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The Routledge Companion to Diasporic Jazz Studies / edited by Ádám Havas, Bruce Johnson, and David Horn.
- Format:
- Book
- Series:
- Routledge music companions.
- Routledge Music Companions Series
- Language:
- English
- Subjects (All):
- Jazz--History and criticism.
- Jazz.
- Jazz--Historiography.
- Jazz--Political aspects--History.
- Improvisation (Music)--History.
- Improvisation (Music).
- Dissemination of music.
- Physical Description:
- 1 online resource (518 pages)
- Edition:
- First edition.
- Place of Publication:
- New York, NY : Routledge, [2025]
- Summary:
- The Routledge Companion to Diasporic Jazz Studies recognizes the proliferation of jazz as global music in the 21st century. It illustrates the multi-vocality of contemporary jazz studies, combining local narratives, global histories and cultural criticism.
- Contents:
- Cover
- Half Title
- Series
- Title
- Copyright
- Contents
- List of Contributors
- Preface
- Acknowledgements
- Part I What Is Diasporic Jazz?
- 1 Jazz as Diaspora Space
- 2 What Is "Jazz"? Categories, Passages, Contradictions, and Power
- 3 Ways of Conceptualizing the Jazz Diaspora
- 4 Rethinking Diaspora in Diasporic Jazz
- 5 Diaspora in South African Jazz History and Contemporary Performance
- 6 Homecomings as Jazz Diaspora: Return Migrations of US Musicians
- 7 Identity Politics and Diasporic Jazz: Reflections from the European Semi-Periphery
- Part II Histories and Counter-Narratives
- 8 "Snakehips Swing": The West Indian Contribution to British Dance Band Music
- 9 Jazz Diaspora and the Colombian Caribbean: From the Jazz Band to the Big Band
- 10 Booker T. Pittman and the Mid-Twentieth Century South American Jazz Diaspora
- 11 Individuality in Collectivism-Jazz Clubs in the GDR as Nonconformist Diasporic Institutions
- 12 "Real Dance Music in Your Town Soon!" The Importance of Jazz as Dance Music in Aotearoa New Zealand 1920s-1940s
- 13 Jazz Diaspora, Latin Musical Influences, and Australia
- Part III John Whiteoak Making, Disseminating, and Consuming Diasporic Jazz
- 14 Music Industry and the Media
- 15 Public Broadcasting Companies and Jazz Outside of the United States
- 16 First Monday Revisited: Production and Dissemination of Diasporic Jazz in the Digital Age
- 17 Soviet Jazz on American Vinyl: Consuming Diasporic Jazz at Home
- 18 "L'Autre Musique du Québec": Musique Actuelle and the Making of an Experimental Jazz Scene in Québec
- 19 Forum Jazz Indonesia: Organizing and Branding Indonesian Jazz Festivals
- Part IV Otto Stuparitz Culture, Politics, and Ideology
- 20 The Making of Jazz in Colonial Asia: Imperial Legacies
- 21 Jazz in the Global Arena: The Case of Colonized Bombay, 1920-1947.
- 22 Jazz in Japan: From Post-War US-Japan Relations' Perspective
- 23 Settler Colonization and Austrological Improvisative Musicality Since the Late Nineteenth Century
- 24 Jazz with Mapuche Inspiration: Identities and Political Links in Contemporary Chilean Jazz
- 25 Patient Infusion: Strategies of Community Formation in the Vietnamese Jazz Scene
- Part V Communities and Distinctions
- 26 Becoming Cultural Elites in China: Jazz, Modernization and Professionalism
- 27 Jauk Armand Elmaleh-Lemal and the Casablanca Jazz Scene of the 1950s and 1960s
- 28 DIY Jazz Cultures in Queensland, Australia
- 29 The Isle Is Full of Noises: Tasmania's Unique Jazz Identity
- 30 Improvised Music in Wales
- 31 Urban Jazz Scenes in Portugal: Culture, Spaces, and Networks
- 32 "Conceptual Jazz" and "Jazz-Off": Avant-Garde, Globalization, and Personal Interpretations of Jazz in Portugal-The Legacy of Jorge Lima Barreto (1968-1974)
- 33 Jazz City Pigeonics: Jazzloftet as a Diasporic "Ground Zero
- Part VI Presenting and Representing Diasporic Jazz
- 34 Beyond Frontiers: From Japanese Traditional Koto to Transnational Improvised Music
- 35 "Säd Afrika": Django Bates and the South African Imaginary 1985-2012
- 36 Bridging the Gap: Re-Rendering Jazz Practice in London's Displaced Diasporas
- 37 "Angry Young Men," Jazz, and Englishness
- 38 Center-Periphery Relations and European Jazz Identities
- 39 Jazz in Spanish Film Noir: Modernity and Youth Cultures During Late Francoism
- Part VII Challenges and New Directions
- 40 Indigeneity Meets Improvisation as Free Jazz: A Musical Director's/Editor's Perspective
- 41 Jazz as Postwar West-German Cultural Catalyst and African American Resistance
- 42 Vivid Stories: Oral Histories, Collective Memory, and the Scottish Jazz Scene
- 43 Diasporic Jazz Among the Disciplines.
- 44 Is Jazz in Europe European Jazz?: Countries, Continents, and Cultural Ownership
- 45 Diasporic Jazz and the "Material Turn": A Case Study
- Index.
- Notes:
- Includes index.
- Description based on publisher supplied metadata and other sources.
- Description based on print version record.
- ISBN:
- 1-04-017560-0
- 1-04-017558-9
- 1-003-21263-8
- 9781003212638
- OCLC:
- 1463295274
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