Pop Cinema / edited by Glyn Davis and Tom Day.

Format:

Book

Contributor:

Davis, Glyn, editor.

Day, Tom, editor.

Language:

English

Subjects (All):

Art in motion pictures.

Physical Description:

1 online resource (299 pages)

Edition:

First edition.

Place of Publication:

Edinburgh : Edinburgh University Press Ltd, [2024]

Summary:

Examines how the tropes of Pop Art are expressed in film.

Contents:

Frontmatter

Contents

List of Figures/Illustrations

Note on Contributors

Introduction: Towards a Pop Cinema

Part 1 Framing Pop Cinema

1. Notes on Pop Cinema, Revisited

2 Pop and Cinema: Three Tendencies

Part 2 Pop Cinemas Parameters

3. Times Square as Pop Readymade: William Kleins Broadway by Light (1958)

4 Arochas Black and White Pop: History, Desire and Politics in 1960s Colombia in Las ventanas de Salcedo (1966)

5 Psychedelic Agit-Pop: The Animated Films of Tadanori Yokoo

6 Some Like It Pop: Replication and Repetition in Bruce Conners MARILYN TIMES FIVE (196873)

7 A Lost White Girl of Pop: Writing the Drive to Fantasise in Daddy (1973)

Part 3 Pop Cinema, Mass Production and the Politics of Consumption

8. Always Crashing in the Same Car

9 Wynn Chamberlains Brand X (1970) and the Politics of the Generic

10 The Other Children of Marx and Coca-Cola: Pop Cinema in Eastern Europe

11 Mouthpiece of the Dictatorship: Television and the Domestic Sphere in Brazilian Womens Pop Cinema, 197277

12 Manhandle the Merchandise: Michael Snows Breakfast (Table Top Dolly) (1976)

Appendix: A Pop Cinema Filmography

Index

Notes:

Includes index.

Description based on publisher supplied metadata and other sources.

Description based on print version record.

ISBN:

1-4744-9793-4

1-4744-9792-6