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Script Analysis for Actors, Directors, and Designers / James Thomas.
- Format:
- Book
- Author/Creator:
- Thomas, James, 1657 or 1658- author.
- Language:
- English
- Subjects (All):
- Drama--Explication.
- Drama.
- Physical Description:
- 1 online resource (247 pages)
- Edition:
- Seventh edition.
- Place of Publication:
- New York, NY : Routledge, [2024]
- Summary:
- "Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa's Shakuntala and Federico Garcia Lorca's The House of Bernarda Alba, information for the theatre designer integrated in chapters throughout the book, and an expanded appendix on critical approaches to Script Analysis. Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of Acting, Script Analysis, Directing, Playwriting, and Stage Design courses, this book provides the tools to effectively bring a script to life on stage"-- Provided by publisher.
- Contents:
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- Preface
- Acknowledgments
- Introduction
- What is Formalist Play Analysis?
- Action Analysis
- Reading Plays
- Special Expressiveness
- Pattern Awareness
- Mythological-Archetypal Awareness
- Historical Awareness
- Proactive Reading
- Facts, Implications, and Inferences
- Logical Thinking
- Associative Thinking
- Respect for Words
- Reading Fallacies
- Over-Personalizing
- Relativist Fallacy
- Faulty Generalization
- Fallacy of Reductiveness
- Biographical Fallacy
- Fallacy of the Half-Truth (Debunking)
- Frigidity (Insensitivity)
- Imitative Fallacy
- Intentional Fallacy
- Literal-Mindedness
- Genetic Fallacy (Second-Hand Thinking)
- Ambiguous Terms
- Naturalism and Realism
- Presentational, Representational, and Non-Objective Design
- Instinctive, Representational, and Experiential Acting
- Summary
- Chapter 1 Action Analysis
- Why Action Analysis?
- Thinking "Eventfully"
- Chain of External Events (External/Textual Plot)
- Reviewing the Facts
- Subject
- Chain of Internal Events (Subtextual Plot)
- Three Major Climaxes
- Super-Objective
- Through-Action
- Counter-Through-Action
- Exercises for a Scene or Short Play
- Chapter 2 Foundations of the Plot: Given Circumstances
- Foundations of the Plot
- What are Given Circumstances?
- Time
- Time of the Play's Writing
- Time of the Play's Action
- Dramatic Time
- Place
- General Locale
- Specific Locale
- Society
- Family
- Love and Friendship
- Occupation
- Social Status
- Social Standards
- Economics
- Politics and Law
- Culture
- Spirituality
- The Special World of the Play
- Given Circumstances in Nonrealistic Plays
- Atemporal Time
- Unlocalized Place
- Myth
- Theme World of Nonrealistic Plays
- Summary.
- Exercises for a Scene or Short Play
- Chapter 3 Foundations of the Plot: Background Story
- What is Background Story?
- Methods of Disclosure
- Historical Method
- Realistic Method
- Minimalist Method
- Identification of Content
- Events
- Character Descriptions
- Feelings
- Background Story in Nonrealistic Plays
- Chapter 4 Plot: External and Internal Action in the Dialogue and Stage Directions
- What is Plot?
- External Action
- Entrances and Exits
- Blocking
- Physical Production
- Special Activities
- Internal Action
- Assertions
- Commands
- Plans
- External and Internal Action in Nonrealistic Plays
- Chapter 5 Plot: Progressions and Structure
- Dramatic Actions in a Specific Order
- Progressions
- Beats
- Units
- Scenes and French Scenes
- Acts
- Digressions
- Structure
- Plot Formation
- Point of Attack
- Primary Event
- Inciting Action
- Conflict, Obstacles, Complicati
- Climaxes
- Recognition, Reversal, Catastrophe
- Simple and Complex Plots
- Resolution
- Progressions and Structure in Nonrealistic Plays
- Conflict
- Endings
- Chapter 6 Character
- What is Character?
- Subtext in the Characters-An Aside
- Objectives and Super-Objectives
- Action
- Actor's Adaptations-An Aside
- External Conflicts: Conflicts of Objectives
- External Conflicts: Role Conflicts
- Willpower
- Values
- Character Flaw
- Character Complexity
- Relationships
- Character in Nonrealistic Plays
- Chapter 7 Idea
- Idea in the Words
- Titles
- Discussions
- Sayings.
- Allusions
- Set Speeches
- Imagery
- Symbols
- Prologue and Epilogue
- Idea in the Characters
- Narrator and Chorus
- Raisonneur
- Confidant
- Norm Character
- Idea in the Plot
- Parallelism
- Intellectual Conflict
- Main Climax
- Theme
- Idea in Nonrealistic Plays
- Final Note on Action Analysis
- Chapter 8 Dialogue
- What is Dialogue?
- Words
- Abstract and Concrete
- Formal and Informal
- Jargon and Slang
- Connotation
- Sentences
- Length
- Type
- Rhythm
- Speeches
- Punctuation
- Linking
- Literariness
- Poetry
- Charm
- Dialects and Accents
- Dialogue in Nonrealistic Plays
- Leisureliness
- Incomplete, Rapid, Broken, Stream-of-Consciousness, Mistaken, Ambiguous, and Halting Language
- Banalities and Clichés
- Chapter 9 Tempo, Rhythm, and Mood
- What are Tempo, Rhythm, and Mood?
- Tempo
- In the Plot
- In the Characters
- In the Ideas
- Mood and Atmosphere
- In the Given Circumstances
- Tempo, Rhythm, and Mood in Nonrealistic Plays
- Chapter 10 Style
- Given Circumstances
- Locale
- Background Story
- Content
- Technique
- Reasons for Disclosure
- Plot
- Text and Subtext
- Genre
- Organization
- Scenic Linking
- The Three Unities
- Character
- Objectives
- Depiction
- Persuasiveness
- Scope
- Dialogue
- Literary Features
- Atmosphere
- Appendix: Conceptual Theatre and External Approaches to Play Analysis
- Conceptual Theatre
- External Approaches to Script Analysis.
- Biographical Criticism
- Deconstructive (Post-Structuralist) Criticism
- Feminist-Gender Criticism
- Historical Criticism
- Marxist Criticism
- Mythological-Archetypal Criticism
- Philosophical-Moral Criticism
- Psychological Criticism
- Social Justice Criticism
- Sociological Criticism
- Structuralist Criticism
- Textual Criticism
- Bibliography
- Index.
- Notes:
- Includes bibliographical references and index.
- Description based on print version record.
- Other Format:
- Print version: Thomas, James Script Analysis for Actors, Directors, and Designers
- ISBN:
- 1-000-98507-5
- 1-000-98508-3
- 9781003343936
- OCLC:
- 1380753982
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