1 option
Virginalia Eucharistica (1615) / Rudolph di Lasso ; edited by Alexander J. Fisher.
- Format:
- Musical score
- Author/Creator:
- Lassus, Rudolph de, approximately 1563-1625, composer.
- Series:
- Recent researches in the music of the Baroque Era ; 114.
- Recent researches in Music Online. 2577-4573.
- Recent researches in the music of the Baroque Era ; 114
- Recent researches in Music Online, 2577-4573
- Standardized Title:
- Virginalia Eucharistica
- Language:
- English
- Latin
- Subjects (All):
- Mary, Blessed Virgin, Saint--Songs and music--Scores and parts.
- Mary.
- Part songs, Sacred--Scores and parts.
- Part songs, Sacred.
- Choruses, Sacred (Mixed voices) with continuo--Scores and parts.
- Choruses, Sacred (Mixed voices) with continuo.
- Genre:
- Part songs.
- Scores.
- Physical Description:
- 1 online resource (1 score (xxii, 272 pages, 2 pages of plates)) : facsimiles + 1 set of 4 parts.
- Place of Publication:
- Middleton, Wisconsin : A-R Editions, Inc., 2019.
- Language Note:
- Latin words; also printed as text, with English translations: pages xv-xxi.
- Summary:
- "This edition of the Virginalia Eucharistica (Munich, 1615) by Rudolph di Lasso (ca. 1563-ca. 1626), one of the sons of the famous Munich kapellmeister Orlando di Lasso, offers a window into the evolution of sacred composition in early baroque Germany. Consisting of forty-three settings of mostly Marian texts for one to eight voices and basso continuo, the Virginalia Eucharistica demonstrates Rudolph's engagement with the emerging Italian concertato idiom, blended liberally with traditional polyphonic textures and polychoral practices derived from Venetian models. The result is a diverse array of works ranging from virtuosic sacred monodies to antiphonal double-choir compositions, enlivened by inventive and unusual vocal textures. Beyond its musical significance, the Virginalia Eucharistica also vividly reflects the Marian cult of the Bavarian court, a German bastion of the Catholic Counter-Reformation in the early seventeenth century." -- Provided by publisher.
- Contents:
- Sancta et immaculata
- Ne timeas, Maria
- Rorate caeli desuper
- Beata es Maria
- O Emmanuel
- Mirabile mysterium
- O Maria clausus ortus
- O intemerata
- Ave virgo gratiosa
- Memento salutisauctor
- Rubum quem viderat Moyses
- Puer Jesus
- Fili, quid fecisti nobis sic?
- Ave Maria, gratia plena
- Quae est ista
- O admirabile commercium
- Germinavit radix Jesse
- Ecce Maria genuit nobis
- Regina caeli laetare
- Veni Sancte Spiritus
- Ego sum panis vivus
- O Jesu benignissime
- Pulchra es, o Maria
- Ave Maria, ancilla sanctae trinitatis
- Alma Redemptoris Mater
- Ave Regina caelorum
- Salve, Regina
- Quando natus es
- O salutaris Hostia
- O Domina mea
- Nuptiae factae sunt
- Recordare Jesu pie
- O peccator
- Judica, Domine
- Sub tuum praesidium
- Vide homo, quae pro te patior
- Fit porta Christi pervia
- Litaniae Lauretanae.
- Notes:
- For 1-8 voices, with continuo.
- Instrumental parts (cornetto, trombone 1-3) are available for no. 33 (Regina caeli laetare).
- Historical, editorial and critical notes in English.
- Includes bibliographical references.
- Online resource (A-R Editions, viewed October 28, 2019).
- OCLC:
- 1125961532
- Publisher Number:
- B114 A-R Editions, Inc. (score)
- B114P A-R Editions, Inc. (parts)
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.