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The Routledge Handbook of Popular Music and Politics of the Balkans.
Routledge Handbooks Online Humanities and Social Sciences Available online
Routledge Handbooks Online Humanities and Social Sciences- Format:
- Author/Creator:
- Series:
- Language:
- English
- Subjects (All):
- Physical Description:
- 1 online resource (662 pages)
- Edition:
- 1st ed.
- Place of Publication:
- Oxford : Taylor & Francis Group, 2024.
- Summary:
- The Routledge Handbook of Popular Music and Politics of the Balkans is a comprehensive overview of major topics, established debates and new directions in the study of popular music and politics in this region.
- Contents:
-
- Cover
- Half Title
- Series
- Title
- Copyright
- Dedication
- Table of Contents
- List of figures
- List of tables
- List of contributors
- Acknowledgements
- Introduction: thinking politically with popular music of the Balkans
- Part I Region and 'the Balkans' in practice
- 1 The emergence of the world music concept in the Balkans: early and more recent steps
- 2 Lăutari, music-making, and social practices of live performance in southern Romania
- 3 Politics, activism, and Romani music: interpreting trends in Serbia, North Macedonia, and Bulgaria
- 4 Electronic dance music festivals in Romania: a case of reversed Balkanism
- 5 The Balkans in the Eurovision Song Contest
- Part II Reviving and revising histories
- 6 Reviving nineteenth-century Wallachian and Moldavian urban music
- 7 Bosnian discography before World War I: recording artists, repertoire, and politics
- 8 The development and institutionalization of Albanian music during the communist period
- 9 'Please, Mile, don't sing anything political': turbo-folk, politics and the restoration of capitalism in Serbia
- 10 The artistic units of the Army of the Republic of Bosnia-Herzegovina (ARBiH), popular patriotic music production, and the question of national identity in Bosnia-Herzegovina during the war from 1992 to 1995
- 11 The politics of performance and popular music in Turkey
- 12 Songs after genocide: music of hatred and triumphalism
- Part III Defining 'the popular'
- 13 Popular music and the 'mass culture' of socialist Yugoslavia in the eyes of critics and theorists
- 14 To traghoúdhi tou nekroú adelfoú: Mikis Theodorakis' autoethnographic and political perspectives in a contemporary Greek laiki tragedy
- 15 Groovy aesthetics, intercultural perspectives, and the rise of Ethnojazz in Bulgaria.
- 16 The sound of distinction: social class and political orientations as predictors of music taste in Croatia
- 17 Popular culture and pandemic politics: musically mitigating COVID-19 in 2020 Bulgaria
- Part IV Political economies and political aesthetics
- 18 Women and gender in the early record industry in former Yugoslavia: snapshots of singers, a composer, industrial manpower, and gendered humour
- 19 The musical film genre in Romanian cinema: from melodramatic socialism to postmodern irony
- 20 In search of national style: Yugoslav popular music between the Balkans and the Mediterranean
- 21 How do you solve a problem like Korea?: Laibach and the poetics of politics
- 22 White power music and antifascist rap: anti-system music in Greece during the 2009-21 crises
- 23 Popular culture or resistance?: rap and politics in Turkey since the 1990s
- Part V Margins of national belonging
- 24 The neopontic music of Greece: traditions of modernity and the a/politics of identity
- 25 Just Mediterranean, please: Croatian neoklapa music and national (re)positioning
- 26 Between the virtual and the make-believe: anthems, bells, and a performance for Liberland along the Croatian and Serbian Danube
- 27 Queering Bulgarian pop-folk: hybridity, gaga feminism, and defamiliarization in chalga
- 28 Understanding gender and sexuality in sevdah as a popular genre
- Part VI Globalizing postcoloniality and race
- 29 Black popular musics in Yugoslavia
- 30 'The Blacks of Yugoslavia': racialization, resistance, and Kosova's 'MTV generation'
- 31 Br/otherhood and dis/unity: racial differentiations across the former Yugoslav region and Serbian diaspora communities in Serbia's two major music festivals
- 32 What is this 'Balkan' in Balkan popular culture?: Stuart Hall's sociology of popular culture, identity and race through analogy and connection.
- 33 From AfroGreeks to the Black Mediterranean: de/facing whiteness in the rap of Negros tou Moria
- Part VII New technologies and transformations
- 34 Stacking nightingales, male tears, and albums of the year: how the Balkans and other scales of domestic hip-hop are crafted
- 35 'Popularity' in the YouTube era: an anthropological analysis of music trending on Serbian YouTube and IDJTV
- 36 From turbo music to turbo politics: pop-folk and anti-establishment politics in Bulgaria
- 37 'Dajem ti srce, zemljo moja': patriotic music and national unity in Croatia in the aftermath of the 2020 Petrinja earthquake
- 38 'And then we sang': affective communities and Russian/EU cultural diplomacy in Moldova's Victory Day and Europe Day, 2022
- 39 Queer Yugosphere: queer audiences and popular music in the post-Yugoslav space
- Index.
- Notes:
- Description based on publisher supplied metadata and other sources.
- Other Format:
- Print version: Baker, Catherine The Routledge Handbook of Popular Music and Politics of the Balkans
- ISBN:
- 9781040039946
- OCLC:
- 1438668014
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