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The Palgrave handbook of experimental cinema / Kim Knowles, Jonathan Walley, editors.
- Format:
- Book
- Language:
- English
- Subjects (All):
- Experimental films.
- Physical Description:
- 1 online resource (xxi, 616 pages) : illustrations (some color)
- Other Title:
- Experimental cinema
- Place of Publication:
- Cham : Palgrave Macmillan, [2024]
- Contents:
- Intro
- Contents
- Notes on Contributors
- List of Figures
- 1 Introduction
- 2 State of the (Sub)Field: A Roundtable on Experimental Film Studies
- Introduction
- Johanna Gosse
- Erika Balsom
- Erica Levin
- Genevieve Yue
- Gregory Zinman
- Johanna Gosse
- Erika Balsom
- Part I Forms
- 3 The Practice of "Non-knowing": Experimental Cinema's Blurred Aesthetics
- Clear and Confused
- Optical Variations
- Motion-Blur
- Experimental Mediology
- Light Play
- Digital Materialities
- Conclusion
- 4 Cut-Ups: First Blood
- 5 Midnight in Andalusia: Mainstream Cinema and the Avant-Garde
- "As Beautiful as a Bathroom": Buñuel and Buster Keaton
- The Discreet Charm of the Irrational: Buñuel and Woody Allen
- 6 Unframing
- 7 Poetic Procedures in David Gatten's The Great Art of Knowing and The Extravagant Shadows
- The Great Art of Knowing
- The Valuable Library
- Inky Words in Flight
- "Without"
- David Gatten's "Secrets of History"
- The Extravagant Shadows
- Exploring Materials
- Planting, Erasing
- David Gatten's Marginalia
- 8 Matters of Photochemical Alchemy/Chymistry: On Contemporary Handmade Filmmaking
- Darkened Laboratories
- Not Knowing: Aleatory Materialism
- Against Transcendence
- From Alchemy to Chymistry
- Part II Perception, Dream, Emotion
- 9 A History of Dreams, or, The Experimental Cinema of Georges Perec
- Parachute Jump
- Deserter
- A Man Asleep
- Dream Cinema
- Translation
- Memory and Dream (Psychoanalysis)
- Form
- Superimposed
- Nights as Day, Days as Night
- Collective Memory, Dream Collective
- "You/I"
- Myth of the Present
- Present Past Personal
- Screen Memory
- Stunt Double
- Postscript (Disguise)
- Postscript (Telepathy and Dreams)
- 10 Experimental Film, DW Winnicott, and Object Relations: A Thought Experiment
- Brakhage's Situation of Childhood
- Transitions, in Theory
- To Tie It More Clearly
- Fugue #1
- Winnicott on the Screen
- Fugue #2a
- Lacan, Obviously
- Fugue #2b
- Camera/Fetish
- Fugue #3
- Relatable Relations
- 11 Annette Michelson and the Future of the Cognitive Theory of Avant-Garde Film
- Michelsons Cognitive Theory of Art
- Michelson's Epistemological Shift
- The Future of the Cognitive Theory of Avant-Garde Film
- 12 Strange Feelings: Experimental Film, Cognition, and Emotion
- Introduction: Matter over Mind?
- Getting Clear About Narrative
- "Think Pieces": Non-Narrative Experimental Film's Epistemic Diffuseness
- Notes:
- Includes bibliographical references and index.
- Electronic reproduction. Ann Arbor, MI Available via World Wide Web.
- Online resource; title from PDF title page (SpringerLink, viewed September 16, 2024).
- Other Format:
- Print version:
- ISBN:
- 9783031552564
- 3031552563
- Publisher Number:
- 90100872954
- Access Restriction:
- Restricted for use by site license.
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