The Routledge companion to Indigenous art histories in the United States and Canada / edited by Heather Igloliorte and Carla Taunton.

Format:

Book

Contributor:

Igloliorte, Heather L., editor.

Taunton, Carla, editor.

Series:

Routledge Art History and Visual Studies Companions

Language:

English

Subjects (All):

Indian arts--United States.

Indian arts.

Indian arts--Canada.

Physical Description:

1 online resource : illustrations

Place of Publication:

New York, NY : Routledge, Taylor & Francis Group, 2023.

Summary:

This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America.

Contents:

Cover

Half Title

Title

Copyright

Dedication

Contents

Acknowledgments

Author Biographies

List of Figures

Preface

Introduction: The Path Before Us: Generating and Foregrounding Indigenous Art Theory and Method

Section I Sovereignty and Futurity

1 Art, Visual Sovereignty and Pushing Perceptions

2 Dancing Sovereignty: Reclaiming the Grease Trail Through Protocol, Movement, and Song

3 Shifting the Paradigm of Art History: A Multi-sited Indigenous Approach

4 An Inuit Approach to Archival Work Based on Respect and Adaptability

5 Overclock Our Imagination!: Mapping the Indigenous Future Imaginary

6 A Manifesto of Close Encounters

Section II Kinship, Care, Relationality

7 Kitchen Tables and Beads: Space and Gesture in Contemplative and Creative Research

8 Expanding Relationships: Beyond the Non

9 Wisdom in Beauty: Respect in Indigenous Curation

10 Balancing Curatorial Indigenous and Queer Belonging:

11 Taking Good Care: Collaborative Curating and the Alberni Indian Residential School Art Collection

12 Betraying the Object: Relational Anxieties and Bureaucratic Care in Indigenous Collections Research

13 A Brief Conversation on Visiting, Mentoring, The Land, and Art History

Section III Indigenous Ways of Knowing and Being

14 miýikosiwin: Spirit, Land and Form Among Turtle Island's Indigenous Artists, Designers and Architects

15 Indigenous Curation in LA: The People's Home: Winston Street 1974

16 The Giving Tree: Methodologies of Generosity

17 Frontrunners as an Exploration of Indigenous Littoral Curation

18 A:Shiwi Art History: The Strength of Pueblo Place

19 Inuit Research Methodologies: Conversations Toward Reclaiming Inuit Protocols with Robert Comeau

20 A Braided Process: Decolonizing, Indigenizing, and Self-Determination.

21 There are No Metaphors: A Proposal for Dreaming Indigenous Philosophies into Studio Arts Education

Section IV Anti-colonial Practices

22 From Colonial Trophy Case to Non-Colonial Keeping House

23 An Ethic of Decolonial Questioning: Exercising the Quadruple Turn in the Arts and Culture Sector

24 Unsettling Artistic Expectations With Two-eyed Seeing

25 Decolonizing Representation: Ontological Transformations Through Re-mediation of Indigenous Representation in Popular Culture and Indigenous Interventions

26 Care Full Discomfort: Engaged Decolonial Practice, People and Admin

27 Telling the Stories of Objects in Museum Collections: Some Thoughts and Approaches

28 Art Racism to Indigenography Methodology

29 A Glossary of Insistence

Section V Stories, Living Knowledges, Continuity and Resurgence

30 Writing and Sharing Our Art Histories: Storying Histories of Art: Activating the Visual

31 Bringing Stories to Sites at Shore Lunch Clarkson/Mississauga

32 "The Words You Choose are Purposeful": On Inuit Writing and Editing

33 Beyond Queer Survivance

34 Indigenous Abstraction: A Vehicle for Visioning

35 Alaska Native Artistic Reclamation and the Persistence of Indigenous Aesthetics

36 Foregrounding Pivalliatitsinik/Piggautigijaunikkut: Indigenous Mentorship in Creative Spaces

Bibliography

Index.

Notes:

Includes bibliographical references and index.

Description based on print version record.

ISBN:

9781003014256

1003014259

9781000608557

1000608557

OCLC:

1296689102