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Unwatchable / Nicholas Baer, Maggie Hennefeld, Laura Horak, Gunnar Iversen.

De Gruyter Rutgers University Press Complete eBook-Package 2019 Available online

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Ebook Central University Press Available online

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Format:
Book
Contributor:
Baer, Nicholas, Editor.
Balsom, Erika; Berger, Kenneth; Bright, Susie; Bush, Alex; Butler, Alec; Carroll, Noel; Chen, Mel; Crary, Jonathan; Kosnik, Abigail De; England, Samuel; Frey, Mattias; Geimer, Peter; Gillespie, Michael Boyce; Grønstad, Asbjørn; Groys, Boris; Guerin, Frances; Halberstam, Jack; Hammer, Barbara; Hanich, Julian; Harney, Stefano; Hoberman, J.; Joyrich, Lynne; Juhasz, Alexandra; Kaplan, E. Ann; Kyrölä, Katariina; Lee, Nathan
Halberstam, Jack, 1961-
Hennefeld, Maggie, Editor.
Horak, Laura, Editor.
Iversen, Gunnar, Editor.
Lippit, Akira
Malkowski, Jennifer
Mitchell, W.J.T.
Monk-Payton, Brandy
Moten, Fred.
Nichols, Bill.
Olsson, Jan.
Peers, Danielle
Pérez Torres, Raúl.
Resmini, Mauro
Rich, B. Ruby.
Rongen-Kaynakçi, Elif.
Rosenbaum, Jonathan.
Saha, Poulomi.
Schneider, Rebecca.
Sconce, Jeffrey
Sexton, Jared Yates.
Sobchack, Vivian
Stiasny, Philipp.
Sutherland, Meghan.
Togler, Bennet
Torchin, Leshu.
Vaid-Menon, Alok.
Wall-Romana, Christophe.
Wigoder, Meir.
Wills, Emily Regan.
Windhausen, Federico
Wolukau-Wanambwa, Stanley.
Yue, Genevieve.
Zupančič, Alenka.
Language:
English
Physical Description:
1 online resource (350 p.) : 51 images
Place of Publication:
New Brunswick, NJ : Rutgers University Press, [2019]
Language Note:
In English.
Summary:
We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something "unwatchable": disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the "unwatchable" across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.
Contents:
Unwatchable
Frontmatter
Contents
Introduction: Envisioning the Unwatchable
Part I. Violence and Testimony
1. Theorizing the Unwatchable
Unwatchable
The Gaze from Within
The Unwatchable and the Unwatchable
Melting into Visibility
Pro Forma
2. Spectacles of Destruction
Terminal Radiance
Unwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen
Breakaway
The Watchability of the Unwatchable: Television Disaster Coverage
3. Bearing Witness
The Incommensurable
Not Seeing Is Believing: The Unwatchable in Advocacy
Even If She Had Been a Criminal: A Past Unwatched
Deframing Evidence: A Transmission from Los ingrávidos
Alan Kurdi's Body on the Shore
4. Visual Regimes of Racial Violence
Held Helpless in the Breach: On American History X
The Flash of History: On the Unwatchable in Get Out
Nothing Is Unwatchable for All
Empathy .Complicity
5. Spectacularization and Resistance
Entertainment Value
Holocausts, Hallowe'en, and Headdresses
Unwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence
Part II. Histories and Genres
6. The Tradition of Provocateurs
The Two Unwatchables
Real Horrorshow
Asymmetries of Desire: Salò, or the 120 Days of Sodom
Unstomachable: Irréversible and the Extreme Cinema Tradition
7. Enduring the Avant-Garde
Unwatchability by Choice: Isou's Venom and Eternity
The Refusal of Spectacle: Debord's Howls for Sade
Warhol's Empire: Unwatched and Unwatchable
Warhol's Empire
Watching Paint Dry
8. Visceral Responses to Horror
"Peekaboo": Thoughts on (Maybe Not) Seeing Two Horror Films
Why I Cannot Watch
Apotropes
9. Pornography and the Question of Pleasure
I Am Curious (Butterball)
At the Threshold to the Void
10. Archives and the Disintegrating Image
Restoring Blood Money
Turning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess
Twilight of the Dead
Part III. Spectators and Objects
11. Passionate Aversions
"Sad!": Why I Won't Watch Antichrist
Transforming Nihilism
Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant
The Biopic Is an Affront to the Cinema
12. Tedious Whiteness
White Men Behaving Sadly
"You Is Kind, You Is Smart, You Is Important"; or, Why I Can't Watch The Help
Two Tables and a Ladder: WCGW?
13. Reality Trumpism
TV Trumps
The Once and Future Hillary: Why I Won't Watch a TV Miniseries about the 2016 U.S. Presidential Election
14. Pedagogy and Campus Politics
Why We Can't Take a Joke
The Bridge and Unteachable Films
Squirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort
15. The Triggered Spectator
What Is an "Unwatchable" Film? (With Reference to Amour and Still Alice)
Watch at Your Own Peril
Sects, Fries, and Videotape
Off Watch
Acknowledgments
Filmography
Bibliography
Notes on Contributors
Index.
Notes:
Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)
ISBN:
0-8135-9962-8
OCLC:
1100457080

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