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The complete motets. 10, The four-language print for four and eight voices (Munich, 1573) / Orlando di Lasso ; edited by Peter Bergquist.
- Format:
- Musical score
- Author/Creator:
- Lasso, Orlando di, 1532-1594, composer.
- Series:
- Lasso, Orlando di, 1532-1594. Motets (Bergquist) ; 10.
- Recent researches in the music of the Renaissance ; 102
- The complete motets / Orlando di Lasso ; 10
- Recent researches in Music Online, 2577-4573
- Recent researches in the music of the Renaissance ; 102.
- Recent researches in Music Online 2577-4573.
- Standardized Title:
- Cantiones latinae
- Language:
- English
- French
- German
- Italian
- Latin
- Subjects (All):
- Motets--16th century--Scores.
- Motets.
- Polyphonic lieder--16th century--Scores.
- Polyphonic lieder.
- Polyphonic chansons--16th century--Scores.
- Polyphonic chansons.
- Madrigals, Italian--16th century--Scores.
- Madrigals, Italian.
- Genre:
- Motets.
- Polyphonic Lieder.
- Polyphonic chansons.
- Madrigals.
- Scores.
- Physical Description:
- 1 online resource (1 score (xxiv, 125 pages, 4 pages of plates)) : facsimiles.
- Place of Publication:
- Middleton, Wisconsin : A-R Editions, Inc., 2020.
- Language Note:
- Six 4-part Latin motets, six 4-part German Lieder, six 4-part French chansons, six 4-part Italian madrigals, and one 8-voice dialogue in each of those languages. Words printed as text with English translations on pages xvii-xxiv.
- Summary:
- "This volume departs from the usual practice of the series in including Lasso's settings of some vernacular texts in addition to motets. Adam Berg issued the so-called "Four-Language Print" in 1573; it contains six Latin motets, six German lieder, six French chansons, and six Italian madrigals, all for four voices, and one eight-voice dialogue in each of the four languages. This edition publishes the collection integrally for the first time. The four-voice compositions are concise, containing representative examples of Lasso's best work in each language. Five of the madrigals form a cycle drawn from Ariosto's Orlando Furioso. The eight-voice motet, "Unde revertimini," is said to have been performed with another text, "Unde recens reditus," at the French court. An attempted reconstruction of "Unde recens reditus" is an appendix to this volume, and it indicates strongly that "Unde revertimini" is the text to which the music was originally composed." -- Provided by publisher.
- Contents:
- Quare tristis es, anima mea?
- Quid estis pusillanimes
- Domine, secundum actus meum
- Fallax gratia
- Eripe me de inimicis meis
- Honorabile est inter omnes
- Ein Esel und das Nüssbawmholtz
- Annelein, du singst fein
- Auss gutem grundt
- Es thut sich als verkeren
- Wem soll man jetzund trawen?
- Audite nova!
- Un ieune moine
- Si du mal'heur vous avies cognoissance
- Si ie suis brun
- Quant un cordier cordant
- Qui bien se mire
- Sces tu dir l'ave
- Di persona era tanto ben formata
- Sotto duo negri e sottilissimi archi
- Sotto quel sta, quasi fra due vallette
- Bianca neve è il bel collo
- Mostran le braccia sue misura giusta
- Spesso in poveri alberghi
- Unde revertimini
- Nun grüss dich Gott, mein Mundlein rot
- Di moi mon cueur
- S'una fede amorosa.
- Notes:
- Six 4-part Latin motets, six 4-part German Lieder, six 4-part French chansons, six 4-part Italian madrigals, and one 8-voice dialogue in each of those languages.
- Includes introduction (pages ix-xxiv) and critical report (pages 123-125).
- Includes bibliographical references.
- Online resource (A-R Editions, viewed April 20, 2020).
- OCLC:
- 1157149744
- Publisher Number:
- R102 A-R Editions, Inc. (score)
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