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The artistry of Aeschylus and Zeami : a comparative study of Greek tragedy and no / Mae J. Smethurst.

De Gruyter Princeton University Press eBook Package Archive 1927-1999 Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Smethurst, Mae J., 1935-2019, author.
Series:
Princeton Legacy Library
Princeton legacy library
Language:
English
Subjects (All):
Aeschylus--Criticism and interpretation.
Aeschylus.
Zeami, 1363-1443--Criticism and interpretation.
Zeami.
Tragedy.
Nō plays--History and criticism.
Nō plays.
Comparative literature--Greek and Japanese.
Comparative literature.
Comparative literature--Japanese and Greek.
Physical Description:
1 online resource (0 p.)
Edition:
Course Book
Place of Publication:
Princeton, New Jersey : Princeton University Press, [1989]
Language Note:
In English.
Summary:
By means of a cross-cultural analysis of selected examples of early Japanese and early Greek drama, Mae Smethurst enhances our appreciation of each form. While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation.Relatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Contents:
Frontmatter
Contents
List of Abbreviations
Acknowledgments
Introduction
ONE. Structure in Nō
TWO. Structure in Aeschylean Tragedy
THREE. The Style of Nō
FOUR. The Style of Aeschylean Tragedy
Coda
Appendix 1: A Comparison of Structural Parts in Nō
Appendix z: A Comparative Translation of Sections of Sanemori and The Tale of the Heike
Appendix 3: Japanese Passages Analyzed for Style in Chapters Three and Four
Appendix 4: Greek Passages Analyzed for Style in Chapters Three and Four
Glossary of Japanese Terms
Glossary of Greek Terms
Works Cited
Index
Index locorum
Notes:
Includes indexes.
Bibliography: pages 311-321.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
Description based on print version record.
ISBN:
1-4008-6005-9
OCLC:
922700885

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