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Motets from 1549. Part 1, Motets based on the Song of Songs / Gioseffo Zarlino ; edited by Cristle Collins Judd.

Recent Researches in Music Online (RRIMO) Legacy All Titles 1955-2017 Available online

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Format:
Musical score
Author/Creator:
Zarlino, Gioseffo, 1517-1590, composer.
Contributor:
Judd, Cristle Collins, editor.
Series:
Recent researches in the music of the Renaissance ; 145.
Recent researches in Music Online. 2577-4573.
Recent researches in the music of the Renaissance ; 145
Recent researches in Music Online, 2577-4573
Standardized Title:
Motets. Selections
Language:
English
Latin
Subjects (All):
Motets--Scores.
Motets.
Choruses, Sacred (Mixed voices, 5 parts), Unaccompanied.
Song of Solomon (Music).
Genre:
Motets.
Scores.
Physical Description:
1 online resource (1 score (xxvi, 106 pages, 10 pages of plates)) : facsimiles.
Place of Publication:
Middleton, Wisconsin : A-R Editions, Inc., 2019.
Language Note:
Latin words, also printed as texts with English translations on pages xxiii-xxvi.
Summary:
"Gioseffo Zarlino was without doubt the most highly regarded music theorist of the sixteenth century. Although also a published composer, his present-day reputation rests on his status as a theorist and position as maestro di cappella at the basilica of San Marco in Venice. Insofar as Zarlino is known as a composer at all, it is primarily through his self-citation of his compositions in his theory treatise Le istitutioni harmoniche (Venice, 1558). The present edition brings together motets Zarlino published in 1549. Part 1 comprises, in their original order, ten motets for five voices that were composed as part of a single continuous cycle setting the Song of Songs ... Dispersed among three motet prints from 1549, the recovery of Zarlino's previously unknown Song of Songs cycle offers the opportunity to witness the intersection of theoretical and compositional priorities in the work of a single composer-theorist as well as insight into musical, theoretical, and theological questions that impinge on our understanding of sacred music in Venice from the 1540s." -- Provided by publisher.
Contents:
Osculetur me
Nigra sum, sed formosa
Si ignoras
Ecce tu pulchra es
Ego rosa saron
Capite nobis
In lectulo meo
Adjuro vos filiae Jerusalem
Ferculum fecit sibi rex Salomon
Ego veni in hortum meum.
Notes:
For 5 voices.
Edited from partbooks published: Musici quinque vocum moduli (Venice : Gardano, 1549).
Includes introduction and critical report.
Includes bibliographical references.
Online resource (A-R Editions, viewed June 5, 2019).
Contains:
Based on: Zarlino, Gioseffo, 1517-1590. Musici moduli.
OCLC:
1105622423
Publisher Number:
R145 A-R Editions, Inc.

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