My Account Log in

1 option

Performance Generating Systems in Dance : Dramaturgy, Psychology, and Performativity / Pil Hansen.

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Hansen, Pil, 1974- author.
Language:
English
Subjects (All):
Dance--Psychological aspects.
Dance.
Physical Description:
1 online resource (170 pages)
Place of Publication:
Intellect 2022
Bristol, England : Intellect Ltd, [2022]
Language Note:
English
Summary:
Analyzes the self-organizing dramaturgies of dance works that generate performance systematically. Provides effective resources for those who wish to study or realize the potential of performance generating systems in dance within the fields of choreography and dance dramaturgy, dance education, community dance, or dance psychology. 17 b&w illus. A PDF version of the introduction of this book is available for free in Open Access: Performance Generating Systems in Dance. It has been made available under a Creative Commons Attribution 4.0 International Public license.
Contents:
Cover
Performance Generating Systems in Dance
Copyright
Contents
Acknowledgement
List of Figures
1. Introduction: Performance Generating Systems in Dance
Conceptualizing and researching performance generating systems
Three analytical and dramaturgical frameworks in application
Dramaturgy
Psychology
Performativity
PART ONE: DRAMATURGY
2. The Dramaturgical Agency of Performance Generating Systems
Developments in dramaturgical agency
Departures from choreography
Differences from improvisation
Concepts of memory at work
Memory and agency in performance generating systems
3. Analyzing and Notating Performance Generating Dramaturgies as Dynamical Systems
Notation challenges
Dynamical Systems Theory
DST-based tools of analysis and notation
4. Recycled Choreographic Memory in relay: Henderson
Futuring memory
The dynamics of futuring memory
Ethics of affecting memory
PART TWO: PSYCHOLOGY
5. The Cognitive Demands and Learning Effects of Performance Generating Systems
The emergence of dance psychology
Notes on methodology
An earned presence
Kinaesthetic perception and perceptual integration
Recalling and perceiving through memory
Constraints and distributed, extended cognition
Implicit and explicit learning
Disrupting and manipulating implicit processes
Unlearning and recalibrating perception
6. Learning in Whole in the Head: Forsythe
Improvisation Technologies: imaging movement modalities
Building an ensemble: collective memory and skill development
Opening the near closed 'soft clock'
Generating components within narrow boundaries
Self-organizing dynamics and the attractor of emergent performer agency
Closing the near open 'supernova'
Expanded generating components and exploded boundaries.
The self-organizing attractor of ensemble memory and agency
Learning WitH an ensemble
7. Unlearning in I'll Crane for You: Hay through House
Testing the boundaries of performance generating systems with Hay through House
Generating components
Practice
Adapting performer
Score
Agreement
Transferability
Learning to unlearn
PART THREE: PERFORMATIVITY
8. Affecting the (Im)possibility of Change: Performativity and Trauma
Moving from dramaturgy and psychology through performativity
Performativity: discursive
Performativity: posthuman
Potential of change in performance generating systems: phase transitions
(Un)changeable conditions: trauma
Performative Agency
9. Transition from Dissociation to Intimacy in Crave: Kaeja
Craving touch: sourcing dissociation
Creating 'touch'
Safety through transfer
Phase transition towards relational, performative agency
Process strategies
10. Environmental Entanglement in the Dance Machine: Lee
Querying belonging: sourcing displacement
A simple dance: devising a consensual feedback system
Generating components and phase transition: listening tocollective/environmental interaction
Transitions from hesitant/unconnected performance to engagement
Immersive rest and robust forms of creative engagement
Invited forms of collaborative engagement
Performative strategies
11. Conclusion: Affecting Agency, Learning, and Change through Performance Generating Systems
The conceptualization of performance generating systems
Dramaturgical, psychological, and performative case insights
The combined theoretical frameworks and their future application
Appendix: Methodological Negotiations
Bibliography
Index
Back Cover.
Notes:
Includes bibliographical references and index.
Description based on print version record.
Other Format:
Print version: Hansen, Pil Performance Generating Systems in Dance
ISBN:
9781789386417
1789386411
9781789386424
178938642X

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account