West African Masking Traditions and Diaspora Masquerade Carnivals : History, Memory, and Transnationalism / Raphael Chijioke Njoku.

Format:

Book

Author/Creator:

Njoku, Raphael Chijioke, author.

Language:

English

Subjects (All):

Carnival.

Masquerades.

Africa, West Social life and customs.

Africa, West.

Physical Description:

1 online resource (xvii, 281 pages)

Place of Publication:

Rochester, NY : Boydell & Brewer, 2020.

Summary:

In the decades following the 1940s, there has been an explosion of scholarly interest in African-styled traditions and the influence of these traditions upon the African diaspora. Africanized customs within the diaspora have elicited several scholarly paradigms including the culture transfer, retention, and tabula rasa approaches to diasporic exchanges. In this book, author Raphael Njoku explores the transnational connections between masquerade narratives and memory over the past four centuries to show how enslaved Africans became culture carriers of inherited African traditions. The practices reenacted by the Igbo and Bight of Biafra modelers in the Americas were not exact replicas of the African prototypes, however. Cultural modeling is dynamic, and the inheritors of West African traditions often adapted their customs to their circumstances--altering and transforming the meaning and purpose of the customs they initially represented. This account of masquerade plays questions the scholarly predisposition towards ethnicization of African cultural artifacts in the Americas. With the Bantu migrations serving as a catalyst for ethnic mixing and change prior to the trans-Atlantic slave trade, African-themed cultural activities in the New World became dilutions of practices from several ethnic African and European nations. African cultures were already experiencing changes through Bantuization, and, in this well-researched and important scholarly work, the author explores the extension of this process beyond the African continent. RAPHAEL CHIJIOKE NJOKU is professor of history at Idaho State University. This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

Contents:

Introduction

On Origins of Masking: History, Memory, and Ritual Observances

Aspects of Society and Culture in the Biafra Hinterland

Bantu Migrations and Cultural Transnationalism in the Ancient Global Age, c. 2500 BCE-1400 CE

Bight of Biafra, Slavery, and Diasporic Africa in the Modern Global Age, 1400-1800

Igbo Masquerade Dances in the African Diasporas:Symbols and Meanings

Unmasking the Masquerade: Counterideologies and Contemporary Practices

Idioms of Religion, Music, Dance, and African Art Forms

Memory and Masquerade Narratives: The Art of Remembering.

Notes:

Description based on publisher supplied metadata and other sources.