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Corporate Romanticism Liberalism, Justice, and the Novel / Daniel M. Stout.
- Format:
- Book
- Author/Creator:
- Stout, Daniel, author.
- Series:
- Lit z.
- Lit Z
- Language:
- English
- Subjects (All):
- English literature--19th century--History and criticism.
- English literature.
- Liberalism in literature.
- Juristic persons.
- Individualism in literature.
- Corporations in literature.
- Genre:
- Electronic books.
- Physical Description:
- 1 online resource (264 pages)
- Edition:
- First edition.
- Manufacture:
- Baltimore, Md. : Project MUSE, 2017
- Place of Publication:
- Baltimore, Maryland : Project Muse, 2016
- Summary:
- Corporate Romanticism offers an alternative history of the connections between modernity, individualism, and the novel. In early nineteenth-century England, two developments-the rise of corporate persons and the expanded scale of industrial action-undermined the basic assumption underpinning both liberalism and the law: that individual human persons can be meaningfully correlated with specific actions and particular effects. Reading works by Godwin, Austen, Hogg, Mary Shelley, and Dickens alongside a wide-ranging set of debates in nineteenth-century law and Romantic politics and aesthetics, Daniel Stout argues that the novel, a literary form long understood as a reflection of individualism's ideological ascent, in fact registered the fragile fictionality of accountable individuals in a period defined by corporate actors and expansively entangled fields of action. Examining how liberalism, the law, and the novel all wrestled with the moral implications of a highly collectivized and densely packed modernity, Corporate Romanticism reconfigures our sense of the nineteenth century and its novels, arguing that we see in them not simply the apotheosis of laissez-fair individualism but the first chapter of a crucial and distinctly modern problem about how to fit the individualist and humanist terms of justice onto a world in which the most consequential agents are no longer persons.
- Contents:
- Introduction : personification and its discontents
- 1. The pursuit of guilty things : corporate actors, collective actions, and romantic abstraction
- 2. The one and the manor : on being, doing, and deserving in Mansfield Park
- 3. Castes of exception : tradition and the public sphere in The private memoirs and confessions of a justified sinner
- 4. Nothing personal : the decapitations of character in A tale of two cities
- 5. Not world enough : easement, externality, and the edges of justice (Caleb Williams)
- Epilogue : everything counts (Frankenstein).
- Notes:
- Issued as part of book collections on Project MUSE.
- Includes bibliographical references (pages [231]-248) and index.
- Description based on print version record.
- ISBN:
- 0-8232-7227-3
- 0-8232-7228-1
- OCLC:
- 966458148
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