Four sacred cantatas / Daniel Eberlin ; edited by Michael Wilhelm Nordbakke.

Format:

Musical score

Author/Creator:

Eberlin, Daniel, 1647-approximately 1715, composer.

Contributor:

Nordbakke, Michael Wilhelm, editor.

Series:

Recent researches in the music of the Baroque Era ; 184.

Recent researches in Music Online. 2577-4573.

Recent researches in the music of the Baroque Era ; 184

Recent researches in Music Online, 2577-4573

Standardized Title:

Cantatas

Language:

English

German

Latin

Subjects (All):

Cantatas, Sacred--Scores and parts.

Cantatas, Sacred.

Solo cantatas, Sacred (High voice)--Scores and parts.

Solo cantatas, Sacred (High voice).

Sacred vocal duets with continuo--Scores and parts.

Sacred vocal duets with continuo.

Choruses, Sacred (Mixed voices) with string orchestra--Scores and parts.

Choruses, Sacred (Mixed voices) with string orchestra.

Genre:

Cantatas.

Sacred music.

Chamber music.

Scores.

Parts (Music)

Physical Description:

1 online resource (1 score (xviii, 69 pages, 4 pages of plates)) : facsimiles + 4 sets of 6, 6, 2, and 1 parts.

Other Title:

4 sacred cantatas

Sacred cantatas

Place of Publication:

Middleton, Wisconsin : A-R Editions, Inc., 2013.

Language Note:

German (1st-3rd works) and Latin (4th work) words, also printed as texts with English translations: p. xv-xviii.

Staff notation.

Summary:

"Daniel Eberlin (1647-ca. 1715), the father-in-law of Georg Philipp Telemann, was one of many German musicians who at the beginning of their careers visited Italy to learn from Italian composers. Later he would divide his time between Kassel and Eisenach, where he met and exchanged influence with members of the Bach family. His four extant cantatas incorporate elements from the genres of motet, vocal concerto, strophic devotional song, chorale, and, in one case, violin sonata. Ich will in aller Noth, for solo tenor, solo violin, and continuo, features a highly virtuosic solo violin part and can almost be termed a violin sonata with text. Ich kan nit mehr ertragen diesen Jammer features an expressive dialogue between soprano and bass soloists, displaying Eberlin's skill in applying musical-rhetorical devices. Allmächtiger, heyliger, ewiger Gott is a strophic song for four-part chorus with violins, viols, and basso continuo. Finally, Vae misero, qui Deum meum is a highly expressive work in concertato style for alto solo, bass solo, and basso continuo." -- Provided by publisher.

Contents:

Ich kan nit mehr ertragen diesen Jammer : S solo, B solo, SATB, 2 violins, 2 tenor viols, 2 bass viols, basso continuo

Allmächtiger, heyliger, ewiger Gott : SATB, 2 violins, treble viol, 2 tenor viols, basso continuo

Ich will in aller Noht : T solo, violin, basso continuo

Vae misero, qui Deum meum : A solo, B solo, basso continuo.

Notes:

Figured bass unrealized.

Edited from ms. parts in the Düben collection, Uppsala universitetsbibliotek, Sweden (shelfmark Vok. mus. hs. 54:4) (1st work), and ms. scores in the Bokemeyer collection, Staatsbibliothek zu Berlin--Preussischer Kulturbesitz (shelfmark Mus. ms. 30294, olim Ms. 4380) (2nd-4th works).

Includes introduction and critical report.

Includes bibliographical references.

Online resource (A-R Editions, viewed November 20, 2018).

Contains:

Container of: Eberlin, Daniel, 1647-approximately 1715. Ich kan nit mehr ertragen diesen Jammer.

Container of: Eberlin, Daniel, 1647-approximately 1715. Allmächtiger, heyliger, ewiger Gott.

Container of: Eberlin, Daniel, 1647-approximately 1715. Ich will in aller Noht.

Container of: Eberlin, Daniel, 1647-approximately 1715. Vae misero, qui Deum meum.

OCLC:

1079234852

Publisher Number:

B184 A-R Editions, Inc. (score)

B184P1 A-R Editions, Inc. (parts)

B184P2 A-R Editions, Inc. (parts)

B184P3 A-R Editions, Inc. (parts)