1 option
Crash : Cinema and the Politics of Speed and Stasis / Karen Redrobe Beckman.
- Format:
- Book
- Author/Creator:
- Redrobe, Karen, author.
- Language:
- English
- Subjects (All):
- Performing arts.
- Physical Description:
- 1 online resource (xi, 305 pages) : illustrations
- Other Title:
- Crash
- Place of Publication:
- Durham : Duke University Press, 2010.
- Language Note:
- In English.
- Summary:
- Artists, writers, and filmmakers Andy Warhol and J.G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the?cinema of attractions,? slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration. Her reflections on the crash as the traumatic, uncertain moment of inertia that comes in the wake of speed and confidence challenge the tendency in cinema studies to privilege movement above film?s other qualities. Ultimately, Beckman suggests that film studies is a hybrid field that cannot apprehend its object of study without acknowledging the ways that cinema?s technology binds it to capitalism?s industrial systems and other media, technologies, and disciplines.
- Contents:
- "Jerky nearness" : spectatorship, mobility, and collision in early cinema Car wreckers and home lovers : the automobile in silent slapstick Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) Film falls apart : Crash, Semen, and Pop Crash aesthetics : Amores perros and the dream of cinematic mobility The afterlife of Weekend, or, the university found on a scrapheap.
- Notes:
- CC BY-NC-ND
- Description based on publisher supplied metadata and other sources.
- ISBN:
- 9781478090137
- 1478090138
- OCLC:
- 1473266710
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.