Cross-Cultural Design : 16th International Conference, CCD 2024, Held as Part of the 26th HCI International Conference, HCII 2024, Washington, DC, USA, June 29 – July 4, 2024, Proceedings, Part III / edited by Pei-Luen Patrick Rau.

Format:

Book

Contributor:

Rau, Pei-Luen Patrick, editor.

Series:

Lecture Notes in Computer Science, 1611-3349 ; 14701

Language:

English

Subjects (All):

User interfaces (Computer systems).

Human-computer interaction.

User Interfaces and Human Computer Interaction.

Local Subjects:

User Interfaces and Human Computer Interaction.

Physical Description:

1 online resource (377 pages)

Edition:

1st ed. 2024.

Place of Publication:

Cham : Springer Nature Switzerland : Imprint: Springer, 2024.

Summary:

This four-volume set LNCS 14699-14702 constitutes the refereed proceedings of the 16th International Conference on Cross-Cultural Design, CCD 2024, held as part of the 26th International Conference, HCI International 2024, in Washington, DC, USA, during June 29 – July 4, 2024. The total of 1271 papers and 309 posters included in the HCII 2024 proceedings was carefully reviewed and selected from 5108 submissions. The CCD 2024 proceedings focus a broad range of theoretical and applied issues related to Cross-Cultural Design and its applications, and much more.

Contents:

Intro

Foreword

HCI International 2024 Thematic Areas and Affiliated Conferences

List of Conference Proceedings Volumes Appearing Before the Conference

Preface

16th International Conference on Cross-Cultural Design (CCD2024)

HCI International 2025 Conference

Contents - Part III

Cross-Cultural Tangible and Intangible Heritage

Nature's Canvas: Exploring Landscape Through Cyanotype Assemblage Art

1 Introduction

2 Related Works

3 Methods

3.1 Exploratory Field Research

3.2 Cyanotype Photography and Assemblage

4 Results and Discussion

5 Conclusion

References

Research on the Design of Art Derivatives from the Perspective of Digital Culture and Tourism: A Case Study of Works with Jiangsu Regional Themes

2 Design Theory of Jiangsu Regional Theme Art Derivatives

2.1 Cultural Connotation and Artistic Characteristics

2.2 Design Strategy for Regional Themed Art Derivatives

3 Application of Digital Innovation Technologies in Art Derivative Design

3.1 Virtual Reality (VR) and Augmented Reality (AR) Technologies

3.2 Artificial Intelligence (AI) and Generative Art

3.3 Digital Platforms and E-Commerce

4 Case Study on the Design of Regional-Themed Art Derivatives in Jiangsu Province

4.1 Case Study of Jinling Diagram Digital Art Exhibition

4.2 Digital Intelligence Technologies Empower Regional-Themed Art Derivatives

Exploring Innovative Models of Guizhou Miao Embroidery from a Digital Perspective

2 Establish the Gene Pool of Miao Embroidery Culture

2.1 The Function of Recording Patterns

2.2 Designers Connect to the Miao Embroidery Database

3 The Collection and Analysis of Miao Embroidery Craftsmen's Data

3.1 Handicraft Level

3.2 Working Age

3.3 Good at Embroidery.

4 Construction of Miao Embroidery Pattern Database in Colleges and Universities

4.1 Needlework

4.2 Patterns

4.3 Color

5 Establishment of Chinese Patterns Online Museum Database

Wen Zang Website

6 Digital Enabling to Open up "Online Market" for Miao Embroidery

6.1 Standardization of Production

6.2 Product Scale

7 Conclusions

Exploring the Recognition of Illustration Styles in Marine Culture - "The Case of Fishermen's Painting in East Zhejiang Province as an Example"

1.1 Research Motivation

1.2 Research Purpose

2 Literature Review

2.1 Literature Review on Fishermen's Paintings

2.2 Exploration of Painting Styles

3 Research Methodology

4.1 MDS (Multidimensional Scaling) Analysis

4.2 Gender and Professional Background Layer Cognitive Analysis

5 Conclusion and Recommendations

Unveiling User Cognitive Ergonomics Excellence: Digitally Redesigning Traditional Chinese Textile Patterns

2 Research Content

2.1 Aesthetic Innovation and User Cognitive Ergonomics

2.2 The Interplay of Body and Pattern

2.3 Designing in the Metaverse

2.4 Data as a Medium for Creativity

3.1 User Experience Ecosystem Perspective

3.2 IPII Design Approach

3.3 Cognition in Traditional Versus Digital Media

3.4 Interactive Exhibition Design

4 Conclusion

A Study on the Audience's Perception Differences of the "New Culture" Animated Movie "A Journey of Thirty Thousand Kilometers in Chang'an"

2.1 The Significance of "New Culture"

2.2 Emotional Perception of Film Viewers

2.3 Audience Cognitive Differences in Animated Films with Traditional Cultural Themes

3 Research Objects and Methods

3.1 Research Methods.

3.2 Sample Collection of Questionnaires

4 Results

4.1 Reliability and Validity Analysis

4.2 Analysis of Gender Differences in Various Variables

4.3 Analysis of Age Differences in Various Variables

4.4 Analysis of Professional Differences in Various Variables

4.5 Analysis of Educational Attainment Differences in Various Variables

4.6 Analysis of Viewing Methods Differences in Various Variables

5 Conclusion and Suggestions

Cross-Media Digital Form Design and Comparative Measurement of Intangible Cultural Heritage in Zhuhai: Promoting Cultural Exchange and Global Communication

1 Research Background

2.1 Communication of Intangible Cultural Heritage (ICH) and Digital Media Forms

2.2 The Discrepancy in Communication Effectiveness of Media Forms

3.1 Focus Groups

3.2 Experimental Methods

3.3 In-Depth Interviews

4 Analysis of Results

4.1 Experimental Data Analysis

4.2 Interview Data Analysis

5 Discussion

5.1 Effectiveness Evaluation of Digital Media Form Designs

5.2 The Relationship Between Audience Cultural Background and Choice of Digital Media Forms

5.3 The Key Role of Cross-Media Form Design in Cultural Communication and Preservation

6 Conclusions

Information Visualization Expression of Cultural Heritage and Innovation of Communication Paradigm Paths - The Overseas Communication of "The Compendium of Materia Medica" as an Example

1 Historical Value of the Materia Medica and the Current Status of Its Dissemination

2 Research Perspectives

2.1 Cross-disciplinary Based Research Perspectives

2.2 Perspectives Based on User Research

2.3 Research Perspectives Based on the Integration of Science and Art

2.4 Research Perspective Based on Theory to Practice

3 Object and Main Content of the Study.

4 The Specific Path of Informatization Expression of the Materia Medica

4.1 Visualization Design of Cultural Gene Mapping of Materia Medica

4.2 Role-Playing Game Design of "Compendium of Materia Medica"

Digital Interactive Experience Design Based on Guangxi Yao Ethnic Embroidery Patterns

2 Regional Culture of the Yao Ethnic Group

3 Significance of Yao Ethnic Embroidery in Guangxi

3.1 Characteristics of Yao Ethnic Embroidery Patterns

3.2 Extraction of Stylistic Features of Embroidery Patterns in Various Yao Subgroups in Guangxi

4 The Significance of Yao Ethnic Embroidery Patterns in Yao Culture in Guangxi

4.1 The Relationship Between Yao Ethnic Embroidery Patterns and Traditional Yao Culture

4.2 Symbolic Significance and Social Functions of Yao Ethnic Embroidery Patterns in Guangxi

4.3 Social Interaction and Ritual Activities of Yao Ethnic Embroidery Patterns in Guangxi

4.4 Economic Income and Ethnic Industry of Yao Ethnic Embroidery in Guangxi

5 Designing Digital Interactive Experiences for Yao Ethnic Embroidery Patterns in Guangxi

5.1 Digital Creation of Yao Ethnic Embroidery Patterns in Guangxi

5.2 Digital Exhibition of Yao Ethnic Embroidery Patterns in Guangxi

5.3 Community Interaction and Interactive Learning Module

5.4 Customization Services for Yao Ethnic Embroidery Patterns in Guangxi

5.5 Virtual Reality Interactive Experience of Yao Ethnic Embroidery Patterns in Guangxi

6 Conclusion

Engaging Children in Cultural Heritage Through Book Craft: An Interaction Design Approach

2 Related Work

3.1 Stage 1: Understanding Users and Their Needs

3.2 Stage 2: Framing the Information Architecture

3.3 Stage 3: Designing Interactive Elements

3.4 Stage 4: Testing and Refinement.

3.5 Stage 5: Implementing the Final Design

Application of Motion Capture Technology in Ethnic Costume Cultural and Creative Products: Taking Guangxi Zhuang Ethnic Culture as an Example

1 Instruction

2 Development Opportunities for Ethnic Costume Cultural and Creative Products in the Digital Era

2.1 Enhancing the Dissemination Speed of Ethnic Culture Through the Digital Transformation of Creative Products

2.2 Enriched Digital Creative Presentations Promote the Diversified Development of Ethnic Culture

3 The Application Value of Motion Capture Technology in Fashion Cultural Creative Products

3.1 Promoting the Digitization of Ethnic Fashion Products

3.2 Classification and Characteristics of Motion Capture Technology

3.3 Enhancing the Cross-Platform and In-Depth Dissemination of Ethnic Costume Culture

4 Application of Motion Capture Technology in Cultural and Creative Products Featuring Ethnic Costumes

4.1 Design Planning for Digital Creative Products Featuring Ethnic Costumes

4.2 Application of Motion Capture Technology in Cultural and Creative Product Design for Ethnic Costumes

The Digital Integration Path of Aesthetic Education and Ideological Education: Based on the Design Application of China's Yao Ethnic Group's Ecological Textile Process

2 Basic Functions of Ecological Textile Process of the Yao Ethnic Group in Guangxi

2.1 Protective and Health Preservation Function

2.2 Identity Recognition Function

2.3 Historical Documentation Function

2.4 Decorative and Beautification Function

3 Value Analysis of Yao Ethnic Group's Ecological Textile Processes

3.1 Analysis of Historical Value

3.2 Analysis of Aesthetic Education Value

3.3 Analysis of Intellectual Value.

4 Digital Integration Path: Innovative Strategies Based on Yao Ethnic Group's Ecological Textile Craftsmanship.

Other Format:

Print version: Rau, Pei-Luen Patrick Cross-Cultural Design

ISBN:

9783031609046