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Three sacred cantatas / Georg von Bertouch ; edited by Michael Wilhelm Nordbakke.
- Format:
- Musical score
- Author/Creator:
- Bertouch, Georg von, 1688-1743, composer.
- Series:
- Recent researches in the music of the Baroque Era ; 151.
- Recent researches in Music Online. 2577-4573.
- Recent researches in the music of the Baroque Era ; 151
- Recent researches in Music Online, 2577-4573
- Standardized Title:
- Cantatas
- Language:
- English
- German
- Subjects (All):
- Solo cantatas, Sacred (Low voice)--Scores.
- Solo cantatas, Sacred (Low voice).
- Sacred songs (Low voice) with string orchestra--Scores.
- Sacred songs (Low voice) with string orchestra.
- Sacred songs (Low voice) with continuo.
- Cantatas, Sacred--Scores.
- Cantatas, Sacred.
- Genre:
- Cantatas.
- Scores.
- Physical Description:
- 1 online resource (1 score (xvii, 127 pages, 2 pages of plates)) : facsimiles + 3 sets of 6, 1, and 7 parts respectively.
- Other Title:
- 3 sacred cantatas
- Sacred cantatas
- Place of Publication:
- Middleton, Wisconsin : A-R Editions, Inc., 2019.
- Language Note:
- German words with English translations also printed as text (p. xiv-xvii).
- Summary:
- "Georg von Bertouch (1668-1743), a German-born musician and military officer who spent the last twenty-five years of his life in Norway, is largely remembered for his sonatas in each of the twenty-four keys, finished in 1738 (B 144). But statements made by Mattheson indicate that Bertouch produced an extensive body of sacred compositions as well. Only three cantatas, composed before 1694, are known to survive; the manuscripts, which are part of the Bokemeyer collection, are held in the Staatsbibliothek zu Berlin. Two of these works are solo cantatas for a single voice, while the remaining one is a large-scale chorale cantata based on "Wachet auff." Both solo cantatas end with a joyful Alleluia movement and were obviously written for professional singers with considerable lung capacity. The chorale cantata, too, makes substantial demands on the soloists. Contrasting sections, tone-painting and occasional chromatic writing are features that should arouse the interest of singers and scholars studying seventeenth-century northern German vocal music." -- Provided by publisher.
- Contents:
- Du, Tochter Zion, freue dich sehr
- Mein Herz ist bereit
- Gott der Herr, der mächtige, redet.
- Notes:
- For bass and string orchestra and continuo (1st work), alto and continuo (2nd work), and solo voices (SATB), chorus (SATB), string orchestra and continuo (3rd work).
- Edited from copyists' mss. in the Staatsbibliothek zu Berlin (Mus. ms. 30096).
- Includes introduction and critical report.
- Includes bibliographical references.
- Online resource (A-R Editions, viewed May 15, 2019).
- Contains:
- Container of: Bertouch, Georg von, 1668-1743. Du, Tochter Zion, freue dich sehr.
- Container of: Bertouch, Georg von, 1668-1743. Mein Herz ist bereit.
- Container of: Bertouch, Georg von, 1668-1743. Gott der Herr, der mächtige, redet.
- OCLC:
- 1103602382
- Publisher Number:
- B151 A-R Editions, Inc. (score)
- B151P1 A-R Editions, Inc. (parts)
- B151P2 A-R Editions, Inc. (parts)
- B151P3 A-R Editions, Inc. (parts)
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