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Slantwise moves : games, literature, and social invention in nineteenth-century America / Douglas A. Guerra.

De Gruyter University of Pennsylvania Press Complete eBook-Package 2018 Available online

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De Gruyter University of Pennsylvania Press Complete eBook-Package 2019 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Guerra, Douglas A., author.
Series:
Material texts.
Material Texts
Language:
English
Subjects (All):
Games--Social aspects--United States--History--19th century.
Games.
Books and reading--Social aspects--United States--History--19th century.
Books and reading.
Popular culture--United States--History--19th century.
Popular culture.
United States--Social life and customs--19th century.
United States.
Genre:
History
Electronic books.
Physical Description:
1 online resource (262 pages).
Edition:
First edition.
Place of Publication:
Philadelphia : University of Pennsylvania Press, [2018]
Language Note:
In English.
Summary:
Highlighting meaningful overlap in the production and reception of books and games, Slantwise Moves identifies what they have in common as material texts and as critical models of the mundane pleasures and intimacies that defined agency and social belonging in the nineteenth century.
In 1860, Milton Bradley invented The Checkered Game of Life. Having journeyed from Springfield, Massachusetts, to New York City to determine interest in this combination of bright red ink, brass dials, and character-driven decision-making, Bradley exhausted his entire supply of merchandise just two days after his arrival in the city; within a few months, he had sold forty thousand copies. That same year, Walt Whitman left Brooklyn to oversee the printing of the third edition of his Leaves of Grass in Massachusetts. In Slantwise Moves, Douglas A. Guerra sees more than mere coincidence in the contemporary popularity of these superficially different cultural productions. Instead, he argues, both the book and the game were materially resonant sites of social experimentation--places where modes of collectivity and selfhood could be enacted and performed. Then as now, Guerra observes, "game" was a malleable category, mediating play in various and inventive ways: through the material forms of pasteboard, paper, and india rubber; via settings like the parlor, lawn, or public hall; and by mutually agreed-upon measurements of success, ranging from point accumulation to the creation of humorous narratives. Recovering the lives of important game designers, anthologists, and codifiers--including Anne Abbot, William Simonds, Michael Phelan, and the aforementioned Bradley--Guerra brings his study of commercially produced games into dialogue with a reconsideration of iconic literary works. Through contrapuntal close readings of texts and gameplay, he finds multiple possibilities for self-fashioning reflected in Bradley's Life and Whitman's "Song of Myself," as well as utopian social spaces on billiard tables and the pages of Nathaniel Hawthorne's The Blithedale Romance alike. Highlighting meaningful overlap in the production and reception of books and games, Slantwise Moves identifies what the two have in common as material texts and as critical models of the mundane pleasures and intimacies that defined agency and social belonging in nineteenth-century America
Contents:
Both in and out of the game: reform games and avatar selves
A fresh and liberal construction: state machines, transformation games, and algorithms of the interior
The power to promote: configuration culture in the age of Barnum
Social cues and outside pockets: billiards, Blithedale, and targeted potential
The net work of not work.
Notes:
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 16. Mai 2019)
ISBN:
9780912295480
0912295481
OCLC:
1048621697

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