The Bloomsbury handbook of sonic methodologies / edited by Michael Bull and Marcel Cobussen.

Format:

Book

Contributor:

Bull, Michael, 1952- editor.

Cobussen, Marcel, 1962- editor.

Series:

Bloomsbury Handbooks

Language:

English

Subjects (All):

Sound--Research.

Sound.

Interdisciplinary research.

Physical Description:

1 online resource (849 pages) : illustrations

Edition:

First edition.

Distribution:

[London, England] : Bloomsbury Publishing, 2020

Place of Publication:

London [England] : Bloomsbury Academic, 2020.

Summary:

"An interdisciplinary overview of the variety of sonic methodologies used by sound scholars and artists based on contemporary theories and empirical analyses"-- Provided by publisher.

Contents:

Cover

Contents

List of Illustrations

List of Contributors

Introduction Michael Bull and Marcel Cobussen

Part I Disciplines, Methodologies, Epistemologies

1 Introduction to Part I: Sounds Inscribed onto the Face

Rethinking Sonic Connections through Time, Space, and Cognition Michael Bull

2 Sonic Methodologies in Anthropology Alexandrine Boudreault-Fournier

3 Sonic Methodologies by Way of Deconstruction Naomi Waltham-Smith

4 Nature's Music: Sonic Methodologies in the Study of Environmental Biology Wouter Halfwerk

5 Hearing With: Researching the Histories of Sonic Encounter James G. Mansell

6 Sonic Methodologies in Urban Studies Christabel Stirling

7 Sound and Pedagogy: Taking Podcasting into the Classroom Neil Verma

8 Sonic Methodologies in Literature Justin St. Clair

9 Sonic Materialism and/as Method Tyler Shoemaker

10 Sonic Methodology in Philosophy Elvira Di Bona

11 Sonic Methodologies in Science and Technology Studies Joeri Bruyninckx and Alexandra Supper

12 The Sonic Environment in Urban Planning, Environmental Assessment and Management A. Lex Brown

13 Sonic Methodologies in Medicine Jos J. Eggermont

14 Soundscape as Methodology in Psychoacoustics and Noise Management André Fiebig and Brigitte Schulte-Fortkamp

15 Sonic Methodologies of Sound Salomé Voegelin

Part II Sound Arts, Musics, Spaces

16 Introduction to Part II: Art

Research

Method Marcel Cobussen

17 Ambulatory Sound-Making: Rewriting, Reappropriating, 'Presencing' Auditory Spaces Elena Biserna

18 Sound Installations for the Production of Atmosphere as a Limited Field of Sounds Jordan Lacey

19 Fragile Devices: Improvisation as an Interdisciplinary Research Methodology Rebecca Caines

20 'The Music Comes from Me': Sound as Auto-Ethnography Darla Crispin

21 Sound beyond Representation: Experimental Performance Practices in Music Lucia D'Errico

22 Performing Centrifugal Sound G Douglas Barrett

23 How to Cut Up a Record? Paul Nataraj

24 Directing Listening: Sound Design Methods from Film to Site-Responsive Sonic Art Ben Byrne

25 Sound, Space, and Pneumatic Valves: Using Pneumatic Valves as Sound Sources to Create Spatial Environments Edwin van der Heide

26 The Overheard: An Attuning Approach to Sound Art and Design in Public Spaces Marie Højlund, Jonas R. Kirkegaard, Michael Sonne Kristensen, and Morten Riis

27 Sound on Sound: Considerations for the Use of Sonic Methods in Ethnographic Fieldwork inside the Recording Studio Paul Thompson

28 Ecological Sound Art Jonathan Gilmurray

29 Hydrophonic Fields Jana Winderen interviewed by Stefan Helmreich

30 Melt Me into the Ocean: Sounds from Submarine Spaces Yolande Harris

Notes:

Includes index.

Includes bibliographical references and index.

Description based on print version record and CIP data provided by publisher; resource not viewed.

ISBN:

9781501338786

1501338781

9781501338779

1501338773

9781501338762

1501338765

OCLC:

1195818761