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Filming Modernity and Islam in Colonial Egypt / Heba Arafa Abdelfattah.

De Gruyter Edinburgh University Press Complete eBook-Package 2023 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Abdelfattah, Heba Arafa, author.
Language:
English
Subjects (All):
Motion pictures.
Motion pictures--Egypt--History--20th century.
Motion pictures--Religious aspects--Islam.
Physical Description:
1 online resource (488 p.) : 136 B/W illustrations 136 b&w illustrations
Edition:
First edition.
Place of Publication:
Edinburgh University Press 2023
Edinburgh, Scotland : Edinburgh University Press Ltd, [2023]
Language Note:
In English.
Summary:
Explores the formative years of Egyptian cinema (1919-52) to contest the contradiction between Islam and innovationDiscusses over 30 feature films, drawing on English and Arabic archival material including records of the British Foreign Office, the Egyptian National Archive, diaries of filmmakers and film censors, magazines and newspapers, and Islamic legal opinions on theatre and cinemaSets out a dialogic and innovative approach to studying modernity and Islam as interdependent lived experiencesSteps outside the Orientalist formalist approach, which subjects subaltern cinema to the Hollywood standards of film languageWrites a compelling account of Egyptian cinema as creative imagination and an Islamic popular culture shaped by Muslims and Non-MuslimsThis book studies the rise of cinema in colonial Egypt as a supplemental secular public sphere that is not anti-religion. To this end, it investigates the reception of film by three centres of powers: the colonial authorities, the Muslim clergy and the Cairene bourgeoisie. It inquires about the representations of modernity in films produced during the time and the place filmmakers assigned to Islam in these representations. The result is a story of survival and coexistence told through the lens of cinema as modern art and popular culture negotiating its overt and covert censorship in the public sphere, despite colonisation and war.
Contents:
Frontmatter
Contents
List of Figures
Acknowledgments
Note on Transliteration
Preface
1 Introduction: Basic Concepts
2 Regulating the Amour-propre of the Colonized
3 Protecting the Amour-propre of Islam
4 Caricaturing Dominant Modernity (Tafarnug)
5 Lampooning Residual Modernity (Ta'ssul)
6 Celebrating Emergent Modernity (Asala)
Bibliography
Index
Notes:
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023)
Description based on print version record.
ISBN:
9781399520775
1399520776
9781399520782
1399520784
OCLC:
1414455273

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