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Erster Theil newer Paduanen / Johann Schop ; edited by Arne Spohr.
- Format:
- Musical score
- Author/Creator:
- Schop, Johann, composer.
- Series:
- Recent researches in the music of the Baroque Era ; 125.
- Recent researches in Music Online. 2577-4573.
- Recent researches in the music of the Baroque Era ; 125
- Recent researches in Music Online, 2577-4573
- Standardized Title:
- Newer Paduanen, Galliarden, Allmanden, Balletten, Couranten, unnd Canzonen. 1. Th.
- Language:
- No linguistic content
- Subjects (All):
- Quartets (Unspecified instruments (3), continuo)--Scores and parts.
- Quartets (Unspecified instruments (3), continuo).
- Quintets (Unspecified instruments (4), continuo)--Scores and parts.
- Quintets (Unspecified instruments (4), continuo).
- Sextets (Unspecified instruments (5), continuo)--Scores and parts.
- Sextets (Unspecified instruments (5), continuo).
- Septets (Unspecified instruments (6), continuo)--Scores and parts.
- Septets (Unspecified instruments (6), continuo).
- Pavans--Scores and parts.
- Pavans.
- Allemandes--Scores and parts.
- Allemandes.
- Courantes--Scores and parts.
- Courantes.
- Galliards--Scores and parts.
- Galliards.
- Genre:
- Pavans (Music)
- Allemandes (Music)
- Courantes (Music)
- Galliards (Music)
- Physical Description:
- 1 online resource (1 score (xv, 179 pages, 6 pages of plates)) : facsimiles + 1 set of 7 parts.
- Place of Publication:
- Middleton, Wisconsin : A-R Editions, Inc., 2019.
- Summary:
- "The violinist and composer Johann Schop (ca. 1590-1667) was closely associated with the city of Hamburg's musical life in the seventeenth century. As director of Hamburg's civic music ensemble, the Ratsmusik, he was expected to provide an instrumental repertoire that could fulfill a variety of functions in the social life of the town, such as public ceremonies and weddings. His collection Erster Theil Newer Paduanen, Galliarden . . . (Hamburg, 1633/1640) is a good example of this repertoire, typical of civic musical culture in Hamburg and other North German towns at that time. Of all the collections of instrumental ensemble music published in Germany during the first half of the seventeenth century it is one of the most substantial. It comprises a great variety of genres, scorings, and styles (conservative and progressive) and documents an important stage in the development of a seventeenth-century German instrumental ensemble idiom." -- Provided by publisher.
- Notes:
- Principally pavans and allemandes, for 3-6 unspecified instruments, with continuo; figured bass unrealized.
- Includes introduction and critical report.
- Includes bibliographical references.
- Online resource (A-R Editions, viewed August 19, 2019).
- OCLC:
- 1114274422
- Publisher Number:
- B125 A-R Editions, Inc. (score)
- B125P A-R Editions, Inc. (parts)
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