Aesthetics, digital studies and bernard stiegler.

Format:

Book

Language:

English

Subjects (All):

Stiegler, Bernard--Influence.

Stiegler, Bernard.

Physical Description:

1 online resource (224 pages).

Edition:

First edition.

Distribution:

[London, England] : Bloomsbury Publishing, 2021

Place of Publication:

[Place of publication not identified] Bloomsbury Academic USA, 2020.

Summary:

"Aesthetics, Digital Studies and Bernard Stiegler frames the intertwined relationship between artistic endeavours and scientific fields and their sociopolitical implications. Each chapter is either an explication of, or a critique of, some aspect of Bernard Stiegler's technological philosophy; as it is his technological-political-aesthetical-ethical theorisations which form the philosophical foundation of the volume. Emerging scholars bring critical new reflections to the subject area, while more established academics, researchers and practitioners outline the mutating nature of aesthetics within historical and theoretical frameworks. Not only is interdisciplinarity a prevailing topic at work within this collection, but so too is there a delineation of the mutating, hybrid role inhabited by the arts practitioner ? at once engineer, scientist and artist ? in the changing landscape of digital cultural production."-- Provided by publisher.

Contents:

Preface Bernard Stiegler (Centre Georges-Pompidou, France)

Introduction Noel Fitzpatrick (Dublin Institute of Technology, Ireland) and Nǐll O'Dwyer (Trinity College Dublin, Ireland) I - Technics and Time

1. Prolegomenon to a Digital Studies Manifesto Gerald Moore (Durham University, UK)

2. Beckett's Grammatisation of Memory: a re-reading of Krapp's Last Tape Nǐll O'Dwyer (Trinity College Dublin, Ireland)

3. The Saville Inquiry: Bloody Sunday Enhanced Cormac Dean ( Institute of Art, Design and Technology, Dublin, Ireland) II - Positive Pharmacology

4. Vertical Rolls: Performing a Gendered Reading of Bernard Stiegler El Putnam (Dublin Institute of Technology, Ireland)

5. Remixing the Object of Study: ekphrasis and quotation in film criticism and analysis Aidan Delaney (Middlesex University, UK)

6. Relationships between Les Immatřiaux, curated by Jean-François Lyotard and Thierry Chaput at Centre Pompidou, Paris, (1985) and Art Post-Internet curated by Karen Archey and Robin Peckham at the Ullens Center for Contemporary Art, Beijing (2014) Jeanette Doyle (Dublin Institute of Technology, Ireland)

7. Vandalism in Cyberspace: From Street Art to ISIS Connell Vaughan (Dublin Institute of Technology, Ireland) III - The Anthropocene

8. Don Ihde and Bernard Stiegler: The ontological question of exteriorisation Michael O'Hara (Dublin Institute of Technology, Ireland)

9. A proposal for Digital Hermeneutics Noel Fitzpatrick (Dublin Institute of Technology, Ireland)

10. Some Concluding Remarks Noel Fitzpatrick and Michael O'Hara (Dublin Institute of Technology, Ireland)

Index.

Notes:

Includes bibliographical references and index.

ISBN:

9781501356360

1501356364

9781501356377

1501356372

9781501356346

1501356348

OCLC:

1238133698