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Melanie Ender / Herausgeberin, Melanie Ender ; Autorinnen, Sabine Folie, Mariel Vela García, Cornelia Lein.

Fine Arts Library N6811.5.E53 A4 2024
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Format:
Book
Contributor:
Ender, Melanie, 1984- editor, interviewee (expression).
Folie, Sabine, 1962- writer of preface.
Vela García, Mariel, writer of added commentary.
Lein, Cornelia, 1988- interviewer (expression).
Standardized Title:
Melanie Ender (Verlag für moderne Kunst GmbH)
Language:
English
German
Subjects (All):
Ender, Melanie, 1984-.
Ender, Melanie.
Installations (Art)--Austria.
Installations (Art).
Physical Description:
183 pages : illustrations (chiefly color) ; 29 cm
Place of Publication:
Wien : Verlag für moderne Kunst GmbH, 2024.
Language Note:
Parallel texts in German and English.
Summary:
Skin, that membrane that separates the inside from the outside, absorbs particles of what it has touched. When there is a high concentration of metals in the soil, snails will accumulate some of the material in their viscera, or green oxidized hues will color someone's finger where once there was a ring. These traces represent contacts, transmutations of matter that appear almost imperceptible. In grasping the swift motions of copper and the slowness in a trail of mucus, Melanie Ender?s work is one of encounters and meeting places, of matter caught in a state of continuous flux. (Mariel Vela García) The publication offers a first monographic overview of the work of Vienna-based artist Melanie Ender. In addition to a foreword by Sabine Folie, a conversation between Cornelia Lein and Melanie Ender as well as an essay by Mariel Vela Garcia, the book brings together sculptures, poems and installations from the years 2016-2023.0.
Skin, that membrane that separates the inside from the outside, absorbs particles of what it has touched. When there is a high concentration of metals in the soil, snails will accumulate some of the material in their viscera, or green oxidized hues will color someone?s finger where once there was a ring. These traces represent contacts, transmutations of matter that appear almost imperceptible. In grasping the swift motions of copper and the slowness in a trail of mucus, Melanie Ender?s work is one of encounters and meeting places, of matter caught in a state of continuous flux. (Mariel Vela García)00The publication offers a first monographic overview of the work of Vienna-based artist Melanie Ender. In addition to a foreword by Sabine Folie, a conversation between Cornelia Lein and Melanie Ender as well as an essay by Mariel Vela Garcia, the book brings together sculptures, poems and installations from the years 2016-2023.0.
Notes:
Limited edition of 500 copies.
Includes bibliographical references.
ISBN:
9783991530657
3991530651
OCLC:
1441779198

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