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Coterie Poetics and the Beginnings of the English Literary Tradition : From Chaucer to Spenser / R. D. Perry.
De Gruyter University of Pennsylvania Press Complete eBook-Package 2024 Available online
View online- Format:
- Book
- Author/Creator:
- Perry, R. D., 1979- author.
- Series:
- Middle Ages series.
- The Middle Ages Series
- Language:
- English
- Subjects (All):
- Chaucer, Geoffrey, -1400--Influence.
- Chaucer, Geoffrey.
- English poetry--Middle English, 1100-1500--History and criticism.
- English poetry.
- English poetry--Early modern, 1500-1700--History and criticism.
- Literature and society--England--History--To 1500.
- Literature and society.
- Literature and society--England--History--16th century.
- Physical Description:
- 1 online resource (337 pages)
- Edition:
- First edition.
- Place of Publication:
- Philadelphia, Pennsylvania : University of Pennsylvania Press, [2024]
- Summary:
- "In Coterie Poetics and the Beginnings of the English Literary Tradition, R. D. Perry reveals how poetic coteries formed and maintained the English literary tradition. Perry shows that, from Geoffrey Chaucer to Edmund Spenser, the poets who bridged the medieval and early modern periods created a profusion of coterie forms as they sought to navigate their relationships with their contemporaries and to the vernacular literary traditions that preceded them. Rather than defining coteries solely as historical communities of individuals sharing work, Perry reframes them as products of authors signaling associations with one another across time and space, in life and on the page. From Geoffrey Chaucer's associations with both his fellow writers in London and with his geographically distant French contemporaries, to Thomas Hoccleve's emphatic insistence that he was "aqweyntid" with Chaucer even after Chaucer's death, to John Lydgate's formations of "virtual coteries" of a wide range of individuals alive and dead who can only truly come together on the page, the book traces how writers formed the English literary tradition by signaling social connections. By forming coteries, both real and virtual, based on shared appreciation of a literary tradition, these authors redefine what should be valued in that tradition, shaping and reshaping it accordingly. Perry shows how our notion of the English literary tradition came to be and how it could be imagined otherwise."--Publisher.
- Contents:
- Part I. Chaucer's Coteries in the English and French Traditions
- Chaucer's London Coterie
- The French Connection: Chaucer, Deschamps, and Granson
- Theoretical Interlude I. Tradition and the Coterie Talent
- Part II. Between Coterie and Tradition
- Traditional Exclusions: Hoccleve and Chaucer, but Not Christine de Pizan
- Lydgate's Virtual Coteries
- Theoretical Interlude II. On Becoming Chaucerian
- Part III. Old Chaucer, New Coteries, and the English Literary Tradition
- The Birth of Tradition (and New Coteries): Chaucerianism After Lydgate
- Old Authors in New Books: Tottel's Miscellany
- Spenser's Antiquarian Coterie
- Conclusion. Authors, Readers, and Literature's Coterie Feeling.
- Notes:
- Includes bibliographical references and index.
- Description based on publisher supplied metadata and other sources.
- Description based on print version record.
- ISBN:
- 9781512826036
- 1512826030
- OCLC:
- 1423293633
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