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Haunting the World : Essays on Film after Perkins and Cavell.

De Gruyter SUNY Press eBook-Package 2025 Available online

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Format:
Book
Author/Creator:
Lash, Dominic.
Series:
SUNY Series, Horizons of Cinema Series
Language:
English
Subjects (All):
Film criticism.
Philosophy in motion pictures.
Physical Description:
1 online resource (342 pages)
Edition:
1st ed.
Place of Publication:
Albany : State University of New York Press, 2025.
Summary:
This book, authored by Dominic Lash, explores the intersection of film criticism and philosophy, focusing on the works of V. F. Perkins and Stanley Cavell. It examines themes such as diegesis, disruption, privacy, consent, and expression in film, along with broader philosophical questions about agency, skepticism, and idolatry. The text delves into the analysis of specific films and filmmakers, including Andrei Tarkovsky, Kelly Reichardt, Ridley Scott, and others, to illustrate these concepts. By engaging with critical theory and philosophical discourse, the book aims to deepen the understanding of cinematic art and its relation to human experience. It is intended for scholars, students, and enthusiasts of film studies and philosophy. Generated by AI.
Contents:
Contents
List of Illustrations
Acknowledgments
Introduction: Naive Film Criticism
Part One. V. F. Perkins
1 Film as Film in the Twenty-First Century
2 V. F. Perkins and the Redescription of Films
Perkins and Redescription: Introduction
Description in (Film) Theory and Practice
Description and Moral Philosophy
Failures of Redescription
Letter from an Unknown Woman
America, America
Part Two. Stanley Cavell
3 “Not Yet the Last”: On a Paragraph by Stanley Cavell
Deceptively Idiomatic: Privacy and Fantasy
Self-stultifying Pairings?
Ghost Stories: Haunting and Betrayal
Painting
Last Judgments
4 Cavellian Reflections on Privacy, Consent, and Expression in Ildikó Enyedi’s On Body and Soul (Teströl és lélekröl)
5 (Re)producing Marriage: Stanley Cavell and Paul Thomas Anderson’s Phantom Thread
Poisonous Remarriage
Skepticism
Disorientation and the Production of Criteria
Eternal Return
6 Experience, Skepticism, and Idolatry in Stanley Kubrick, Nicholas Lash, and Stanley Cavell
Nicholas Lash on Religious Experience
Cinematic Ontology and the Experience of Film
The Experience of Stanley Kubrick Generated by AI.
Notes:
Description based on publisher supplied metadata and other sources.
Part of the metadata in this record was created by AI, based on the text of the resource.
ISBN:
979-88-558-0311-2
OCLC:
1524424132

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