My Account Log in

1 option

Drawing Music, Marking Time : The Design, Structure and Impact of Musical Notation / David Griffin.

Bloomsbury Collections: Design 2025 Available online

View online
Format:
Book
Author/Creator:
Griffin, David, author.
Series:
Drawing In.
Drawing In
Language:
English
Subjects (All):
Drawing.
Musical notation--Philosophy and aesthetics.
Musical notation.
Physical Description:
1 online resource (173 pages)
Edition:
1st ed.
Distribution:
London : Bloomsbury Publishing (UK), 2024.
Place of Publication:
London : Bloomsbury Visual Arts, 2025.
System Details:
text file HTML
Summary:
Marking down the complexities of musical pieces on paper allows them to become portable, shareable, and eminently teachable, but how are the simple geometries of a music notation unfolded into space and time? A music notation is an almost impossibly complicated bit of drawing. Calling it a map or a diagram does not quite do the trick. Its tracery supplies mechanisms for planning, composition, analysis, annotation, and performance of music. But how is it that we read that simple, strategic two-dimensional geometry and make such complex, four-dimensional performances? In this book David Griffin guides readers to a comprehensive understanding of the structural properties of music notations, with a particular focus on the standard Western staff notation system, looking at composers such as Bach, John Cage, Earle Brown and Stockhausen. Developed over a thousand years ago, the staff notation is a geometrical drawing method using dots and lines on a horizontal timeline for explaining the structure of a musical piece. The system behaves a bit like a picture, but it is also like a diagram, and a bit like writing in its structure. In the hands of an experienced user, the notation's complex of marks and phatic elements allows us to leave behind the mere denotation of diagrams or pictures to become a connotative drawing system. This book will attempt to de-code music drawings, untangling their strange knots of graphic and linguistic elements. Using a series of visual examples, Griffin presents background information on how the staff notation developed as an inter-linguistic inscription, a drawing that slips through the mere denotation of pictorial or diagrammatic graphics to become a connotative system, with which we may craft subtle and powerful elements of musical poetry.
Contents:
List of Figures Chapter 1 Chapter 2 Chapter 3 Conclusion Bibliography Index
Notes:
Includes bibliographical references and index.
ISBN:
9781350447509
1350447501
9781350447516
135044751X
9781350447493
1350447498
OCLC:
1443932157

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account