Intellectual and cultural property : between market and community / Fiona Macmillan.

Format:

Book

Author/Creator:

Macmillan, Fiona, 1958- author.

Language:

English

Subjects (All):

Intellectual property.

Physical Description:

1 online resource (233 pages)

Edition:

1st ed.

Place of Publication:

London ; New York, New York : Routledge, [2021]

Summary:

This book focuses on the fraught relationship between cultural heritage and intellectual property, in their common concern with the creative arts. This book will appeal to academics and practitioners in both intellectual property and the arts, as well as legal and cultural theorists with interests in this area.

Contents:

Cover

Half Title

Title Page

Copyright Page

Dedication

Table of Contents

Preface

List of Abbreviations

1 Copyright and Cultural Production

1 Introduction

1.1 The Fall of Icarus and the Burden of Genius

1.2 Structure of the Book

1.3 A Brief Note on Terminology

2 The Long History of Copyright and its Consequences

2.1 Regulating the "Creative Arts"

2.2 Printers' Privileges, Market Regulation and Aesthetic Theory

3 Copyright in International Law

4 The Politics of Copyright

5 The Political Economy of Copyright: Critical Approaches

5.1 The Property Paradigm

5.2 The Market Paradigm and Investment Rights

5.3 Labour

5.4 The State, Politics and Geo-Politics

5.5 Creativity and Innovation

5.6 The Non-Propertized Space of Cultural Production

2 Hyperreality and the Non-Propertized Domain of Intellectual Space

1 Introduction: Imagining Intellectual Space

2 Intellectual Space, Intellectual Property and the Non-Propertized Zone

3 The Power of Property in Intellectual Space

4 Cultural Property/Heritage in Intellectual Space

5 While we're talking about the Romans …

3 Heritage, Law and Community

1 Introduction: The UNESCO Regime in Geo-Political Context

2 The Concept of Cultural Heritage

2.1 The UNESCO Regime

2.2 An Overarching Concept?

2.3 Identity, Community, Property

3 Intangible Cultural Heritage

3.1 Defining Intangible Cultural Heritage

3.2 Intangible Cultural Heritage and Community

3.3 Intangible Cultural Heritage and Intellectual Property

4 Cultural Property and Decolonization

4.1 Claims of Developing Countries and Indigenous Peoples

4.2 Tangibility, Intangibility and the Privatization of Cultural Heritage

4.3 Public v Private Claims to Cultural Heritage

5 Asking Too Much of Heritage?

4 Community and Cultural Property.

1 Introduction: Critical Heritage Studies v The Authorized Heritage Discourse

2 Recognizing Community

3 Community and Law

4 Community and Copyright Law

5 The Complex Reality

5 The Monumental Occidental Tragedy

1 Introduction: The West v The Rest

2 Tangibility, Intangibility and Digitization

2.1 Re-representation and Co-constitution

2.2 Access and Use

2.3 Intellectual Property (again)

3 Immoveability and Monumentality

4 Moving Targets

4.1 Origin and Community (Again)

4.2 Decontextualization

4.3 Conservation and Destruction

5 Authenticity

6 Nature and Culture

7 Being Flattened by the Capitalist Steamroller

6 Explorations in the Cultural Landscape - Arts Festivals

1 Introduction: Here, There and Everywhere

2 Definitions: Being Together in no Man's Land

3 Saturated by Copyright?

3.1 Performance and Text

3.2 Ephemeral Performances

3.3 Interactive Works

3.4 Things that are Not Copyright Works

4 The Festival Space: Cultural Production and Community

5 Law in the Festival Space

6 Re-appropriating the Space of Community

7 Living between Market and Community

1 The Dynamic Duo

2 Copyright, Creativity and the Commons

3 Cultural Rights

4 Heritage or Property?

5 Embedding the Market in Community

5.1 Rethinking Copyright

5.2 Radicalizing Cultural (Heritage/)Property

6 A Last (Short) Word on Heritage as a Cosmopolitan Ideal

Index.

Notes:

Includes index.

Description based on print version record.

ISBN:

0-429-42584-8

0-429-75922-3

9780429425844

OCLC:

1199891109