Vespers for the Feast of the Assumption : a reconstruction of the 1744 service at the Ospedaletto in Venice / Nicola Porpora, edited by Kurt Markstrom.

Format:

Musical score

Author/Creator:

Porpora, Nicola, 1686-1768, composer.

Contributor:

Markstrom, Kurt Sven, 1954- editor.

Series:

Collegium musicum (Yale University) ; 2nd series, v.21.

Recent researches in Music Online. 2577-4573.

Collegium musicum (Yale University) ; second series, v.21

Recent researches in Music Online, 2577-4573

Standardized Title:

Vocal music. Selections

Language:

English

Latin

Subjects (All):

Vespers (Music).

Choruses, Sacred (Women's voices) with string orchestra--Scores.

Choruses, Sacred (Women's voices) with string orchestra.

Feast of the Assumption of the Blessed Virgin Mary--Songs and music.

Feast of the Assumption of the Blessed Virgin Mary.

Genre:

Vespers (Music)

Event music.

Sacred music.

Scores.

Physical Description:

1 online resource (1 score (xxiv, 300 pages, 4 pages of plates)) : facsimiles.

Place of Publication:

Middleton, Wisconsin : A-R Editions, Inc., 2015.

Language Note:

Latin words.

Staff notation.

Summary:

"The vespers music composed by Nicola Porpora for the feast of the Assumption (15 August) in 1744, during his first year as maestro at the Ospedale di Santa Maria dei Poveri Derelitti (popularly known as the Ospedaletto), occupies a place of particular importance in his sacred output: it can be reconstructed almost in full from manuscripts of Porpora's surviving works, and its scoring for an all-female choir consisting of divided sopranos and altos -- the typical choral forces employed in the ospedali at this time -- makes it a rare specimen of liturgical music composed expressly for the Venetian figliole. This edition recreates the music of this service by bringing together settings by Porpora of the five psalms of the Marian cursus (Dixit Dominus, Laudate pueri, Laetatus sum, Nisi Dominus, and Lauda Jerusalem) and the Magnificat canticle, along with two settings of the Marian antiphon Salve Regina, which would have been sung as an additional devotion following the canonical liturgy. Although the Dixit Dominus and Magnificat, composed during Porpora's years in Naples, were originally scored for standard mixed choir, it is likely that they were adapted for the 1744 performance in Venice; consequently, they have been adapted for all-female choir and soloists in this edition." -- Provided by publisher.

Contents:

Dixit Dominus

Laudate pueri : 1745

Laetatus sum : 1744

Nisi Dominus : 1744

Lauda Jerusalem : 1744

Magnificat (1741)

Salve Regina in F major (1744; alto solo)

Salve Regina in B-flat major (1744; soprano solo)

Appendix. Plainchant for Vespers of the Assumption.

Notes:

For solo voices (SSA), women's chorus (SSAA), and string orchestra.

Edited from holographs in the British Library (Additional 14125, 14126, 14128, 14129) and copyists' manuscripts in the Conservatorio San Pietro a Majella, Naples (M. Rel. 1617) (Dixit Dominus and Magnificat).

Includes introduction and critical report.

Includes bibliographical references.

Online resource (A-R Editions, viewed December 11, 2018).

OCLC:

1079317036

Publisher Number:

Y2-021 A-R Editions, Inc.