My Account Log in

1 option

I'm not an artist : reclaiming creativity in the age of infinite content / Giovanni Aloi.

Bloomsbury Collections: Art & Visual Culture 2025 Available online

View online
Format:
Book
Author/Creator:
Aloi, Giovanni, author.
Language:
English
Subjects (All):
Art--Economic aspects.
Art.
Artists.
Physical Description:
1 online resource (ix, 234 pages) : illustrations
Edition:
1st ed.
Distribution:
London : Bloomsbury Publishing (UK), 2025.
Place of Publication:
London : Bloomsbury Visual Arts, 2025.
System Details:
text file HTML
Summary:
Romanticized notions of how one becomes an artist have long been questioned, so why do we still fetishize them in popular culture, turning a blind eye to the politics of exclusionism that characterize the art world and conforming our creative potential to well-trodden stereotypes? I'm Not an Artist is a critical appraisal of the role of the artist through time and an account of how successful artists have conquered their spot in the history of art, from the rise of the Renaissance artist star to the multiplicity of artistic identities we see in the creative landscape today. Entertaining, informative, and packed with important but lesser-known stories about how artists became famous, it examines the cultural importance of the professional label artist and invites readers to give up the artist myth in order to rediscover creativity beyond the stronghold of institutions, markets, trends, and cultural cliches. It s a book about art, artists, art history, and the art market as well as the role creativity plays in our lives and how outdated power structures and professional labels are a hindrance to unlocking creative potential. Openly engaging with the contradictions and paradoxes that currently define the relationship between artists, the education system, and the art market, the book proposes an eco-cultural model that can allow artists to reconfigure their identities, and in the process tilt the artworld s axis. By turns a critical framework for examining what constitutes the term artist , an alternative art historical account and a no holds barred guide to how the art world really works, this boundary-breaking book challenges existing practices, methodologies, and metrics of success, calling for a fairer art world that is non-elitist and multicultural. It allows readers to critically position themselves in today s art world in a clear, ethically grounded, and responsible way.
Contents:
Introduction
Animals Don't Make Art
Artist Mythologies, Genealogies, and Responsibilities
From Myth to Ecologies
Overview
Part I
1 Becoming an artist: Constraints and Freedom
Words and Visions: The Birth of a Myth
From Medieval Anonymity to Renaissance Divinity
Shamanism: The Root of the Artist's Superiority Complex
The Rise of the Artist Star: Myth, Power, and Money
When Art Became Institutionalized
Why Have There Been No Great Women Artists?
Museums: Exclusionary Displays
2 The Modern Artist: A Rebel Without a Cause?
Postcards from the Revolution
The Artist Rebel: How to Make or Wreck a Career
Realism: The Birth of the Political Artist
Courbet and Bonheur: The Artist Entrepreneur
Manet: The Value of Controversy
Impressionist Cash: From Trickles to Waterfalls while Staring at Ponds
3 Modern Ecologies: Markets, Marketeers, and Alliances
Fearing the Mob: Elitism and Art
Markets, Marketeers, and Selling Out
Johanna van Gogh-Bonger: The First Art Market Guru
Art Historians Change the Past. . . If They Want To
Playing the Fame Game
Money, Art, and the Aura
4 Responsibility: Art that Builds Better Worlds
The Renaissance Masterpiece that Gave Us Conceptual Art
Dada: The Artist as (Penniless) Provocateur
Genealogies: Two Kinds of Artists?
Bauhaus: The Artist Diffracted
Edmonia Lewis: Black Artists Matter
WPA: Artists of the New Deal
Artists of the Masses: A Double-Edged Sword
5 Art Capital: The Infinity of Currencies
Worth Its Weight in Gold?
Accessibility: Philosophy and the Taxi Driver
Auctions Don't Make Artists Rich
Exposure Is Everything
Part II
6 Institutional Dissociative Identity Disorders.
Capitalism as Cultural Disease
Skin-Deep Diversity
The Art Market as Ecosystem
No Natural Evolution
Muddy Waters
Echoes in the Valleys
The M-Word: Exposure Doesn't Pay Bills?
NFT and AI: Is the Future Online (Is There Any Future Left)?
7 Outsiders and Professional Amateurs
The Artist's Voice: Canonical Deconstructions in the Age of Hypercriticality
Feedback Loops: Death by Referencing
Who's Left Outside and Why?
Decolonizing Art?
8 I'm Not an Artist
What's in a Word: The Capitalist Realist Matrix
Validation: Success as Existentialism
The Professional, the Hobbyist, and the Impostor
Shooting Stars
The F-Word
Blooming Narcissus
Reclaiming Creativity
9 In Private: Conversations
Hock E Aye Vi Edgar Heap of Birds: On Building Communities
Mandy Suzanne Wong: On Risk-Taking
Julian Montague: On Straddling Disciplines
Vivien Sansour: On Not Fitting In, Ever
Annie Freud: On Art as Encounter
Cannupa Hanska Luger: On Art as Process
Anicka Yi: On the Laws of Impermanence
Derrick Woods-Morrow: On the Nature of Success
Pamela Sneed: On Art as Poetry
Frances Whitehead: On Following Meaningfulness
Cecilia Vicuña: On a World of Precarity.
Notes:
Includes bibliographical references and index.
ISBN:
9781350417960
1350417963
9781350417946
1350417947
9781350417953
1350417955
OCLC:
1481790505

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account