S": J. G. BALLARD
- 5.3 "A POLYGLOT BABBLE LIKE A SYMPHONIC EURO-LANGUAGE": ANGELA CARTER
- 5.4 "REALISM IS ANTI-ART": JEANETTE WINTERSON
- 5.5 "GREAT ART SHOULD NOT MOVE": ALASDAIR GRAY
- 5.6 "GRAFTING, EDITING: QUO TATIONS, CORRESPONDENCES": IAIN SINCLAIR
- 5.7 CONCLUSION: JOYCE EVERYWHERE AND NOWHERE
- 6. "THE FUNNYMENTAL NOVEL OF OUR ERROR": JOYCE IN AMERICAN FICTION, 1973-1997
- 6.0 "'REALISM,' THE OPTICAL ILLUSION OF REALITY IN CAPITALIST THOUGHT": LANGUAGE POETRY
- 6.1 "THAT LEVEL OF ACTIVITY THAT REVEALS LIFE AS FICTION": RAYMOND FEDERMAN
- 6.2 "A NOVEL AS A CONCRETE STRUCTURE RATHER THAN AN ALLEGORY": RONALD SUKENICK
- 6.3 "ANOTHER AWARENESS, ANO THER ALPHABET": WALTER ABISH
- 6.4 "THE PARODYING PUNNING PRE-JOYCEAN CAKEWALK": ISHMAEL REED
- 6.5 "DOES LANGUAGE CONTROL LIKE MONEY?": KATHY ACKER
- 6.6 "THE JOYOUS HERESY THAT WILL NOT GO A WAY": GILBERT SORRENTINO
- 7. JOYCE AS SUCH / TEL QUEL JOYCE: 1960-1982, AND BEYOND
- 7.1 TEL QUEL'S "ENIGMATIC RESERVE"
- 7.2 "A CERTAIN TYPE OF EXCESS": JEAN-LOUIS HOUDEBINE
- 7.3 "DIS: YES - I.R.A.": MAURICE ROCHE
- 7.4 "AS CLOSE AS POSSIBLE TO THAT UNHEARD-OF PLACE": HÉLÈNE CIXOUS
- 7.5 "A SUBJECT ILLIMITABLE, NUMBERLESS": PHILIPPE SOLLERS.
- 7.6 "AN AVATAR OF CATHOLICITY": BEYOND TEL QUEL
- 8. POST-2000 CODA: CONCEPTUAL JOYCE
- 8.1. "MISINTERPRETING THE AVANT-GARDE": RACZYMOW, HADENGUE, LEVÉ
- 8.2 BREAKING "THE RE CURSIVEL OOPS OF REALISM": MITCHELL, HALL, HOME, MOORE
- 8.3 " CRUCIAL TO THE HEALTH OF THE ECOSYSTEM": AMERIKA, FOSTER WALLACE, GOLDSMITH, DANIELEWSKI, COHEN
- CONCLUSION
- 1. "ÉCRIRE SON NOM COMME UN MEANDERTALE": COUNTERSIGNING JOYCE'S SIGNATURE
- 2. "RITUALS ORIGINATING IN PIETY" :CONSTRUCTING A JOYCEAN POSTMODERNISM
- 3. THE JOYCEAN ANTI-POSTMODERNISTS
- 4. "HIS PR ODUCERS ARE THEY NO T HIS CONSUMERS?" (FW 497.1-2) REVISI(TI)NG THE JOYCEAN TRADITION
- 5. GENEALOGIES OF PARALLAX, METEMPS YCHOSIS, TRACE, FORGERY, AND NEOLOGISM
- 6. "ONE MORE UNLOOKEDFOR CONCLUSION LEAPED A T" (FW 108.32): JOYCE'S BAROQUE ERROR
- CHAPTER-BY-CHAPTER BIBLIOGRAPHY
- INDEX.
- Notes:
- Includes bibliographical references and index.
- Description based on publisher supplied metadata and other sources.
- Description based on print version record.
- ISBN:
- 9788024649382
- 8024649381
- OCLC:
- 1415897758
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.