Enemies in the Plaza : Urban Spectacle and the End of Spanish Frontier Culture, 1460-1492 / Thomas Devaney.

Format:

Book

Author/Creator:

Devaney, Thomas, Author.

Series:

Middle Ages series.

The Middle Ages Series

Language:

English

Subjects (All):

Processions--Political aspects--Spain--History.

Processions.

Pageants--Political aspects--Spain--History.

Pageants.

Entertainment events--Political aspects--Spain--History.

Entertainment events.

Spectacular, The.

Christianity and other religions--Spain.

Christianity and other religions.

Castile (Spain)--History--Isabel I, 1474-1504.

Castile (Spain).

Castile (Spain)--History--Henry IV, 1454-1474.

Granada (Spain : Reino)--History.

Granada (Spain : Reino).

Castile (Spain)--Ethnic relations.

Granada (Spain : Reino)--Ethnic relations.

Castile (Spain)--Relations--Spain--Granada (Reino).

Granada (Spain : Reino)--Relations--Spain--Castile.

Genre:

Electronic books.

Physical Description:

1 online resource (272 p.)

Edition:

1st ed.

Place of Publication:

Philadelphia : University of Pennsylvania Press, [2015]

Language Note:

English

Summary:

Toward the end of the fifteenth century, Spanish Christians near the border of Castile and Muslim-ruled Granada held complex views about religious tolerance. People living in frontier cities bore much of the cost of war against Granada and faced the greatest risk of retaliation, but had to reconcile an ideology of holy war with the genuine admiration many felt for individual members of other religious groups. After a century of near-continuous truces, a series of political transformations in Castile—including those brought about by the civil wars of Enrique IV's reign, the final war with Granada, and Fernando and Isabel's efforts to reestablish royal authority—incited a broad reaction against religious minorities. As Thomas Devaney shows, this active hostility was triggered by public spectacles that emphasized the foreignness of Muslims, Jews, and recent converts to Christianity.Enemies in the Plaza traces the changing attitudes toward religious minorities as manifested in public spectacles ranging from knightly tournaments, to religious processions, to popular festivals. Drawing on contemporary chronicles and municipal records as well as literary and architectural evidence, Devaney explores how public pageantry originally served to dissipate the anxieties fostered by the give-and-take of frontier culture and how this tradition of pageantry ultimately contributed to the rejection of these compromises. Through vivid depictions of frontier personalities, cities, and performances, Enemies in the Plaza provides an account of how public spectacle served to negotiate and articulate the boundaries between communities as well as to help Castilian nobles transform the frontier's religious ambivalence into holy war.

Contents:

Frontmatter

Contents

List of Abbreviations

Introduction

1. The Anatomy of a Spectacle: Sponsors, Critics, and Onlookers

2. The Meanings of Civic Space

3. Knights, Magi, and Muslims: Miguel Lucas de Iranzo and the People of Jaén

4. A ‘‘Chance Act’’: Córdoba in 1473

5. Murcia and the Body of Christ Triumphant

Conclusion

Notes

Glossary of Spanish Terms

Bibliography

Index

Acknowledgments

Notes:

Description based upon print version of record.

Includes bibliographical references and index.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)

ISBN:

9780812291346

OCLC:

906761442