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Claude Lanzmann after Shoah / Michael G. Levine and Jared Stark, special editors.

LIBRA - Special PQ1 .Y34 v.1:no.1 (1948:spring/summer), v.2:no.1 (1949:spring/summer) no.7, no.9, no.10, no.12 (1953:fall/winter), no.17 (1956:summer), no.21 (1958:spring/summer), no.23 (1959:summer)-no.24 (1959:summer), no.27 (1961:spring/summer), no.29 (1962:spring/summer)-no.30 no.33 (1964), no.35 (1965), no.46 (1971), no.60 (1980), no.71 (1986)-no. 72 (1986), no.75 (1988), no.78 (1990)-no.79 (1991), no.89 (1996), no.99 (2001), no.102 (2002), no.106 (2004)
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LIBRA DC1 .Y3 no.1/2 (1948)-no.59/60 (1980)
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Van Pelt Library DC1 .Y3 no. 141
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Format:
Book
Contributor:
Levine, Michael G., editor.
Stark, Jared, 1967- editor.
Series:
Yale French studies ; 0044-0078 no. 141.
Yale French studies, 0044-0078 ; no. 141
Language:
English
Subjects (All):
Lanzmann, Claude--Criticism and interpretation.
Lanzmann, Claude.
Shoah (Motion picture).
Holocaust, Jewish (1939-1945), in motion pictures.
Motion pictures--France.
Motion pictures.
Holocaust, Jewish (1939-1945) in motion pictures.
France.
Genre:
Literary criticism.
Criticism, interpretation, etc.
Physical Description:
191 pages : illustrations ; 24 cm
Place of Publication:
New Haven, CT. : Yale University Press, [2022]
Summary:
This volume of Yale French Studies charts the different paths the filmmaker Claude Lanzmann (1925-2018) took after the release of Shoah in 1985. These paths are explored through a consideration of his late films--Tsahal (1994), A Visitor from the Living (1997), Sobibor, October 14, 1943, 4 p.m. (2001), Light and Shadows (2008), The Karski Report (2010), The Last of the Unjust (2013), Napalm (2017), and Four Sisters (2018)--and of his memoir, The Patagonian Hare. The volume also includes an English translation of his last major interview, "Self-Portrait at Ninety." The original essays collected here show that Lanzmann's late films and writing stand as something more than mere footnotes to his 1985 masterpiece. Continuing to wrestle with questions of cinematic transmission and the relationship among film, history, and testimony, they confront anew and in a variety of approaches the challenge of representing the Holocaust, and of living in its aftermath.
Contents:
How to see nothing : A visitor from the living [1997] / Jared Stark
Revolt as a study in precision : Sobibor, October 14, 1943, 4 p.m. [2001] / Judith Kasper
"I was a report" : The Karski Report [2010] / Alexander García Düttmann
Testimony beyond justice : The last of the unjust [2013] / Sara Guyer
Four sisters [2018] and Claude Lanzmann's Holocaust Film Project / Stuart Liebman
Israeli soldiers in the eyes of the beholder : Tsahal [1994] / Brad Prager
"Yes, this is the place" : Lanzmann between Napalm [2017] and Shoah / Michael G. Levine
Time and the hare : Lanzmann's autobiography / Françoise Meltzer
Self-portrait at ninety : an interview with Franck Nouchi and Juliette Simont / Claude Lanzmann.
Notes:
Includes bibliographical references.
ISBN:
0300262213
9780300262216
OCLC:
1309870283

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