Perspectives on gender in post-1945 German literature / Georgina Paul.

Format:

Book

Author/Creator:

Paul, Georgina, author.

Series:

Studies in German literature, linguistics, and culture (Unnumbered)

Studies in German literature, linguistics, and culture

Language:

English

Subjects (All):

German literature--20th century--History and criticism.

German literature.

Sex (Psychology) in literature.

Identity (Psychology) in literature.

Physical Description:

1 online resource (257 pages) : digital, PDF file(s).

Place of Publication:

Suffolk : Boydell & Brewer, 2009.

Language Note:

English

Summary:

Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College.

Contents:

Gender, subjectivity, and cultural critique from the fin de siècle to fascism

The post-1945 crisis of enlightenment and the emergence of the "other" sex

Challenging masculine subjectivity : Ingeborg Bachmann's Malina

From his point of view : Max Frisch's Mein Name sei Gantenbein

The critique of instrumental reason : Max Frisch's Homo Faber and Christa Wolf's Störfall

Pathologies : Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre

End visions : Heiner Müller's Die Hamletmaschine and Christa Wolf's Kassandra

Beyond the impasse? : Barbara Köhler's "Elektra. Spiegelungen."

Notes:

Title from publisher's bibliographic system (viewed on 02 Oct 2015).

Includes bibliographical references and index.

ISBN:

1-282-79566-X

9786612795664

1-57113-746-7