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The continuity of pre-Islamic motifs in Javanese mosque ornamentation, Indonesia.

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Format:
Book
Author/Creator:
Lee-Niinioja, Hee Sook.
Language:
English
Physical Description:
1 online resource (297 pages)
Edition:
1st ed.
Place of Publication:
Oxford : Archaeopress, 2022.
Summary:
This book assesses the continuity and significance of Hindu-Buddhist design motifs in Islamic mosques in Java. The volume investigates four pre-Islamic motifs in Javanese mosque ornamentation from the 15th century to the present day: prehistoric tumpals, Hindu-Buddhist kala-makaras, lotus buds, and scrolls.
Contents:
Cover
Title Page
Copyright page
Contents Page
List of Figures
Chapter 1.
Figure 1.1. The historical development of arabesque
Figure 1.2. Arabesque of the Umayyad dynasty
Figure 1.3. Geometrical patterns
Figure 1.4. Foliated calligraphy, Alhambra Palace, Granada, Spain, 14C
Chapter 2.
Figure 2.1. Agung Demak (1479), Agung Mataram (1568-1601) in the transitory
Figure 2.2. Hidayatullah (1750), Al Wustho Mangkunegara (1878-1918) during the Dutch colonization
Figure 2.3. Al Azhar (1953-1958), Al Akbar Surabaya (1995-2000) in the contemporary period
Figure 2.4. The basic type of line in tumpals
Figure 2.5. The basic type of shape in kala-makaras
Figure 2.6. The basic type of form in lotus buds
Figure 2.7. The basic type of rhythm in scrolls
Figure 2.8. Scaled value in tumpals
Chapter 3.
Figure 3.1. Java, Indonesia
Figure 3.2. Borobodur Temple, Central Java, 8C (Image: the Author)
Figure 3.3. Panataran temple, East Java, 1197-1454 (Image: the Author)
Figure 3.4. Two cultures: Central and East Java (Image: the Author)
Figure 3.5. Prehistoric tumpal (Kempers 1959)
Figure 3.6. Tumpals in Javanese temples (Image: the Author)
Figure 3.7. Kalas and makaras in Javanese temples (Image: the Author)
Figure 3.8. Bodhisattva lotus-in-hand (Image: the Author)
Figure 3.9. Various types of undulating scrolls in Javanese temples (Bosch 1960)
Figure 3.10. Scrolls in Central and East Java (Image: the Author)
Figure 3.11. Vine scrolls from antiquity to Islamic Umayyad palace, Greco-Buddhist Gandhara India, and Hindu-Buddhist Java, Indonesia
Figure 3.12. The spread of Islam from the 13th to 16th centuries in Indonesia (Fox 1998, Revised drawing: the Author)
Figure 3.13. Mihrabs of 40 mosques in Java in alphabetical order (Drawing: the Author).
Figure 3.14. Arabesque in Javanese mosques (Drawing: the Author)
Figure 3.15. Geometry in Javanese mosques (Drawing: the Author)
Figure 3.16. Calligraphy in Javanese mosques (Drawing: the Author)
Figure 3.17. Chinese cloud-like flame (Drawing: the Author)
Figure 3.18. European flower (Drawing: the Author)
Chapter 4.
Figure 4.1. Examples of motifs in Javanese mosques shown to the interviewees
Figure 4.2. Examination of HBS, OIA, and CHI
Figure 4.3. 30 Motifs for Examination
Chapter 5.
Figure 5.0. The 48 tumpals
Figure 5.1. Continuity of tumpals between the pre-Islamic and Islamic periods (Drawing: Pepin Press 1998
Image: the Author)
Figure 5.2. Scaled value in tumpals
Figure 5.3. Straight/curved. Number(N). Mode(M)
Figure 5.4. Vertical/horizontal/diagonal of straight lines. Number(N). Mode(M)
Figure 5.5. Circular/spiral/undulating of curved lines. Number(N). Mode(M)
Figure 5.6. Broken/unbroken. Number(N). Mode(M)
Figure 5.7. Natural/geometric. Number(N). Mode(M)
Figure 5.8. Inner/outline. Number(N). Mode(M)
Figure 5.9. Short/long. Number(N). Mode(M)
Figure 5.10. Simple/complicated. Number(N). Mode(M)
Figure 5.11. Narrow/wide
Figure 5.12. Subordinate
Chapter 6.
Figure 6.0. The 45 kala-makaras
Figure 6.1. Emersion of kala-makaras in mosques (Vogler 1949)
Figure 6.2. Continuity of pre-Islamic kala-makaras in Javanese mosque ornamentation (Image: the Author)
Figure 6.3. Scaled value in kala-makaras
Figure 6.4. Natural/geometric. Number(N). Mode(M)
Figure 6.5. Circular/oval/triangular/square/rectangular of geometric shapes. Number(N). Mode(M)
Figure 6.6. Dynamic/static. Number(N). Mode(M)
Figure 6.7. Single/assorted. Number(N). Mode(M)
Figure 6.8. Illustrating/abstract. Number(N). Mode(M)
Figure 6.9. Smooth/complicated. Number(N). Mode(M).
Figure 6.10. Small /big. Number(N). Mode(M)
Figure 6.11. Original/coloured
Figure 6.12. Separate/united
Chapter 7.
Figure 7.0. 50 lotus buds
Figure 7.1. Continuity of pre-Islamic lotus buds in Javanese mosque ornamentation (Image: the Author)
Figure 7.2. Scaled value in lotus buds
Figure 7.3. Primary/non-primary. Number(N). Mode(M)
Figure 7.4. Cubic/conic/spherical/cylindrical/pyramidal of primary forms. Number(N). Mode(M)
Figure 7.5. Voluminous/slender. Number(N). Mode(M)
Figure 7.6. Open/closed. Number(N). Mode(M)
Figure 7.7. Realistic/stylized. Number(N). Mode(M)
re 7.8. Dynamic/static. Number(N). Mode(M)
Figure 7.9. 2-3 dimensional/3-dimensional. Number(N). Mode(M)
Figure 7.10. Light/dark
Figure 7.11. Small/big
Chapter 8.
Figure 8.0. 50 scrolls
Figure 8.1. Continuity of pre-Islamic scrolls in Javanese mosque ornamentation (Image: the Author)
Figure 8.2. Scaled value in scrolls
Figure 8.3. Regular/irregular. Number(N). Mode(M)
Figure 8.4. Vertical/horizontal/diagonal rhythms. Number(N). Mode(M)
Figure 8.5. Repetitive/non-repetitive. Number(N). Mode(M)
Figure 8.6. Harmonious/disharmonious. Number(N). Mode(M)
Figure 8.7. Single/multiple. Number(N). Mode(M)
Figure 8.8. Strong/weak. Number(N). Mode(M)
Figure 8.9. Continuous/discontinuous. Number(N). Mode(M)
Figure 8.10. Smooth/rough
Figure 8.11. Progressive/Non-progressive
Chapter 9.
Figure 9.1. Scaled values in tumpals
Figure 9.2. The four sacred motifs on secular objects (Image: the Author)
List of Tables
Table 1.2.3.1. A term 'rarely terminate' (o+) is intrepreted as 'infinite', and that of 'little remains of the vine' (o++) as 'abstract'.
Table 1.1. Development of the pre-Islamic and Islamic periods
Table 2.1. Development of the pre-Islamic and Islamic periods.
Table 2.2. Four motifs, four indicators, and five variables
Table 5.0. Development of the pre-Islamic and Islamic periods
Table 5.1. Background to the 48 tumpals between the pre-Islamic and Islamic periods
Table 5.2. Number of straight/curved lines in the 48 tumpals between the pre-Islamic and Islamic periods
Table 5.2a. Modes and total numbers+: straight/curved lines in the 48 tumpals
Table 5.3. Number of vertical/horizontal/diagonal of straight lines in the 48 tumpals between the pre-Islamic and Islamic periods
Table 5.3a. Modes and total numbers+: vertical, horizontal, and diagonal of straight lines in the 48 tumpals
Table 5.4. Number of circular/spiral/undulating of curved lines in the 48 tumpals between the pre-Islamic and Islamic periods
Table 5.4a. Modes and total numbers+: circular, spiral, and undulating of curved lines in the 48 tumpals
Table 5.5. Number of five further characteristics of line in the 48 tumpals between the pre-Islamic and Islamic periods
Table 5.5a. Modes and total numbers+: broken/unbroken lines in the 48 tumpals
Table 5.5b. Total numbers of natural/geometrical lines in the 48 tumpals
Table 5.5c. Modes and total numbers+: inner/outline lines in the 48 tumpals
Table 5.5d. Modes and total numbers+: short/long lines in the 48 tumpals
Table 5.5e. Modes and total numbers+: simple and complicated lines in the 48 tumpals
Table 6.0. Development of the pre-Islamic and Islamic periods.
Table 6.1. Background to the 45 kala-makaras between the pre-Islamic and Islamic periods
Table 6.2. Number of natural/geometric shapes in the 45 kala-makaras between the pre-Islamic and Islamic periods
Table 6.2a. Modes and total numbers+: natural and geometric shapes in the 45 kala-makaras.
Table 6.3. Number of circular/oval/triangular/square/rectangular of geometric shapes in the 34 kala-makaras within the Islamic period
Table 6.3a. Modes and total numbers+: circular/oval/triangular/square/rectangular of geometric shapes in the 34 kala-makaras
Table 6.4. Number of five further characteristics of shape in the 45 kala-makaras between the pre-Islamic and Islamic periods
Table 6.4a. Modes and total numbers+: dynamic/static shapes in the 45 kala-makaras
Table 6.4b. Modes and total numbers+: single/assorted shapes in the 45 kala-makaras
Table 6.4c. Modes and total numbers+: illustrating/abstract shapes in the 45 kala-makaras
Table 6.4d. Modes and total numbers+: smooth/complicated shapes in the 45 kala-makaras
Table 6.4e. Modes and total numbers+: small/big shapes in the 45 kala-makaras
Table 7.0. Development of the pre-Islamic and Islamic periods.
Table 7.1. Background to the 50 lotus buds between the pre-Islamic and Islamic periods
Table 7.2. Number of primary/non-primary forms in the 50 lotus buds between the pre-Islamic and Islamic periods
Table 7.2a. Modes and total numbers+: primary and non-primary forms in the 50 lotus buds
Table 7.3. Number of cubic/conic/spherical/cylindrical/pyramidal of primary forms in the 50 lotus buds between the pre-Islamic and Islamic periods
Table 7.3a. Modes and total numbers+: cubic/conic/spherical/cylindrical/pyramidal forms in the 50 lotus buds
Table 7.4. Number of five further characteristics of form in the 50 lotus buds between the pre-Islamic and Islamic periods
Table 7.4a. Modes and total numbers+: voluminous/slender forms in the 50 lotus buds
Table 7.4b. Modes and total numbers+: open/closed forms in the 50 lotus buds
Table 7.4c. Modes and total numbers+: realistic/stylized forms in the 50 lotus buds.
Table 7.4d. Modes and total numbers+: dynamic/static forms in the 50 lotus buds.
Notes:
Description based on publisher supplied metadata and other sources.
Other Format:
Print version: Lee-Niinioja, Hee Sook The Continuity of Pre-Islamic Motifs in Javanese Mosque Ornamentation, Indonesia
ISBN:
9781803270494
OCLC:
1298387649

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