Critical Approaches to Shakespeare (1623-2000): Shakespeare for All Time

Format:

Book

Author/Creator:

Cerezo Moreno, Marta

Language:

Spanish

Subjects (All):

Shakespeare, William - 1564-1616--Crítica e interpretación.

Literatura inglesa--Historia y crítica.

Local Subjects:

Shakespeare, William - 1564-1616--Crítica e interpretación.

Literatura inglesa--Historia y crítica.

Genre:

Libros electrónicos.

Physical Description:

1 recurso en línea

Edition:

1st ed.

Other Title:

Critical Approaches to Shakespeare

Place of Publication:

UNED - Universidad Nacional de Educación a Distancia

Uned

Summary:

Critical Approaches to Shakespeare (1623?2000). Shakespeare for All Time addresses the keys to understanding the significance of the critical reception of Shakespeare from the seventeenth to the end of the twentieth century. It aims to show that the richness of these different modes of reading Shakespeare over time and their productive interactions have been fundamental in the constant resignification of Shakespeare as they have gradually conformed and fed our critical perception and interpretation of his works.

Contents:

CRITICAL APPROACHES TO SHAKESPEARE (1623-2000): SHAKESPEARE FOR ALL TIME

PÁGINA LEGAL

CRITICAL APPROACHES TO SHAKESPEARE (1623-2000): SHAKESPEARE FOR ALL TIME

CRÉDITOS

DEDICATORIA

INTRODUCTION

PART I. SHAKESPEAREAN CRITICAL HISTORY

CHAPTER 1. CRITICAL APPROACHES TO SHAKESPEARE.FROM BEN JONSON (1572/73-1637)TO CLEANTH BROOKS (1906-1994)

1.1. THE SEVENTEENTH CENTURY: NEOCLASSICAL CRITICISM

1.2. THE EIGHTEENTH CENTURY: EDITORIAL CRITICISM

1.2.1. SAMUEL JOHNSON (1709-1784)

1.3. THE EARLY NINETEENTH CENTURY: THE ROMANTICS

1.3.1. SAMUEL TAYLOR COLERIDGE (1772-1834)

1.4. THE LATE NINETEENTH CENTURY: THE VICTORIANS

1.4.1. EDWARD DOWDEN (1843-1913)

1.4.2. A. C. BRADLEY (1851-1935)

1.5. FIRST HALF OF THE TWENTIETH CENTURY

1.5.1. THE EMPHASIS ON POETRY AND LANGUAGE: GEORGE WILSON KNIGHT, CAROLINE SPURGEON, WOLFGANG CLEMEN

1.5.2. THE PLAY AS THEATRICAL ARTIFICE: HARLEY GRANVILLE-BARKER AND MURIEL C. BRADBROOK

1.5.3. THE HISTORICAL APPROACH: HARDIN CRAIG, THEODORE SPENCER, AND E. M. W. TILLYARD

1.5.4. NEW CRITICISM: CLEANTH BROOKS (1906-1994)

CHAPTER 2. CRITICAL APPROACHES TO SHAKESPEARE. SECOND HALF OF THE TWENTIETH CENTURY

2.1. STRUCTURALISM

2.2. POST-STRUCTURALISM AND DECONSTRUCTION

2.3. NEW HISTORICISM AND CULTURAL MATERIALISM

2.4. GENDER STUDIES

2.4.1. FEMINISM AND PSYCHOANALYSIS

2.5. POST-COLONIALISM

PART II. THE SHAKESPEAREAN TEXT:HAMLET AND MACBETH

CHAPTER 3. HAMLET

3.1. HAMLET: HISTORICAL AND LITERARY CONTEXT

DATE AND HISTORICAL CONTEXT

SOURCES OF HAMLET

3.2. CRITICAL APPROACHES TO HAMLET

3.2.1. THE EIGHTEENTH TO THE FIRST HALF OF THE TWENTIETH CENTURY

3.2.2. CONTEMPORARY CRITICAL APPROACHES TO HAMLET: CATHERINE BELSEY, LEONARD TENNENHOUSE, AND ELAINE SHOWALTER

3.3. APPROACHING THE PLAY

3.3.1. HAMLET AND METATHEATRICALITY

3.3.2. THE GHOST.

3.3.3. OPHELIA AND HAMLET

3.3.4. HAMLET'S WORLD

CHAPTER 4. MACBETH

4.1. MACBETH: HISTORICAL AND LITERARY CONTEXTS

THE INTEREST IN MACBETH'S STORY DURING SHAKESPEARE'S TIME

SOURCES OF MACBETH

4.2. CRITICAL APPROACHES TO MACBETH

4.2.1. THE SEVENTEENTH TO THE FIRST HALF OF THE TWENTIETH CENTURY

4.2.2. CONTEMPORARY CRITICAL APPROACHES TO MACBETH: JANET ADELMAN AND ALAN SINFIELD

4.3. APPROACHING THE PLAY

4.3.1. GARMENTS OF DISORDER AND DECEIT

4.3.2 "A NAKED NEW-BORN BABE"

4.3.3. EQUIVOCATION AND THE WITCHES

4.3.4. A SPACE OF EVIL

REFERENCES.

Notes:

Contiene referencias bibliográficas.

Descripción basada en el recurso en línea

OCLC:

1377203466