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Complete works / Johannes Cornago ; edited by Rebecca L. Gerber.

Recent Researches in Music Online (RRIMO) Legacy All Titles 1955-2017 Available online

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Format:
Musical score
Author/Creator:
Cornago, Juan, active 15th century, composer.
Contributor:
Gerber, Rebecca L., editor.
Series:
Recent researches in the music of the Middle Ages and early Renaissance ; v. 15.
Recent researches in Music Online. 2577-4573
Recent researches in the music of the Middle Ages and early Renaissance ; 15
Recent researches in Music Online, 2577-4573
Standardized Title:
Works. 1984
Language:
English
Italian
Latin
Spanish
Subjects (All):
Masses--Scores.
Masses.
Motets.
Part songs, Spanish.
Part songs, Italian.
Trios (Unspecified instruments (3))--Scores.
Trios (Unspecified instruments (3)).
Quartets (Unspecified instruments (4))--Scores.
Quartets (Unspecified instruments (4)).
Genre:
Motets.
Masses.
Part songs.
Chamber music.
Scores.
Physical Description:
1 online resource (1 score (xxx, 73 pages))
Place of Publication:
Middleton, Wisconsin : A-R Editions, Inc., 2021.
Language Note:
Italian, Latin, and Spanish words, also printed as text with English translation within the preface.
Staff notation.
Summary:
"Johannes Cornago is among the earliest known Spanish composers of the Renaissance. His works-sixteen secular songs (including those with doublemop attributions and alternate versions), a motet, and particularly the Missa Ayo visto--reflect the international style of the Spanish composers just at the point when a recognizable national style was emerging." -- Provided by publisher.
Contents:
The sacred music: Missa Ayo visto ; Patres nostri peccaverunt
The secular music: ¿Donde estas que non te veo? ; Gentil dama non se gana ; Moro perche non day fede ; Morte o merce ; Non gusto del male estranio ; Porque mas sin duda creas ; Pues que Dios te fizo tal ; ¿Qu'es mi vida preguntays? ; Segun las penas me days ; Yerra con poco saber.
Notes:
For 3-4 voices/instruments; "in both the sacred and secular music, the ensemble calls for various combinations of alto and baritone vocal ranges, although the lowest voices are usually performed by instruments in the secular music and vocalized or played by the organ in the sacred music"--page xvi.
Includes preface with biographical notes, editorial methods and performance practice, and critical notes.
Appendix contains alternate versions and double attributions.
Online resource (A-R Editions, viewed July 27, 2021).
ISBN:
9781987206340
1987206347
OCLC:
1263313054
Publisher Number:
M015 A-R Editions, Inc. (score)

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