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Script Analysis for Actors, Directors, and Designers / James Thomas.

O'Reilly Online Learning: Academic/Public Library Edition Available online

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Format:
Book
Author/Creator:
Thomas, James, 1657 or 1658- author.
Language:
English
Subjects (All):
Drama--Explication.
Drama.
Physical Description:
1 online resource (247 pages)
Edition:
Seventh edition.
Place of Publication:
New York, NY : Routledge, [2024]
Summary:
"Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa's Shakuntala and Federico Garcia Lorca's The House of Bernarda Alba, information for the theatre designer integrated in chapters throughout the book, and an expanded appendix on critical approaches to Script Analysis. Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of Acting, Script Analysis, Directing, Playwriting, and Stage Design courses, this book provides the tools to effectively bring a script to life on stage"-- Provided by publisher.
Contents:
Cover
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
Preface
Acknowledgments
Introduction
What is Formalist Play Analysis?
Action Analysis
Reading Plays
Special Expressiveness
Pattern Awareness
Mythological-Archetypal Awareness
Historical Awareness
Proactive Reading
Facts, Implications, and Inferences
Logical Thinking
Associative Thinking
Respect for Words
Reading Fallacies
Over-Personalizing
Relativist Fallacy
Faulty Generalization
Fallacy of Reductiveness
Biographical Fallacy
Fallacy of the Half-Truth (Debunking)
Frigidity (Insensitivity)
Imitative Fallacy
Intentional Fallacy
Literal-Mindedness
Genetic Fallacy (Second-Hand Thinking)
Ambiguous Terms
Naturalism and Realism
Presentational, Representational, and Non-Objective Design
Instinctive, Representational, and Experiential Acting
Summary
Chapter 1 Action Analysis
Why Action Analysis?
Thinking "Eventfully"
Chain of External Events (External/Textual Plot)
Reviewing the Facts
Subject
Chain of Internal Events (Subtextual Plot)
Three Major Climaxes
Super-Objective
Through-Action
Counter-Through-Action
Exercises for a Scene or Short Play
Chapter 2 Foundations of the Plot: Given Circumstances
Foundations of the Plot
What are Given Circumstances?
Time
Time of the Play's Writing
Time of the Play's Action
Dramatic Time
Place
General Locale
Specific Locale
Society
Family
Love and Friendship
Occupation
Social Status
Social Standards
Economics
Politics and Law
Culture
Spirituality
The Special World of the Play
Given Circumstances in Nonrealistic Plays
Atemporal Time
Unlocalized Place
Myth
Theme World of Nonrealistic Plays
Summary.
Exercises for a Scene or Short Play
Chapter 3 Foundations of the Plot: Background Story
What is Background Story?
Methods of Disclosure
Historical Method
Realistic Method
Minimalist Method
Identification of Content
Events
Character Descriptions
Feelings
Background Story in Nonrealistic Plays
Chapter 4 Plot: External and Internal Action in the Dialogue and Stage Directions
What is Plot?
External Action
Entrances and Exits
Blocking
Physical Production
Special Activities
Internal Action
Assertions
Commands
Plans
External and Internal Action in Nonrealistic Plays
Chapter 5 Plot: Progressions and Structure
Dramatic Actions in a Specific Order
Progressions
Beats
Units
Scenes and French Scenes
Acts
Digressions
Structure
Plot Formation
Point of Attack
Primary Event
Inciting Action
Conflict, Obstacles, Complicati
Climaxes
Recognition, Reversal, Catastrophe
Simple and Complex Plots
Resolution
Progressions and Structure in Nonrealistic Plays
Conflict
Endings
Chapter 6 Character
What is Character?
Subtext in the Characters-An Aside
Objectives and Super-Objectives
Action
Actor's Adaptations-An Aside
External Conflicts: Conflicts of Objectives
External Conflicts: Role Conflicts
Willpower
Values
Character Flaw
Character Complexity
Relationships
Character in Nonrealistic Plays
Chapter 7 Idea
Idea in the Words
Titles
Discussions
Sayings.
Allusions
Set Speeches
Imagery
Symbols
Prologue and Epilogue
Idea in the Characters
Narrator and Chorus
Raisonneur
Confidant
Norm Character
Idea in the Plot
Parallelism
Intellectual Conflict
Main Climax
Theme
Idea in Nonrealistic Plays
Final Note on Action Analysis
Chapter 8 Dialogue
What is Dialogue?
Words
Abstract and Concrete
Formal and Informal
Jargon and Slang
Connotation
Sentences
Length
Type
Rhythm
Speeches
Punctuation
Linking
Literariness
Poetry
Charm
Dialects and Accents
Dialogue in Nonrealistic Plays
Leisureliness
Incomplete, Rapid, Broken, Stream-of-Consciousness, Mistaken, Ambiguous, and Halting Language
Banalities and Clichés
Chapter 9 Tempo, Rhythm, and Mood
What are Tempo, Rhythm, and Mood?
Tempo
In the Plot
In the Characters
In the Ideas
Mood and Atmosphere
In the Given Circumstances
Tempo, Rhythm, and Mood in Nonrealistic Plays
Chapter 10 Style
Given Circumstances
Locale
Background Story
Content
Technique
Reasons for Disclosure
Plot
Text and Subtext
Genre
Organization
Scenic Linking
The Three Unities
Character
Objectives
Depiction
Persuasiveness
Scope
Dialogue
Literary Features
Atmosphere
Appendix: Conceptual Theatre and External Approaches to Play Analysis
Conceptual Theatre
External Approaches to Script Analysis.
Biographical Criticism
Deconstructive (Post-Structuralist) Criticism
Feminist-Gender Criticism
Historical Criticism
Marxist Criticism
Mythological-Archetypal Criticism
Philosophical-Moral Criticism
Psychological Criticism
Social Justice Criticism
Sociological Criticism
Structuralist Criticism
Textual Criticism
Bibliography
Index.
Notes:
Includes bibliographical references and index.
Description based on print version record.
Other Format:
Print version: Thomas, James Script Analysis for Actors, Directors, and Designers
ISBN:
1-000-98507-5
1-000-98508-3
9781003343936
OCLC:
1380753982

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