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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow.
- Format:
- Book
- Language:
- English
- Subjects (All):
- Documentary films--History and criticism.
- Documentary films.
- Physical Description:
- 1 online resource (693 pages) : illustrations
- Edition:
- 1st ed.
- Place of Publication:
- Chichester, West Sussex, England : Wiley Blackwell, 2015.
- Language Note:
- English
- Summary:
- A Companion to Contemporary Documentary Film presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. * Presents a comprehensive collection of essays relating to all aspects of contemporary documentary films * Includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field * Explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film - the planet, migration, work, sex, virus, religion, war, torture, and surveillance * Considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media
- Contents:
- Intro
- Title Page
- Copyright Page
- Contents
- Notes on Contributors
- Introduction: A World Encountered
- Part I Planet (edited by Juan Francisco Salazar)
- Part II Migration (edited by Anikó Imre)
- Part III Work (edited by Silke Panse)
- Part IV Sex (edited by Laura Hyun Yi Kang)
- Part V Virus (edited by Bishnupriya Ghosh)
- Part VI Religion (edited by Alisa Lebow and Alexandra Juhasz)
- Part VII War (edited by Jeffrey Skoller)
- Part VIII Torture (edited by Alisa Lebow)
- Part IX Surveillance (edited by Elizabeth Cowie)
- Body Sovereignty
- The Encounter, or Ethics of Knowing (the Other)
- Subverting Referentiality: Beyond Historicity
- Mapping the Permeable Borders of Space and Time
- New Cognitive Tools and Their New Political Aesthetics
- Note
- Reference
- Part I Planet
- Introduction: Planet
- References
- Chapter 1 Crude Aesthetics: The Politics of Oil Documentaries
- Oil on Film: A Crude Awakening, Crude, and H2Oil
- System Failure, Antinomy, Scale
- The Politics of Documentary in an Era of Scarcity
- Notes
- Chapter 2 Anticipatory Modes of Futuring Planetary Change in Documentary Film
- Introduction
- Documentary Film, Speculative Realism, and the Shaping of Things to Come
- An Epistephilia of the Future: Anticipatory Modes of Futuring in Three Contemporary Documentary Films: The Planet (2006), Into Eternity (2010), and Otilith (2003-2009)
- Conclusion
- Chapter 3 Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies
- Land and Water
- (Re)mapping "A Sea of Islands with Their Inhabitants"
- Other Technologies of Navigation
- Futurity Practices
- Navigating the Future
- Part II Migration
- Introduction: Migration
- Chapter 4 Videogeographies
- Going to the Border
- Post-Humanist Space.
- Blind Spots and Withdrawals
- Territories of Transit
- Imaging Clandestinity
- Evidence and Artifice
- A Network Run by a Transnational Tribe
- The Essayist Project
- Chapter 5 Rates of Exchange: Human Trafficking and the Global Marketplace
- The Other Europe
- Mobilizing Confinements
- Chapter 6 Documenting What? Auto-Theory and Migratory Aesthetics
- What, and For What?
- Migratory Aesthetics
- Auto-Theory
- Performing Contact Against All Odds
- Part III Work
- Introduction: Work
- Chapter 7 The Work of the Documentary Protagonist: The Material Labor of Aesthetics
- Central Perspective and Decentralized Labor
- The Working Point
- Leveling the Field
- Picturesque and Impressionistic Documentary
- Realism and the Visibility of Labor
- Beyond Documentary Realism
- Chapter 8 Old School Capitalism in Post-Socialism: The Struggles of Želimir Žilnik's Workers
- Work in Eastern European Socialist Ideology, Everyday Experience, and Cinema
- Work in Yugoslav Politics and Film
- The Cinema of Želimir Žilnik
- Old School Capitalism
- Chapter 9 Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film
- Working Hard for the Image
- Collective Organizing in Live Nude Girls Unite!
- Sex Work and Activism in Tales of the Night Fairies
- The Laboring/Desiring Body in Scarlet Road
- Affective Alliances
- Part IV Sex
- Introduction: Sex
- Chapter 10 Documentary Practice and Transnational Feminist Theory: The Visibility of FGC
- Women Make Movies
- The Politics of FGC
- FGC and Documentary Practice
- References.
- Chapter 11 Transforming Terror: Documentary Poetics in Lourdes Portillo's Señorita Extraviada (2001)
- Possessed by the Subject Matter
- The Art of Witness
- Touching Visuality
- The Ethics of Documentary Poetics
- Chapter 12 Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice
- Part V Virus
- Introduction: Virus
- Chapter 13 Animating Informatics: Scientific Discovery Through Documentary Film
- The Cinematograph as Scientific Instrument
- The Scientific Process of Social Persuasion
- Microscopic Ways of Seeing
- Molecular Animation
- Chapter 14 HIV on Documentary Television in Post-Apartheid South Africa
- HIV and the Democratic Transition
- The Politics of HIV Treatment on Beat It!
- Conclusions
- Chapter 15 Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts
- Video Remains
- Unconstrained Webs
- The Creative Treatment of Actuality
- The Page and the Room
- The Material
- Visual Aids
- Online AIDS Documentary
- We Care
- Video in the Archive
- Camera Memories
- AIDS Artery
- We Were Here, Online
- Ira Sachs's Online Last Address
- The AIDS Web
- The AIDS Quilt Touch Project
- A Connection Crisis
- The Cut/The Link/The Room: Elegy and Action
- Mixing Reality
- Accessibility Crisis
- Emotional Behavior
- Mourning Identification
- Stitching AIDS Online
- Conclusion: A Stitched Reality Experience
- Part VI Religion
- Introduction: Religion
- Chapter 16 Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject
- Buddhism and Documentary: Elective Affinities
- Screening Lamaistic Buddhism in Tibet.
- The Semiotics of Reincarnation
- Tracking Tulku
- East/West Family Romance
- Non-Linear Temporalities
- Chapter 17 The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada
- Gevald
- Black Bus
- The Rebellious Son
- Conclusion: From Fundamentalism to Monoculturalism
- Chapter 18 Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse
- State Documentary Tradition
- An Intriguing Career
- Production and Reception
- Subjective and Collective Voices
- Authorship and Political Discourse
- Intertext and National Identity
- Narrative Density and Spiritual Symbolism
- Part VII War
- Introduction: War
- Chapter 19 Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition"
- Conclusion: Second Thoughts
- Chapter 20 One, Two, Three Montages … Harun Farocki's War Documentaries
- Vietnam Inside Ourselves
- Cold Wars - Cool Media
- Hot War / Hot Gallery
- Chapter 21 The Unwar Film
- Paramilitarist War Docs and Genre
- Interrupting Genre, Refusing Militarism: The Unwar Film
- Part VIII Torture
- Introduction: Torture
- Chapter 22 (In)visible Evidence: The Representability of Torture
- Torture's Re-emergence
- The Voice of the Torturer
- Leontius's Dilemma
- Opening Up Time
- Vertical Structure
- Montage Within the Shot
- The Question of Testimony: Traces of the Event
- Colonial Memory
- Final Notes
- Chapter 23 Interviewing the Devil: Interrogating Masters of the Cambodian Genocide
- Cinema and the Year Zero
- Some Background to a Genocide
- Patient or Complicit?
- Performing Truth.
- Audience with the Devil
- Friends and Enemies
- The Poisonous Tree
- Final Thoughts
- Author's Note
- Chapter 24 The Female Perpetrator: La Flaca Alejandra and Operation Atropos
- Performing Terror
- Female Betrayal
- Chapter 25 Toward the Dark Side: Seeing Detainee Bodies in Documentary Film
- Popular Documentary and Social Protest
- The Road to Guantanamo
- Taxi to the Dark Side
- Part IX: Surveillance
- Introduction: Surveillance
- Chapter 26 Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries
- An Architecture of Control
- Points of Resistance and Aesthetics of Network Culture
- Chapter 27 The World Viewed: Documentary Observing and the Culture of Surveillance
- Life as CCTV: Surveillance Culture
- Re-seeing Surveillance: CCTV Artveillance
- Documentary Surveillance
- The Archive and Surveillance in Documentary
- Chapter 28 Surveillance in the Service of Narrative
- Video Forensics
- The Question You Need to Answer: Can Video Evidence Be Trusted?
- First Impressions Can Be Misleading
- Research Footage → Record Footage → Documentary
- Surveillance in the Service of Narrative
- Afterword on The Bridge
- Chapter 29 Face Blind: Documentary Media and Subversion of Surveillance
- Strategies for Surveillance Resistance
- The Anonymous Subject
- Face Blindness
- Index
- EULA.
- Notes:
- Bibliographic Level Mode of Issuance: Monograph
- Includes bibliographical references at the end of each chapters and index.
- Description based on print version record.
- ISBN:
- 9781118884584
- 1118884582
- 9781118884553
- 1118884558
- 9781118884447
- 1118884442
- 9781118884508
- 1118884507
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