Collected vocal music. Part 2, Dialogues, partsongs, and catches / William Lawes ; edited by Gordon J. Callon.

Format:

Musical score

Author/Creator:

Lawes, William, 1602-1645, composer.

Contributor:

Callon, Gordon J., editor.

Series:

Recent researches in the music of the Baroque Era ; 121.

Recent researches in Music Online. 2577-4573.

Recent researches in the music of the Baroque Era ; 121

Recent researches in Music Online, 2577-4573

Standardized Title:

Vocal music. Selections

Language:

English

Subjects (All):

Glees, catches, rounds, etc--Scores.

Glees, catches, rounds, etc.

Part songs, English--Scores.

Part songs, English.

Genre:

Part songs.

Rounds (Music)

Scores.

Physical Description:

1 online resource (1 score (xxxv, 197 pages, 5 pages of plates)) : facsimiles.

Other Title:

Dialogues, partsongs, and catches

Place of Publication:

Middleton, Wisconsin : A-R Editions, Inc., 2019.

Language Note:

English words; also printed as text on pages xxiii-xxxv.

Summary:

"Lawes's music for more than one solo voice includes dialogues, partsongs (some with a solo section), and catches. Dialogues are settings of a short incident involving two or more characters, usually ending with a chorus. The partsongs include contrapuntal multi-voiced pieces, similar to solo declamatory songs, but with more voices. Several are for the theater. Some are harmonized airs, tuneful airs with extra voice parts, including dance songs. Several are energetic drinking songs. Lawes was a prolific writer of catches. Catches, mainly used as drinking songs, generally have a humorous content, often bawdy, and often involving play on words. Four of Lawes's catches, all drinking songs, were composed for the theatre." -- Provided by publisher.

Contents:

Dialogues: When death shall snatch us from these kids ; A health to the northern lass ; The cats ; Come, heavy heart ; 'Tis not, boy, thy amorous look ; Charon! O gentle Charon! ; Orpheus, O Orpheus, gently touch thy Lesbian lyre ; Come, my Daphne, come away ; Charon, O Charon! ; Haste you nymphs ; Sacred love whose virtuous power ; The lark ; Vulcan, O Vulcan, my love ; What if I die for love of thee?

Partsongs: A hall, a hall ; When each line's a faithful drinker ; What ho, we come to be merry ; Music, the master of thy art is dead ; All these lie howling ; Come, lovely Cloris ; Gather your rosebuds ; Good morrow unto her ; Love is lost ; O my Clarissa

Solo plus chorus: Come, take a carouse ; Beliza, shade your shining eyes ; On, on compassion shall never enter here ; Come, Adonis, come again ; Fill, fill the bowl ; There can be no glad man ; 'Tis no shame to yield to beauty ; What should my mistress do

Catches: Some drink, boy ; Hark, jolly lads ; Call for the ale ; Let's cast away care ; Stand still and listen ; If we shall drink canary ; I do confess ; Whither go ye ; Come, my lads ; Tom, Ned, and Jack ; Never let a man ; Though I am not Bacchus' priest ; Brisk claret and sherry ; Wars are our delight ; A knot of good fellows ; A pox on our jailer ; A round, a round, a round, boys ; Bess, black as a charcoal ; Come, Amarillis, now let us be merry ; Come, follow me brave hearts ; Come, let us cast the dice ; Come, let us have a merry heart ; Come, quaff apace this brisk canary wine ; Dainty fine aniseed water fine ; Drink tonight of the moonshine bright ; Goose lawed with Goose ; Hang sorrow and cast away care ; Hie we to the other world ; I'll tell you of a matter ; It is folly to be jolly ; See how Cawood's dragon looks ; See how in gathering of their May ; The pot, the pipe, the quart, the can ; The wise men were but seven

Incomplete, doubtful, and wrongly attributed works.

Notes:

For 2-6 voices, unaccompanied or with continuo accompaniment.

Biographical and historical notes on pages x-xxii; critical notes on pages 189-197.

Appendix includes doubtful, lost, and wrongly attributed works.

Includes bibliographical references.

Online resource (A-R Editions, viewed October 28, 2019).

OCLC:

1125964381

Publisher Number:

B121 A-R Editions, Inc.