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Viretum pierium (1621) / Anton Holzner ; edited by Alexander J. Fisher.

Recent Researches in Music Online (RRIMO) Legacy All Titles 1955-2017 Available online

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Format:
Musical score
Author/Creator:
Holzner, Anton, approximately 1599-1635, composer.
Contributor:
Fisher, Alexander J., editor.
Series:
Recent researches in the music of the Baroque Era ; 156.
Recent researches in Music Online. 2577-4573.
Recent researches in the music of the Baroque Era ; 156
Recent researches in Music Online, 2577-4573
Language:
English
Latin
Subjects (All):
Sacred vocal ensembles with continuo--Scores.
Sacred vocal ensembles with continuo.
Sacred songs with continuo--Germany--17th century--Scores.
Sacred songs with continuo.
Motets--Germany--17th century.
Motets.
Genre:
Motets.
Concertos.
Scores.
Physical Description:
1 online resource (1 score (xvi, 81 pages, 2 pages of plates)) : facsimiles.
Place of Publication:
Middleton, Wisconsin : A-R Editions, Inc., 2019.
Language Note:
Latin words; also printed separately as text with English translation (pages xii-xvi).
Summary:
"Anton Holzner's Viretum pierium or "Pierian Meadow" (referring to the mythological home of the muses), a collection of twenty-four Latin sacred vocal concertos for one to five voices and continuo published in Munich in 1621, is a fine example of a genre that epitomized sacred music in Bavaria in the decades after Orlando di Lassos's death and, indeed, was of central importance for Catholic German music as a whole. The Latin vocal concerto in southern Germany mediated between existing polyphonic traditions north of the Alps and the newer currents of the Italian stile moderno while providing a vehicle for the aural expression of Catholic spirituality--Marian, eucharistic, and sanctoral devotion--in a time of religious and political crisis." -- Provided by publisher.
Contents:
Amen dico vobis : cantus or tenor
In toto corde meo : cantus or tenor
Gaudent in caelis : 2 cantus or 2 tenors
Verbum caro : 2 cantus
Transfige, dulcissime Jesu : cantus and tenor
Tollite jugum meum : cantus and tenor
In tua patientia : 2 altus
Gaude Virgo gloriosa : 2 tenors
Virgo prudentissima : 2 tenors
Congratulamini mihi omnes : cantus and bassus
Sanctificavit Dominus : cantus and bassus
Stabunt justi : 3 cantus or 3 tenors
In lectulo meo : 2 cantus or 2 tenors, and bassus
Gabriel Angelus : 2 cantus and bassus
O quam gloriosum est : 2 cantus and bassus
O Rex gloriae : cantus and 2 tenors
O vos omnes : cantus, tenor, and bassus
O salutaris Hostia : cantus, tenor, and bassus
Duo Seraphim : 2 altus and bassus
O dulcis amor Jesu : altus, tenor, and bassus
Alma Redemptoris : cantus, altus, 2 tenors, and bassus
Ave Regina Caelorum : cantus, altus, 2 tenors, and bassus
Regina caeli : 2 cantus, altus, tenor, and bassus
Salve Regina : 2 cantus, altus, tenor, and bassus.
Notes:
Sacred vocal concertos for 1-3 and 5 voices and basso continuo; figured bass unrealized.
Includes introduction and critical report.
Includes bibliographical references.
Online resource (A-R Editions, viewed April 11, 2019).
OCLC:
1099511973
Publisher Number:
B156 A-R Editions, Inc.

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