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Samuel Beckett and the arts : Italian negotiations / edited by Davide Crosara and Mario Martino.

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Format:
Book
Author/Creator:
Crosara, Davide, Author.
Contributor:
Crosara, Davide, 1976- editor.
Martino, Mario, 1953- editor.
Series:
Anthem studies in global English literatures
Language:
English
Subjects (All):
Beckett, Samuel, 1906-1989--Criticism and interpretation.
Beckett, Samuel.
Physical Description:
1 online resource (ix, 181 pages) : digital, PDF file(s).
Edition:
First edition.
Place of Publication:
London ; New York, NY : Anthem Press, 2024.
Summary:
Beckett's dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett's relationship with Italian arts and poetry on one side - and on Italian artists' response to Beckett's oeuvre on the other - is still missing. The volume offers an original examination of Beckett's presence on the contemporary Italian cultural scene, a stage where he became (and still is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an 'Italian' artist, in constant dialogue with the most significant modern European cultural turns.
Contents:
Cover
Halftitle Page
Title Page
Copyright Page
Contents
Notes on Contributors
Introduction
Part One. Visual Encounters
Chapter 1. ‘The Pantheon at Rome or Certain Beehive Tombs’: Beckett’s Posthumous Architecture
Chapter 2. Some Notes on Beckett and Michelangelo
Chapter 3. ‘J’ai eu L’image’: Samuel Beckett and Gastone Novelli
Part Two. Radio and Opera
Chapter 4. Beckett’s Neither, an ‘Anti-Opera’ in Rome
Chapter 5. From Inferno to Sorrento: Dante, Wartime Radio and the Italia Prize
Part Three. Poetic Voices
Chapter 6. Beckett the Troubadour
Chapter 7. The Empty House: Watt’s Leopardian Traces
Part Four. Echoes. Translations, Reverberations
Chapter 8. Beckett Resonating in Italy: Which Text, Whose Voice?
Chapter 9. Beckett after Language Generated by AI.
Notes:
Title from publisher's bibliographic system (viewed on 13 Jun 2025).
Part of the metadata in this record was created by AI, based on the text of the resource.
ISBN:
1-83998-968-8
1-83998-967-X
OCLC:
1433226351

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