The Palgrave handbook of critical music industry studies / edited by David Arditi, Ryan Nolan.

Format:

Book

Contributor:

Arditi David, editor.

Nolan Ryan, editor.

ProQuest ebook central

Language:

English

Subjects (All):

Music--History and criticism.

Music.

Music trade.

Music and technology.

Sound recording industry--Management.

Sound recording industry.

Physical Description:

1 online resource

Place of Publication:

Cham : Palgrave Macmillan, 2024.

Contents:

1. Introduction: Why we need critical music industry studies

Part 1: Music, Labor and Exploitation

2. Tips, Tourists, and Musical Labor on Beale Street

3. Masters and Slaves: Black Artists and the Ownership of Sound Recording Copyright

4. Pressing reset: Reimagining performer and songwriter revenues in the contemporary music industry

5. Beyond the Sea: The Labour of Cruise Ship Musicians

6. Record Contracts: Recording Artists, Work, and Exploitation

7. Mothering: The Epicentre of Gender Gapping in the Music Industry?

8. Out of the Frying Pan and into the Fire: Music Education, Mental Health, and Our Students' Futures

9. The care work of musical fields

10. Solidarity Under Monopoly and Labour Withdrawal in the Music Industry

11. Exploring the origins of digital burnout in the music industries & and what to do about it

Part 2: Music and Technology: From radio to algorithmic gatekeepers

12. Amplifying Value: Labor, Technology, and Creativity in the Jingle Industry

13. "The numbers don't lie!": Metrics as tools for decision making and strategic planning in music industry organizations

14. Sorted: Categorisation and Genre in Contemporary Music Business

15. Music after Covid-19: capital, performance and sharing

16. Formatting Race on Commercial Radio Stations

17. Surveillance of and through Music

Part 3: Cultural Production and Consumption

18. The establishment of k-pop: k-pop's main characteristics

19. Dance Music Reckonings: Authenticity, Whiteness, and Toxic Masculinity

20. Underground Hip Hop: A Critical Consideration of Subgenre and Scene(s)

21. Music PR: A hidden history

22. Whoopin' For the Innanet: Exploring YouTube Channels as Reputation Building Intermediaries for Artists in Chicago's Drill Rap Scene

23. Catalogue Acquisitions: Who Wins?

24. How the Music Industries Killed "Selling Out": Autopsy of a Concept

25. Strength in Numbers: How Young Artists Navigate Racial Stereotypes in the Rap Industry

26. Standing in the Way of Control: The Vinyl Revival, the Record Industry, and Record Store Day

27. Redefining Liverpool's Purpose as a Music City: Identifying the cultural, demographic and geographic challenges to a career in music for Liverpool's Black community

Part 4: Alternatives through Cultural Policy

28. Misogyny in music: actors, business and law

29. Popular music in France and Action Culturelle: when musicians become cultural policy agents

30. "A Rising Tide Lifts All Boats": On a Musician's Minimum Rate, Cultural Labour, and the Live Music Sector

31. Music declares an emergency: music industry studies in the context of a changing climate

32. ‘It's not the females' job, it's everybody's job': gender related experiences and challenges in Popular Music Higher Education and the music industry

33. The Music Industry does exist

34. What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University

35. How Working Musicians (Finally) Became A Matter of Mainstream Political Interest.

Notes:

Includes bibliographical references and index.

Electronic reproduction. Ann Arbor, MI Available via World Wide Web.

Description based upon online resource; title from PDF title page (viewed October 5th, 2024).

Other Format:

Print version:

ISBN:

3031640136

9783031640131

Publisher Number:

90100671264

Access Restriction:

Restricted for use by site license.