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Truth and storytelling : scripting the visual narrative / Emily Edwards.
- Format:
- Book
- Author/Creator:
- Edwards, Emily D., author.
- Language:
- English
- Subjects (All):
- Authorship.
- Narration (Rhetoric).
- Truth in literature.
- Physical Description:
- 1 online resource (221 pages)
- Place of Publication:
- London : Anthem Press, [2022]
- Summary:
- The book offers a guide for writers to better understand and confront the truths they want to reveal through narrative stories and how to find legitimacy in the fictional characters and situations they create.
- Contents:
- Cover
- Half Title
- Title Page
- Copyright Page
- Contents
- List of Illustrations
- Chapter 1 Truth And the Search For Story
- The Relevance of Fiction
- Finding Concepts: The Logline
- The Influence of Genre on Story
- Reimagining Classics, Myths, Epic Poems, and Fairytales
- Ideas from Life Experience
- Story Inspirations from News Accounts
- Visualizing a Story Idea
- Ideas from Historical Accounts
- Questions for Authentic Fiction
- Language and Lies
- But I Just Want to Entertain
- What Is the Nature of Humanity?
- What Is the Relationship between the Individual and Society?
- What Is a Just Society?
- What Is Happiness?
- What Is Truth?
- What Is the Proper Role of the Storyteller?
- References
- Chapter 2 Creating Authentic Characters
- Protagonists, Antagonists, Heroes, Antiheroes, and Villains
- Characters and Perspectives
- Perspective and Experience
- Change and Character Arcs
- Characters and Stereotypes
- Archetypes and the Collective Unconscious
- Archetypes of the Personal Unconscious
- Dramatic Goals and Dramatic Needs
- Finding Character in a Concept
- Psychological Drives and Character
- Physical Attributes
- Quirks, Hobbies, and Passions
- Location as Character
- Characters in Games and Interactive Stories
- Character Biographies
- Chapter 3 The Shapes of Visual Narrative
- Linear Three-Act Structures
- The Work of Act One
- The Work of Act Two
- The Work of Act Three
- Sequence Structure
- The Three Acts of the Hero's Journey
- The Heroine's Journey
- A Heterosexual Man on a Heroine's Journey
- Children's Journeys
- Chapter 4 The Structures of Time and Perspective
- Nonlinear Structures
- Multiple Stories and Ensembles
- Multi-Story and Nonlinear Combinations
- Brusque Endings, Curt Beginnings, and Slices of Life.
- The Unmotivated and Disenfranchised Protagonist
- An Alternate Perspective on Genre
- Pseudo-Documentary, Mockumentary, and Found Footage
- Familiar Structures and Interactive Stories
- Choosing Structure
- Chapter 5 OUTLINES and The Spines of Stories
- Step Outlines for Any Structure
- An Example Process for Developing a Step Outline
- I. Act One
- A. Sequence One
- B. Sequence Two
- II. Act Two
- C. Sequence Three
- D. Sequence Four
- E. Sequence Five
- F. Sequence Six
- III. Act Three
- G. Sequence Seven
- H. Sequence Eight
- What an Outline Can Reveal
- Challenging the Structure
- Story Outlines and Awkward Truths
- Outlines, Flow Charts, Beat Sheets, and Treatments
- Chapter 6 The Truths of Style and Format
- The Literary Screenplay
- Types of Film Scripts
- Basics of the Master Scene Screenplay
- Scene Headings
- EXT. FRANK'S BAR - NIGHT
- INT. FRANK'S BAR - NIGHT (CONTINUOUS)
- INT. FRANK'S BAR - NIGHT (LATER)
- INT. NANCY'S DORM ROOM - DAY (FALL 1901)
- INT./EXT. MILITARY HUMVEE - DAY
- INT. AMY'S HOUSE - BEDROOM - NIGHT
- Writing Action or Visualization
- Formatting the Dialogue Block
- Using Parentheticals
- Using Transitions
- Other Script Formats
- Television Scripts
- Written Documents for Fictional Multimedia and Interactive Stories
- Chapter 7 Guarded Dialogue and Candid Silence
- The Functions of Dialogue
- Exposing the Character
- Supporting the Plot
- The Verbal and the Nonverbal
- Scripting a Different Language
- Listening as Dialogue Research
- Regional Phrases and Dialect
- Punctuation: A Writer's "Directing" Tool
- Writing Full Stops, Beats, and Pauses
- Exclamation Marks, Questions, and Ellipsis
- Hyphens and Dashes
- Quotations and Apostrophes
- Colons and Semicolons
- Numbers and Keyboard Symbols
- Abbreviations. Periods That Aren't Pauses.
- Cursing and Dialogue
- Dialogue and Devices
- Dialogue and Ad-lib
- Chapter 8 The Scene and the Story
- The Length of a Scene
- EXT. FIELD - RAIN - DAY
- The Development of a Scene
- The Scene and the Montage
- Scenes as Flashbacks, Dream Sequences, and Hallucinations
- Connecting Scenes
- The Intercut Sequence
- Stylized Scenes
- Breaking the Fourth Wall
- The Voice-Over Scene
- Lampshading
- Gaslighting
- The Work of a Scene
- Chapter 9 HONEST REVISIONS
- The Readable Text and Cold Table Readings
- Workshopping after the Read
- Finding Meaning-What Readers Understand
- The Missions of Stories in Revision
- The Finished Script
- Scripts in Competition
- Getting Scripts to Producers
- Creative Self-Discovery
- The Abstract Truth
- A Story's Perspective
- Story in the Larger Context
- Index.
- Notes:
- Description based on print version record.
- Includes index.
- Other Format:
- Print version: Edwards, Emily Truth and Storytelling
- ISBN:
- 9781785273094
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