More than illustrated music : aesthetics of hybrid media between pop, art and video / edited by Kathrin Dreckmann and Elfi Vomberg.

Format:

Book

Contributor:

Dreckmann, Kathrin, editor.

Vomberg, Elfi, 1986- editor.

Bloomsbury (Firm)

Rosengarten Family Fund.

Series:

New approaches to sound, music, and media

Language:

English

Subjects (All):

Music videos.

Art and music.

Physical Description:

1 online resource (viii, 232 pages) : illustrations (chiefly color).

Place of Publication:

New York, NY : Bloomsbury Academic, Bloomsbury Publishing Inc, 2023.

Contents:

Introduction by Kathrin Dreckmann and Elfi Vomberg <b>I MEDIA ARCHAEOLOGY: THE BEGINNING OF HYBRID MEDIA</b> 1 Music Video and Its Convergence Potential: From the Hybrid to the Permeable <i>Henry Keazor, Heidelberg University, Germany </i>2 Sound & Vision: Early Artists' Video and Music <i>Chris Meigh-Andrews, University of Central Lancashire, UK </i>3 The Process of Creating Was More Important Than the Object: Interview with Ulrike Rosenbach <b>II MEDIA ARCHIVES ON HYBRIDS</b> 4 It Belongs in a Museum? Music Videos in Danish Museum Exhibitions <i>Mathias Bonde Korsgaard, Aarhus University, Denmark </i>5 "No Returns for Dislike": How Music Videos and Video Art Entered the Living Room in the 1980s <i>Linnea Semmerling, Düsseldorf Inter Media Art Institute (IMAI), Germany </i>6 An Aura with Pencil, Brushes, and Pixels: Interview with Wulf Herzogenrath<i>,</i><i> </i><b>III HYBRID IMAGINES: MEDIA AESTHETICS BETWEEN POP AND IDENTITY</b> 7 "You Need To Calm Down"

Stardom and Cancel Culture: The Music Video as an Audiovisual Protest Poster <i>Elfi Vomberg, Heinrich Heine University, Germany </i>8 Facing the Lens of the Camera: Bodies, Self-portraiture, Portraiture, and Identity in Women Artists' Video <i>Laura Leuzzi, Robert Gordon University, University of Abertay, UK </i>9 Spirit of Creation

Between Documenting, Expressing, and Archiving: Interview with AnAkA <b>IV AESTHETICS OF POPULAR MEDIA HYBRIDS</b> 10 Trans* Bowie...Trans* Prince <i>Jack Halberstam, Columbia University, USA </i>11 "Black Queen and King": Iconographies of Self-empowerment, Canon, and Pop in the Current Music Video <i>Kathrin Dreckmann, Heinrich Heine University, Germany </i>12 Audiovisual Art Is About Hybridization: Interview with Barbara London <b>V FUTURE AESTHETICS ON HYBRID MEDIA</b> 13 Music Video Distortion and Posthuman Technogenesis <i>Kristen Lillvis, St. Catherine University, USA </i>14 Untimely Futures and the Art of Revolutionary Life <i>Jami Weinstein, Linkoping University, Sweden </i>15 Feeling Closer to the Track

The Representation of Blackness in Music Video: Interview with Modu Sesay <b>VI MEDIA ART HYBRIDS</b> 16 Hold Up: Mapping the Boundaries of Music Video and Video Art <i>Kirsty Fairclough, Manchester Metropolitan University, UK </i>17 But Still... Is It Art? Contemporary Music Video, Art (Discourse), and Authority

Revisited <i>Maren Butte, Heinrich Heine University, Germany </i>18 Time-based Media Art in Music Video

One Does Something the Other Cannot: Interview with Julia Stoschek <i>Biographies</i> <i>Index</i>.

Notes:

Includes bibliographical references and index.

Electronic reproduction. London Available via World Wide Web.

Description based on online resource; title from digital title page (viewed on March 14, 2023).

Local Notes:

Acquired for the Penn Libraries with assistance from the Rosengarten Family Fund.

Other Format:

Print version: More than illustrated music

ISBN:

9781501381263

1501381261

9781501381249

1501381245

1501381253

9781501381256

Publisher Number:

99996379204

Access Restriction:

Restricted for use by site license.