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The Routledge companion to decolonizing art, craft, and visual culture education / edited by Manisha Sharma and Amanda Alexander.
- Format:
- Book
- Series:
- Routledge handbooks
- Language:
- English
- Subjects (All):
- Art--Study and teaching--Philosophy.
- Art.
- Postcolonialism and the arts.
- Physical Description:
- 1 online resource (xix, 408 pages) : illustrations, maps
- Place of Publication:
- New York, NY : Routledge, 2023.
- Biography/History:
- Manisha Sharma is Professor and Chair of Art Education at the University of North Texas, Denton, USA. She is an arts educator, artist, and researcher focused on how perceptions of culture and community are formed, internalized, and acted out within various communities, through the production and consumption of art and visual culture artefacts. Amanda Alexander is Professor and Chair of the Art Department at Miami University of Ohio, Oxford, USA. She is a community-engaged arts researcher who connects with sites of cultural and artistic (re)production including schools, museums, community arts organizations, and international cooperative groups. Dr. Alexander is centrally concerned with art education students' ability to be more civically engaged individuals, see art as a means to make meaning, and have an interdisciplinary, global perspective.
- Summary:
- "This companion demonstrates how art, craft, and visual culture education activate social imagination and action that is equity- and justice-driven. Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines. Visual and traditional essays in this book combine current scholarship with pragmatic strategies and insights grounded in the reality of socio-cultural, political, and economic communities across the globe. Across three sections (creative shorts, enacted encounters, and ruminative research), a diverse group of authors address themes of histories, space and land, mind and body, and the digital realm. Chapters highlight and illustrate how artists, educators, and researchers grapple with decolonial methods, theories, and strategies-in research, artmaking, and pedagogical practice. Each chapter includes discursive questions and resources for further engagement with the topics at hand. The book is targeted towards scholars and practitioners of art education, studio art, and art history, K-12 art teachers, as well as artist educators and teaching artists in museums and communities"-- Provided by publisher.
- Contents:
- A is for alphabet: reimagining language and mastery as a creative meandering / Marianna Pegno and Anh-Thuy Nguyen
- Critical reflections on teaching as a decolonial practice / Maria Leake
- Angrez chale gaye, Angrezi chod gaye: post-coloniality of language / Nupur Manoj Sachdeva
- Mind the sky (or forgetting and the imposed futurity of the present): a poem / Shanita Bigelow
- Assembling desire / Leon Tan, Mriganka Madhukaillya and Cristina Bogdan
- Lutruwita/Tasmania's fauna: artistic imaginings with native wildlife / Suzanne Crowley
- Reclaiming dreams of our shared future: decolonizing metanarratives around what can/should/will be through imaginative diegesis / Stephanie Jones and James F. Woglom
- A palimpsest of pulverization in occupied Palestine: artistic intervention as counter-representation on the Mediterranean coast / Taylor Miller
- Time to trespass: annotations to 13 appearances / Raqs Media Collective
- From art to artifact: a sestina on public art policy in Confederate monument removal case law / Kristi W. Arth
- Co-creating fine arts learning: decolonial and intersectional strategies / Logan MacDonald
- Hilando historias y territorios: textile cartography of contemporary indigenous communities / Bianca Castillero-Vela
- In Fontaine's footsteps: students' visual essays tackle the difficult history of Canada's Indian residential schools / Agnieszka Chalas and Michael Pitblado
- Unsettling colonial narratives in the art museum / Grace VanderVliet and Ozi Uduma
- Transborder provaciones through Lozano-Hemmer's border tuner | Sintonizador Fronterizo Public Art Installation / Andrea Blancas Beltran and León de la Rosa Carrillo
- Creating máscar(a/illa)s: a decolonizing us-ing / Rebecca C. Christ, Bretton A. Varga and Timothy Monreal
- Decolonization of theater education: an examination of the collective creative process through culturally relevant pedagogy / Maria Cristina Leite, Luiz Ernesto Fraga, Marcio Saretta and Tarlia Laranjeira Cardoso
- Cultural networking, storytelling, and Zoom during the COVID-19 pandemic: conversations with African-Caribbeans on using a decolonized digital arts-based educational platform / Judith Bruce-Golding and Sue Brown
- Art as a bridge for decolonizing grief and accessing my neuroqueer spirit / Corey Reutlinger
- Transgressive enactments: research-creation as anti-colonial praxis / Kimberley White
- Outside the classroom and outside the books: extending the classroom for "antiessentialist" curriculum / Rebecka A. Black and Thomas E. Keefe
- Explorations for decolonizing the curriculum regarding technology / Michelle Tillander
- Activating curiosity, heart, and artistic identity to engage ecojustice / Jonathan Silverman
- Imagining our neighborhood of nonhuman residents: sensorial attunement as ecological aesthetic inquiry / Cala Coats, Shagun Singha, Steven Zuiker and Amanda K. Riske
- Root a/r/tography from native seeds / Jun Hu, Xueyin Li, Lipeng Jin, Qianyu Wang and Yuehua Ding
- Artistic practice as land acknowledgement / Prashast Kachru
- Beyond the veneer of modernism: aesthetics, post-Africanity, and the "multiversum" narrative / Frank AO Ugiomoh
- Exorcising the colonialist: the Cuna figures of the San Blas Islands and other forms of mimesis and mimicry / Alice Wexler
- A critique of Grand Hegemony: disrupting historical valuations of public space through pervasive gaming / Lillian Lewis and Veronica Hicks
- Art education and entangled knowledge in the digital age: learning from Tabita Rezaire's Premium Connect / Kristin Klein
- Raranga and Tikanga Pā Harakeke
- an indigenous model of socially engaged art and education / Leon Tan and Tanya White
- Decolonization and the degeneralization of time in art education historiography / Juuso Tervo
- Nepantlando: a borderlands approach to curating, art practice, and teaching / Leslie C. Sotomayor II and Christen Sperry García
- Crafting criticality into my wayfaring Jewish ancestors' colonial trade connections / Esther Fitzpatrick
- Decolonizing blood, body, and brain: from the visual practices of Jonathan Kim / Boram Lee and Jonathan Kim
- Decolonizing formal art education in Germany / Ernst Wagner
- Toward frontiers of decolonization in contemporary Nigerian art markets / Samuel Egwu Okoro and Soiduate Ogoye-Atanga
- Histories and pedagogics from the underside(s) of modernity / Dalida María Benfield and Christopher Bratton.
- Notes:
- Includes bibliographical references and index.
- Description based on online resource; title from digital title page (viewed on August 17, 2023).
- Other Format:
- Print version: Routledge companion to decolonizing art, craft, and visual culture education
- ISBN:
- 9781003190530
- 1003190537
- 9781000901696
- 1000901696
- 9781000901740
- 1000901742
- OCLC:
- 1377284146
- Access Restriction:
- Restricted for use by site license.
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