1 option
Strolling players of empire : theater and performances of power in the British imperial provinces, 1656-1833 / Kathleen Wilson.
Kislak Center for Special Collections - Furness Shakespeare Library (Van Pelt 628) PN2599.5.T73 W55 2022
Available
- Format:
- Book
- Author/Creator:
- Wilson, Kathleen, author.
- Series:
- Critical perspectives on empire
- Language:
- English
- Subjects (All):
- Traveling theater--Political aspects--Great Britain--History--18th century.
- Traveling theater.
- Theater and society--Great Britain--History--18th century.
- Theater and society.
- English drama--18th century--History and criticism.
- English drama.
- National characteristics, British, in literature.
- Hegemony--Great Britain.
- Hegemony.
- Cultural relations.
- British colonies.
- Civilization.
- Great Britain--Colonies--History--18th century.
- Great Britain.
- Great Britain--Civilization--18th century.
- Genre:
- Criticism, interpretation, etc.
- History.
- Physical Description:
- xvi, 480 pages, 12 unnumbered pages of plates : illustrations, maps ; 24 cm.
- Place of Publication:
- Cambridge ; New York, NY : Cambridge University Press, 2022.
- Summary:
- "This book tracks some of the novel and colorful journeys that British theatre embarked upon over the course of the eighteenth century, from nation to empire and back again. It examines unstudied circuits of theatrical performance extending across the Atlantic, Indian and Pacific Oceans to encompass London, Kingston (and other urban centers of Jamaica), Calcutta, Fort Marlborough (Sumatra), St. Helena and Port Jackson (New South Wales), as well as London and archipelagic provincial towns. In each space, the performance of British drama helped consolidate a national and imperial culture that was being forged both within and beyond the nation's borders. Yet in crisscrossing political and oceanic boundaries, and circulating texts, bodies, ideas and practices meant to incarnate the best of the English, and, secondarily, British character, the stage also mobilized competing ideas about authority, cultural difference and national belonging that emanated from the small as well as the great across the flow of practices of everyday life in Britain's expansive domains. Retailing historical myths and collective fantasies, including the helpful if fictive notion of a "national character" itself, theatre was the ultimate emblem of English cultural and racial capital in an age of sail, seizing the imaginations and animating the actions of British subjects and their others ceaselessly traversing the globe"-- Provided by publisher.
- Contents:
- Prologue: Strollers without borders
- Introduction: Britain's theatrical empire
- Peripheralizing the spheres : theatrical assemblages of the imperial provinces
- Rowe's Fair penitent as global history : colonial family strategies and the imperatives of nation
- The lure of the other : Jews, Nabobs and enslaved Africans in a transcolonial imaginary
- Performances of freedom : Jamaican Maroons in imperial transit
- Blackface empire : or, the slavery meridian
- Zanga's colony : revenge in Sydney
- Performing the wonder in Sumatra : theatrical ethnography in a New World history
- In conclusion: Napoleonic Gothic, or St. Helena as center of the British world.
- Notes:
- Includes bibliographical references and index.
- Other Format:
- Online version: Wilson, Kathleen. Strolling players of empire
- ISBN:
- 9781108479783
- 1108479782
- OCLC:
- 1334896152
- Publisher Number:
- 90101152186
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.