My Account Log in

1 option

Strolling players of empire : theater and performances of power in the British imperial provinces, 1656-1833 / Kathleen Wilson.

Kislak Center for Special Collections - Furness Shakespeare Library (Van Pelt 628) PN2599.5.T73 W55 2022
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Wilson, Kathleen, author.
Contributor:
Horace Howard Furness Memorial Library (University of Pennsylvania)
Series:
Critical perspectives on empire
Language:
English
Subjects (All):
Traveling theater--Political aspects--Great Britain--History--18th century.
Traveling theater.
Theater and society--Great Britain--History--18th century.
Theater and society.
English drama--18th century--History and criticism.
English drama.
National characteristics, British, in literature.
Hegemony--Great Britain.
Hegemony.
Cultural relations.
British colonies.
Civilization.
Great Britain--Colonies--History--18th century.
Great Britain.
Great Britain--Civilization--18th century.
Genre:
Criticism, interpretation, etc.
History.
Physical Description:
xvi, 480 pages, 12 unnumbered pages of plates : illustrations, maps ; 24 cm.
Place of Publication:
Cambridge ; New York, NY : Cambridge University Press, 2022.
Summary:
"This book tracks some of the novel and colorful journeys that British theatre embarked upon over the course of the eighteenth century, from nation to empire and back again. It examines unstudied circuits of theatrical performance extending across the Atlantic, Indian and Pacific Oceans to encompass London, Kingston (and other urban centers of Jamaica), Calcutta, Fort Marlborough (Sumatra), St. Helena and Port Jackson (New South Wales), as well as London and archipelagic provincial towns. In each space, the performance of British drama helped consolidate a national and imperial culture that was being forged both within and beyond the nation's borders. Yet in crisscrossing political and oceanic boundaries, and circulating texts, bodies, ideas and practices meant to incarnate the best of the English, and, secondarily, British character, the stage also mobilized competing ideas about authority, cultural difference and national belonging that emanated from the small as well as the great across the flow of practices of everyday life in Britain's expansive domains. Retailing historical myths and collective fantasies, including the helpful if fictive notion of a "national character" itself, theatre was the ultimate emblem of English cultural and racial capital in an age of sail, seizing the imaginations and animating the actions of British subjects and their others ceaselessly traversing the globe"-- Provided by publisher.
Contents:
Prologue: Strollers without borders
Introduction: Britain's theatrical empire
Peripheralizing the spheres : theatrical assemblages of the imperial provinces
Rowe's Fair penitent as global history : colonial family strategies and the imperatives of nation
The lure of the other : Jews, Nabobs and enslaved Africans in a transcolonial imaginary
Performances of freedom : Jamaican Maroons in imperial transit
Blackface empire : or, the slavery meridian
Zanga's colony : revenge in Sydney
Performing the wonder in Sumatra : theatrical ethnography in a New World history
In conclusion: Napoleonic Gothic, or St. Helena as center of the British world.
Notes:
Includes bibliographical references and index.
Other Format:
Online version: Wilson, Kathleen. Strolling players of empire
ISBN:
9781108479783
1108479782
OCLC:
1334896152
Publisher Number:
90101152186

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account