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Naẓar : vision, belief, and perception in Islamic cultures / edited by Samer Akkach.

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Format:
Book
Contributor:
Akkach, Samer, editor.
Series:
Islamic History and Civilization ; 191.
Islamic History and Civilization ; 191
Language:
English
Subjects (All):
Art and society.
Islamic art--Themes, motives.
Islamic art.
Visual perception--Cross-cultural studies.
Visual perception.
Physical Description:
1 online resource (339 pages)
Place of Publication:
Leiden, Netherlands ; Boston, Massachusetts : Brill, [2022]
Summary:
Naẓar , literally 'vision', is a unique Arabic-Islamic term/concept that offers an analytical framework for exploring the ways in which Islamic visual culture and aesthetic sensibility have been shaped by common conceptual tools and moral parameters. It intertwines the act of 'seeing' with the act of 'reflecting', thereby bringing the visual and cognitive functions into a complex relationship. Within the folds of this multifaceted relationship lies an entangled web of religious ideas, moral values, aesthetic preferences, scientific precepts, and socio-cultural understandings that underlie the intricacy of one's personal belief. Peering through the lens of naẓar , the studies presented in this volume unravel aspects of these entanglements to provide new understandings of how vision, belief, and perception shape the rich Islamic visual culture. Contributors: Samer Akkach, James Bennett, Sushma Griffin, Stephen Hirtenstein, Virginia Hooker, Sakina Nomanbhoy, Shaha Parpia, Ellen Philpott-Teo, Wendy M.K. Shaw.
Contents:
Intro
Contents
Preface
Notes to the Reader
Figures
Notes on Contributors
Aperture: Terms, Concepts, and Discourse
Chapter 1 Naẓar: The Seen, the Unseen, and the Unseeable
Chapter 2 Naẓar, Subjectivity, and 'The Gaze'
Part 1 The Eye of the Heart
Chapter 3 Human Looking, Divine Gaze: Naẓar in Islamic Spirituality
Chapter 4 Seeing with 'The Eyes of the Heart': dhikr and fikr as Sources of Insight in Indonesian Islamic Art
Part 2 The Eye of the Mind
Chapter 5 Transparency: Ibn al-Haytham's Manāẓir and Visual Perception of Beauty
Chapter 6 Veiling: Ibn al-Qaṭṭān's Aḥkām and the Rules Concerning Seeing
Part 3 Evil Eye, Talismanic Seeing
Chapter 7 May the Envier's Eye be Blind
Chapter 8 Talismanic Seeing: The Induction of Power in Indonesian Zoomorphic Art
Part 4 Gazing Eye, Imaginative Seeing
Chapter 9 The Artist's Gaze: Visual Representations of the Mughal Hunting Landscape
Chapter 10 Vernacular Subjectivity as a Way of Seeing: Visualising Bijapur in Nujūm al-ʿUlūm and Kitāb-i-Nauras
Index.
Notes:
Includes bibliographical references and index.
Description based on print version record.
Other Format:
Print version: Akkach, Samer Naẓar:Vision, Belief, and Perception in Islamic Cultures
ISBN:
90-04-49948-2
OCLC:
1289371488
Publisher Number:
10.1163/9789004499485 DOI

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