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Viewpoints : Visual Anthropologists at Work / Mary Strong, text editor ; Laena Wilder, visual editor.

De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 Available online

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Ebook Central University Press Available online

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Format:
Book
Contributor:
Wilder, Laena.
Strong, Mary.
Language:
English
Subjects (All):
Visual anthropology.
Genre:
Electronic books.
Physical Description:
1 online resource (432 pages) : color illustrations
Edition:
1st ed.
Place of Publication:
Austin, Texas : University of Texas Press, [2009]
Language Note:
English
Summary:
Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work. Visual anthropology involves much more than media alone. This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes. Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book's fifteen contributors feature populations living on all of the world's continents as well as within the United States. The final chapter gives readers practical advice about how to use the most current digital and interactive technologies to present research findings.
Contents:
Frontmatter
Contents
Historical Foreword
Preface
Acknowledgments
Introduction
Section I PHOTOGRAPHY NOW
CHAPTER 1 Photographic Exploration of Social and Cultural Experience
CHAPTER 2 Documentary Photography in the Field
CHAPTER 3 Photography and Ethnography
Section II IMAGES FROM THE PAST
CHAPTER 4 Historical Photographs of North American Indians: Primary Documents, BUT View with Care
CHAPTER 5 Blasting a Boulder and Building Memories
Section III MOVING PICTURES: FILM, VIDEO, AND COMPUTERGENERATED MEDIA
CHAPTER 6 Reading the Mind of the Ethnographic Filmmaker: Mining a Flawed Genre for Anthropological Content
CHAPTER 7 Visual Anthropology in a Time of War: Intimacy and Interactivity in Ethnographic Media
CHAPTER 8 Guestworkers: Farmworkers, Filmmakers, and Their Obligations in the Field
Section IV ROADS LESS TRAVELED: UNUSUAL SUBFIELDS
Part I UNCOMMON SUBJECT AREAS
CHAPTER 9 Envisioning Primates
CHAPTER 10 Steps to an Ethnography of Dance
CHAPTER 11 Looking for the Past in the Present Ethnoarchaeology at al-Hiba
Part II Media BEYOND CAMERA WORK
CHAPTER 12 In Search of Live Relics in Cold Lake
CHAPTER 13 Art and Mind Working on Murals
CHAPTER 14 Art History and Anthropology: LOULY PEACOCK KONZ and JAMES PEACOCK
SECTION V Epilogue
CHAPTER 15 Elementary Forms of the Digital Media Tools for Applied Action Collaboration and Research in Visual Anthropology
Glossary
Author Biographies
Index
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and index.
Description based on print version record.
ISBN:
0-292-79367-7
OCLC:
429548974

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