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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow.

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Format:
Book
Contributor:
Juhasz, Alexandra, editor.
Lebow, Alisa, editor.
Language:
English
Subjects (All):
Documentary films--History and criticism.
Documentary films.
Physical Description:
1 online resource (693 pages) : illustrations
Edition:
1st ed.
Place of Publication:
Chichester, West Sussex, England : Wiley Blackwell, 2015.
Language Note:
English
Summary:
A Companion to Contemporary Documentary Film presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. * Presents a comprehensive collection of essays relating to all aspects of contemporary documentary films * Includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field * Explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film - the planet, migration, work, sex, virus, religion, war, torture, and surveillance * Considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media
Contents:
Intro
Title Page
Copyright Page
Contents
Notes on Contributors
Introduction: A World Encountered
Part I Planet (edited by Juan Francisco Salazar)
Part II Migration (edited by Anikó Imre)
Part III Work (edited by Silke Panse)
Part IV Sex (edited by Laura Hyun Yi Kang)
Part V Virus (edited by Bishnupriya Ghosh)
Part VI Religion (edited by Alisa Lebow and Alexandra Juhasz)
Part VII War (edited by Jeffrey Skoller)
Part VIII Torture (edited by Alisa Lebow)
Part IX Surveillance (edited by Elizabeth Cowie)
Body Sovereignty
The Encounter, or Ethics of Knowing (the Other)
Subverting Referentiality: Beyond Historicity
Mapping the Permeable Borders of Space and Time
New Cognitive Tools and Their New Political Aesthetics
Note
Reference
Part I Planet
Introduction: Planet
References
Chapter 1 Crude Aesthetics: The Politics of Oil Documentaries
Oil on Film: A Crude Awakening, Crude, and H2Oil
System Failure, Antinomy, Scale
The Politics of Documentary in an Era of Scarcity
Notes
Chapter 2 Anticipatory Modes of Futuring Planetary Change in Documentary Film
Introduction
Documentary Film, Speculative Realism, and the Shaping of Things to Come
An Epistephilia of the Future: Anticipatory Modes of Futuring in Three Contemporary Documentary Films: The Planet (2006), Into Eternity (2010), and Otilith (2003-2009)
Conclusion
Chapter 3 Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies
Land and Water
(Re)mapping "A Sea of Islands with Their Inhabitants"
Other Technologies of Navigation
Futurity Practices
Navigating the Future
Part II Migration
Introduction: Migration
Chapter 4 Videogeographies
Going to the Border
Post-Humanist Space.
Blind Spots and Withdrawals
Territories of Transit
Imaging Clandestinity
Evidence and Artifice
A Network Run by a Transnational Tribe
The Essayist Project
Chapter 5 Rates of Exchange: Human Trafficking and the Global Marketplace
The Other Europe
Mobilizing Confinements
Chapter 6 Documenting What? Auto-Theory and Migratory Aesthetics
What, and For What?
Migratory Aesthetics
Auto-Theory
Performing Contact Against All Odds
Part III Work
Introduction: Work
Chapter 7 The Work of the Documentary Protagonist: The Material Labor of Aesthetics
Central Perspective and Decentralized Labor
The Working Point
Leveling the Field
Picturesque and Impressionistic Documentary
Realism and the Visibility of Labor
Beyond Documentary Realism
Chapter 8 Old School Capitalism in Post-Socialism: The Struggles of Želimir Žilnik's Workers
Work in Eastern European Socialist Ideology, Everyday Experience, and Cinema
Work in Yugoslav Politics and Film
The Cinema of Želimir Žilnik
Old School Capitalism
Chapter 9 Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film
Working Hard for the Image
Collective Organizing in Live Nude Girls Unite!
Sex Work and Activism in Tales of the Night Fairies
The Laboring/Desiring Body in Scarlet Road
Affective Alliances
Part IV Sex
Introduction: Sex
Chapter 10 Documentary Practice and Transnational Feminist Theory: The Visibility of FGC
Women Make Movies
The Politics of FGC
FGC and Documentary Practice
References.
Chapter 11 Transforming Terror: Documentary Poetics in Lourdes Portillo's Señorita Extraviada (2001)
Possessed by the Subject Matter
The Art of Witness
Touching Visuality
The Ethics of Documentary Poetics
Chapter 12 Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice
Part V Virus
Introduction: Virus
Chapter 13 Animating Informatics: Scientific Discovery Through Documentary Film
The Cinematograph as Scientific Instrument
The Scientific Process of Social Persuasion
Microscopic Ways of Seeing
Molecular Animation
Chapter 14 HIV on Documentary Television in Post-Apartheid South Africa
HIV and the Democratic Transition
The Politics of HIV Treatment on Beat It!
Conclusions
Chapter 15 Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts
Video Remains
Unconstrained Webs
The Creative Treatment of Actuality
The Page and the Room
The Material
Visual Aids
Online AIDS Documentary
We Care
Video in the Archive
Camera Memories
AIDS Artery
We Were Here, Online
Ira Sachs's Online Last Address
The AIDS Web
The AIDS Quilt Touch Project
A Connection Crisis
The Cut/The Link/The Room: Elegy and Action
Mixing Reality
Accessibility Crisis
Emotional Behavior
Mourning Identification
Stitching AIDS Online
Conclusion: A Stitched Reality Experience
Part VI Religion
Introduction: Religion
Chapter 16 Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject
Buddhism and Documentary: Elective Affinities
Screening Lamaistic Buddhism in Tibet.
The Semiotics of Reincarnation
Tracking Tulku
East/West Family Romance
Non-Linear Temporalities
Chapter 17 The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada
Gevald
Black Bus
The Rebellious Son
Conclusion: From Fundamentalism to Monoculturalism
Chapter 18 Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse
State Documentary Tradition
An Intriguing Career
Production and Reception
Subjective and Collective Voices
Authorship and Political Discourse
Intertext and National Identity
Narrative Density and Spiritual Symbolism
Part VII War
Introduction: War
Chapter 19 Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition"
Conclusion: Second Thoughts
Chapter 20 One, Two, Three Montages … Harun Farocki's War Documentaries
Vietnam Inside Ourselves
Cold Wars - Cool Media
Hot War / Hot Gallery
Chapter 21 The Unwar Film
Paramilitarist War Docs and Genre
Interrupting Genre, Refusing Militarism: The Unwar Film
Part VIII Torture
Introduction: Torture
Chapter 22 (In)visible Evidence: The Representability of Torture
Torture's Re-emergence
The Voice of the Torturer
Leontius's Dilemma
Opening Up Time
Vertical Structure
Montage Within the Shot
The Question of Testimony: Traces of the Event
Colonial Memory
Final Notes
Chapter 23 Interviewing the Devil: Interrogating Masters of the Cambodian Genocide
Cinema and the Year Zero
Some Background to a Genocide
Patient or Complicit?
Performing Truth.
Audience with the Devil
Friends and Enemies
The Poisonous Tree
Final Thoughts
Author's Note
Chapter 24 The Female Perpetrator: La Flaca Alejandra and Operation Atropos
Performing Terror
Female Betrayal
Chapter 25 Toward the Dark Side: Seeing Detainee Bodies in Documentary Film
Popular Documentary and Social Protest
The Road to Guantanamo
Taxi to the Dark Side
Part IX: Surveillance
Introduction: Surveillance
Chapter 26 Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries
An Architecture of Control
Points of Resistance and Aesthetics of Network Culture
Chapter 27 The World Viewed: Documentary Observing and the Culture of Surveillance
Life as CCTV: Surveillance Culture
Re-seeing Surveillance: CCTV Artveillance
Documentary Surveillance
The Archive and Surveillance in Documentary
Chapter 28 Surveillance in the Service of Narrative
Video Forensics
The Question You Need to Answer: Can Video Evidence Be Trusted?
First Impressions Can Be Misleading
Research Footage → Record Footage → Documentary
Surveillance in the Service of Narrative
Afterword on The Bridge
Chapter 29 Face Blind: Documentary Media and Subversion of Surveillance
Strategies for Surveillance Resistance
The Anonymous Subject
Face Blindness
Index
EULA.
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references at the end of each chapters and index.
Description based on print version record.
ISBN:
9781118884584
1118884582
9781118884553
1118884558
9781118884447
1118884442
9781118884508
1118884507

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