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Truth and storytelling : scripting the visual narrative / Emily Edwards.

Ebook Central College Complete Available online

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Format:
Book
Author/Creator:
Edwards, Emily D., author.
Language:
English
Subjects (All):
Authorship.
Narration (Rhetoric).
Truth in literature.
Physical Description:
1 online resource (221 pages)
Place of Publication:
London : Anthem Press, [2022]
Summary:
The book offers a guide for writers to better understand and confront the truths they want to reveal through narrative stories and how to find legitimacy in the fictional characters and situations they create.
Contents:
Cover
Half Title
Title Page
Copyright Page
Contents
List of Illustrations
Chapter 1 Truth And the Search For Story
The Relevance of Fiction
Finding Concepts: The Logline
The Influence of Genre on Story
Reimagining Classics, Myths, Epic Poems, and Fairytales
Ideas from Life Experience
Story Inspirations from News Accounts
Visualizing a Story Idea
Ideas from Historical Accounts
Questions for Authentic Fiction
Language and Lies
But I Just Want to Entertain
What Is the Nature of Humanity?
What Is the Relationship between the Individual and Society?
What Is a Just Society?
What Is Happiness?
What Is Truth?
What Is the Proper Role of the Storyteller?
References
Chapter 2 Creating Authentic Characters
Protagonists, Antagonists, Heroes, Antiheroes, and Villains
Characters and Perspectives
Perspective and Experience
Change and Character Arcs
Characters and Stereotypes
Archetypes and the Collective Unconscious
Archetypes of the Personal Unconscious
Dramatic Goals and Dramatic Needs
Finding Character in a Concept
Psychological Drives and Character
Physical Attributes
Quirks, Hobbies, and Passions
Location as Character
Characters in Games and Interactive Stories
Character Biographies
Chapter 3 The Shapes of Visual Narrative
Linear Three-Act Structures
The Work of Act One
The Work of Act Two
The Work of Act Three
Sequence Structure
The Three Acts of the Hero's Journey
The Heroine's Journey
A Heterosexual Man on a Heroine's Journey
Children's Journeys
Chapter 4 The Structures of Time and Perspective
Nonlinear Structures
Multiple Stories and Ensembles
Multi-Story and Nonlinear Combinations
Brusque Endings, Curt Beginnings, and Slices of Life.
The Unmotivated and Disenfranchised Protagonist
An Alternate Perspective on Genre
Pseudo-Documentary, Mockumentary, and Found Footage
Familiar Structures and Interactive Stories
Choosing Structure
Chapter 5 OUTLINES and The Spines of Stories
Step Outlines for Any Structure
An Example Process for Developing a Step Outline
I. Act One
A. Sequence One
B. Sequence Two
II. Act Two
C. Sequence Three
D. Sequence Four
E. Sequence Five
F. Sequence Six
III. Act Three
G. Sequence Seven
H. Sequence Eight
What an Outline Can Reveal
Challenging the Structure
Story Outlines and Awkward Truths
Outlines, Flow Charts, Beat Sheets, and Treatments
Chapter 6 The Truths of Style and Format
The Literary Screenplay
Types of Film Scripts
Basics of the Master Scene Screenplay
Scene Headings
EXT. FRANK'S BAR - NIGHT
INT. FRANK'S BAR - NIGHT (CONTINUOUS)
INT. FRANK'S BAR - NIGHT (LATER)
INT. NANCY'S DORM ROOM - DAY (FALL 1901)
INT./EXT. MILITARY HUMVEE - DAY
INT. AMY'S HOUSE - BEDROOM - NIGHT
Writing Action or Visualization
Formatting the Dialogue Block
Using Parentheticals
Using Transitions
Other Script Formats
Television Scripts
Written Documents for Fictional Multimedia and Interactive Stories
Chapter 7 Guarded Dialogue and Candid Silence
The Functions of Dialogue
Exposing the Character
Supporting the Plot
The Verbal and the Nonverbal
Scripting a Different Language
Listening as Dialogue Research
Regional Phrases and Dialect
Punctuation: A Writer's "Directing" Tool
Writing Full Stops, Beats, and Pauses
Exclamation Marks, Questions, and Ellipsis
Hyphens and Dashes
Quotations and Apostrophes
Colons and Semicolons
Numbers and Keyboard Symbols
Abbreviations. Periods That Aren't Pauses.
Cursing and Dialogue
Dialogue and Devices
Dialogue and Ad-lib
Chapter 8 The Scene and the Story
The Length of a Scene
EXT. FIELD - RAIN - DAY
The Development of a Scene
The Scene and the Montage
Scenes as Flashbacks, Dream Sequences, and Hallucinations
Connecting Scenes
The Intercut Sequence
Stylized Scenes
Breaking the Fourth Wall
The Voice-Over Scene
Lampshading
Gaslighting
The Work of a Scene
Chapter 9 HONEST REVISIONS
The Readable Text and Cold Table Readings
Workshopping after the Read
Finding Meaning-What Readers Understand
The Missions of Stories in Revision
The Finished Script
Scripts in Competition
Getting Scripts to Producers
Creative Self-Discovery
The Abstract Truth
A Story's Perspective
Story in the Larger Context
Index.
Notes:
Description based on print version record.
Includes index.
Other Format:
Print version: Edwards, Emily Truth and Storytelling
ISBN:
9781785273094

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