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Breaking the frames : populism and prestige in comics studies / Marc Singer.

De Gruyter University of Texas Press Complete eBook-Package 2018 Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Singer, Marc, author.
Series:
World comics and graphic nonfiction series.
World Comics and Graphic Nonfiction Series
Language:
English
Subjects (All):
Comic books, strips, etc--History and criticism.
Comic books, strips, etc.
Physical Description:
1 online resource (vii, 281 pages).
Edition:
1st ed.
Other Title:
Populism and Prestige in Comics Studies
Place of Publication:
Austin : University of Texas Press, [2018]
Summary:
Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps—based primarily in cultural or literary studies—that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other—or, more frequently, do not talk to each other or even acknowledge each other’s work. Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators—including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware—Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics.
Contents:
Frontmatter
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION POW! ZAP! COMICS AREN’T JUST FOR CULTURAL STUDIES PROFESSORS ANYMORE
CHAPTER 1 THE MYTH OF ECO: COMICS, CONTINUITY, AND CULTURAL POPULISM
CHAPTER 2 THE ABUSES OF HISTORY: POSTMODERNISM AND CONTEMPORARY SUPERHERO COMICS
CHAPTER 3 PROPERTIES OF THE IMAGINATION COPYRIGHT AND EMPIRE IN THE LEAGUE OF EXTRAORDINARY GENTLEMEN
CHAPTER 4 THE LIMITS OF REALISM ALTERNATIVE COMICS AND THE WORKSHOP AESTHETIC
CHAPTER 5 COMICS STUDIES IN MINIATURE THE CANONIZATION OF PERSEPOLIS
CHAPTER 6 SHADOWS OF THE PAST FICTIONS OF HISTORY IN NAT TURNER
AFTERWORD NEVER APOLOGIZE, NEVER DEFEND
NOTES
BIBLIOGRAPHY
INDEX
Notes:
Includes bibliographical references and index.
Description based on: online resource; title from PDF information screen (De Gruyter, viewed November 15, 2022).
ISBN:
1-4773-1712-0
1-4773-1711-2
OCLC:
1269268515

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